Vintage Summer Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Copyright: ℗ 2024 Sony Music Entertainment

Anmerkung zuletzt geändert am 2025-11-10 19:22 UTC.

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1Ring of Fire
cover recording of:
Ring of Fire
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:35
2Heaven
recording of:
Heaven
Texter und Komponist(in):
Jani Lane
publisher:
BMG Platinum Songs US, Dixonyou Music, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music und Rich McBitch Music
Warrant3:57
3Jailhouse Rock
recording of:
Jailhouse Rock
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:30
4Brandy (You’re a Fine Girl)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 11) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
Texter und Komponist(in):
Elliot Lurie
Looking Glass4.253:06
5Don’t Bring Me Down
recording of:
Don’t Bring Me Down
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4:03
6Thunder Road
Techniker(in):
Louis Lahav (von 1974-10 bis 1975-03) und Jimmy Iovine (von 1975-04-18 bis 1975-07-16)
Produzent(in):
Mike Appel, Jon Landau und Bruce Springsteen
Mix:
Jimmy Iovine
Bassgitarre:
Garry Tallent (von 1974-10 bis 1975-07-16)
Gitarre und Mundharmonika und Sologesang:
Bruce Springsteen (von 1974-10 bis 1975-07-16)
Orgel:
Danny Federici (von 1974-10 bis 1975-07-16)
Rhodes Piano und Glockenspiel:
Roy Bittan (von 1974-10 bis 1975-07-16)
Saxophon:
Clarence Clemons (von 1974-10 bis 1975-07-16)
Schlagzeug:
Max Weinberg (von 1974-10 bis 1975-07-16)
Hintergrundgesang:
Mike Appel (von 1974-10 bis 1975-07-16), Roy Bittan (von 1974-10 bis 1975-07-16) und Little Steven (von 1974-10 bis 1975-07-16)
phonographisches Urheberrecht (℗) von:
CBS Dischi S.p.A. (Italian record company) (in 1982)
aufgenommen bei:
914 Sound Studios in New York, Vereinigte Staaten (von 1974-10 bis 1975-03) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975-04-18 bis 1975-07-16)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 27), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 86) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 111)
recording of:
Thunder Road (B. Springsteen 1974–1975) (von 1974-10 bis 1975-07-16)
publisher:
Bruce Springsteen (in 2003)
Texter und Komponist(in):
Bruce Springsteen (von 1974 bis 1975)
arranger:
Bruce Springsteen
publisher:
Intersong Music Ltd. und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1975)
basiert auf:
Chrissie’s Song (B. Springsteen 1974)
basiert auf:
Walking in the Street (B. Springsteen 1974)
basiert auf:
Wings for Wheels (Bruce Springsteen 1974–1975)
Bruce Springsteen3.94:50
7Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:04
8The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & The Range4.054:57
9Get Together
recorded in:
New York, New York, Vereinigte Staaten (in 1966-11)
Produzent(in):
Felix Pappalardi
Bass und Sologesang:
Jesse Colin Young (in 1966-11)
Gitarre und Hintergrundgesang:
Jerry Corbitt (in 1966-11) und Lowell Levinger (in 1966-11)
Keyboard:
Lowell Levinger (in 1966-11)
Schlagzeug:
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
Texter und Komponist(in):
Chet Powers
publisher:
Irving Music (BMI) und Irving Music, Inc.
The Youngbloods3.754:36
10You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
Roy Orbison4.553:30
11No Sugar Tonight / New Mother Nature (2024 remaster)
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
recording of:
No Sugar Tonight / New Mother Nature (von 1969-08 bis 1969-11)
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter) und Burton Cummings
Medley von:
No Sugar Tonight
Medley von:
New Mother Nature
The Guess Who4.64:54
12Song of the South
Alabama3.853:15
13Got to Get You Into My Life
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1978 bis heute) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Earth, Wind & Fire34:03
14Shakin’
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
aufgenommen bei:
Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04), Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1981-12 bis 1982-04) und Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04)
recording of:
Shakin’ (von 1981-12 bis 1982-04)
Verfasser(in):
Ralph Carter (heavy metal bassist), Eddie Money und Elizabeth Myers (musician, composer, pianist and singer)
publisher:
Cashola Music, Elizabeth Myers Music und Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money43:08
15Summertime Blues
recording engineer und Mix:
John Kelton
zusätzlich recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
Techniker(in):
Paula Montondo (Mixing & recording engineer)
Produzent(in):
Keith Stegall (American country singer / songwriter and record producer)
Hintergrundgesang und Sologesang:
Alan Jackson (US country singer/songwriter)
aufgenommen bei:
Eleven Eleven Sound in Nashville, Tennessee, Vereinigte Staaten und The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
cover recording of:
Summertime Blues
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alan Jackson43:11
16Scenes From an Italian Restaurant
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
accordion:
Dominic Cortese
Akustikgitarre:
Hugh McCracken
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
E-Gitarre:
Steve Burgh
Klarinette und Saxophon:
Richie Cannata
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist)
Schlagzeug:
Liberty DeVitto (US drummer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei und mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 324)
recording of:
Scenes From an Italian Restaurant
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Joelsongs (vom 1977 bis heute) und Impulsive Music (in 1977)
Billy Joel4.357:35
17Smokin’
recording of:
Smokin’
Verfasser(in):
Brad Delp und Tom Scholz
publisher:
Lacey Boulevard Music, Screen Gems–EMI Music Ltd., Weedhigh‐Nightmare Music und Pure Songs (in 1976)
Boston4:21
18Surrender
assistierende(r) Techniker(in):
Mike Beiriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 356) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 465)
recording of:
Surrender (von 1978-04-30 bis 1978-05-03)
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick3.854:14
19I Can’t Go for That (No Can Do)
recording engineer und Mix:
Neil Kernon
assistierende(r) Techniker(in):
Bruce Buckhhalter (Engineer)
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 6)
recording of:
I Can’t Go for That (No Can Do)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates45:07
20Somebody to Love
recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane2:54
21Take Me Home, Country Roads (original version)
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:08
22Separate Ways (Worlds Apart)
recording of:
Separate Ways (Worlds Apart)
Verfasser(in):
Jonathan Cain und Steve Perry (former lead singer of Journey)
publisher:
Love Batch Music, Twist and Shout Music und Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey5:26
23Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:44
24Stranglehold
recording of:
Stranglehold
Texter und Komponist(in):
Ted Nugent
zusätzliche(r) Verfasser(in):
Rob Grange
publisher:
Magicland Music
Parodieversion von:
Strangest Folks
Ted Nugent4.258:23
25Roll With the Changes
Techniker(in):
Paul Grupp
zusätzliche(r) Techniker(in):
Gary Lubow
Produzent(in):
Kevin Cronin (guitarist, singer and songwriter), Paul Grupp und Gary Richrath (guitarist and songwriter)
Akustikgitarre, Klavier und Sologesang:
Kevin Cronin (guitarist, singer and songwriter)
Bassgitarre:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre [lead guitars]:
Gary Richrath (guitarist and songwriter)
Hammond-Orgel:
Neal Doughty (keyboards)
Schlagzeug [drums]:
Alan Gratzer (drummer)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
aufgenommen bei und mixed at:
Sound City in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Roll With the Changes (in 1977-10)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Fate Music, Roliram Music und 大洋音楽 (Taiyō Music)
REO Speedwagon35:37
26Wham Bam Shang‐A‐Lang
Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Tom Sellers (US musician, producer, arranger and songwriter)
Bassgitarre:
Tom Leadon
Gitarre:
John Batdorf (singer, songwriter) und Greg Collier
Keyboard:
Brent Mydland
Schlagzeug:
Harry Stinson
vocals:
John Batdorf (singer, songwriter), Greg Collier, Tom Leadon, Brent Mydland und Harry Stinson
arranger:
Silver (70s US country rock band “Wham Bam”) und Tom Sellers (US musician, producer, arranger and songwriter)
recording of:
Wham Bam Shang‐A‐Lang
Texter und Komponist(in):
Rick Giles (US country musician)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Silver3.13:32
27I’m No Stranger to the Rain
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 139)
recording of:
I'm No Stranger to the Rain
Verfasser(in):
Sonny Curtis und Ron Hellard
Keith Whitley43:33
28It Never Rains in Southern California
recording of:
It Never Rains in Southern California
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI April Music Inc.
Albert Hammond3:50
29Pride and Joy
Stevie Ray Vaughan & Double Trouble3:39
30Everything’s the Same (Ain’t Nothing Changed)
recording of:
Everything's The Same (Ain't Nothing Changed)
Texter und Komponist(in):
Billy Swan
Billy Swan2:34
31Cum on Feel the Noize
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
cover recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4:47
32All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:32
33Foolish Heart
recording of:
Foolish Heart
Verfasser(in):
Randy Goodrum und Steve Perry (former lead singer of Journey)
publisher:
Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music und Street Talk Tunes
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Steve Perry3:38
34The Times They Are A‐Changin’
recorded in:
New York, New York, Vereinigte Staaten (am 1963-10-24)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 59)
recording of:
The Times They Are A‐Changin’ (am 1963-10-24)
Texter und Komponist(in):
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1963 bis 1991) und Special Rider Music (vom 1991 bis heute)
Bob Dylan43:11
35Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.653:59
36Let’s Hear It for the Boy (From “Footloose” Soundtrack)
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:20
37Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:42
38Burnin’ for You
recording of:
Burnin’ for You
Verfasser(in):
Donald Roeser (singer, lead guitarist and songwriter) und Richard Meltzer
publisher:
B. O’Cult Songs Inc., Sony/ATV Music Publishing, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult4:30
39All Shook Up
cover recording of:
All Shook Up
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley2:00
40I Walk the Line
recording of:
I Walk the Line
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:50
41High on You
Techniker(in) und Produzent(in):
Ron Nevison
Bass:
Stephan Ellis (bass player with Survivor)
Gitarre:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
Keyboard:
Jim Peterik
Schlagzeug:
Marc Droubay (drummer for Survivor)
Hintergrundgesang:
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
Sologesang:
Jimi Jamison
phonographisches Urheberrecht (℗) von:
Scotti Brothers Records (in 1984)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
High on You
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Survivor54:08
42Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:42
43You Took the Words Right Out of My Mouth (Hot Summer Night)
Meat Loaf5:04
44Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:57
45Holding Out for a Hero (From “Footloose” Soundtrack)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler5:49
46Born Country
recording of:
Born Country
Verfasser(in):
Byron Hill und John Sweers
Komponist(in):
Byron Hill und John Schweers
Alabama43:19
47Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
assistierende(r) Techniker(in):
Mike Clink (Aufgabe: assistant), Roy Segal (Aufgabe: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (Aufgabe: assistant) und Tom Lubin (Aufgabe: assistant)
Techniker(in):
Andy Johns (Aufgabe: recording & mixing)
Produzent(in):
Bruce Botnick
Mix:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Bass:
Lonnie Turner
Bassgitarre:
Lonnie Turner
Gitarre:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
Keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols und Freddie Webb (keyboardist)
Mundharmonika, Saxophon und Sologesang:
Eddie Money
Perkussion:
Kevin Calhoun (percussionist), Gary Mallaber und Kevin Calhoun (composer)
Schlagzeug:
Gary Mallaber
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Randy Nichols
vocals:
Eddie Money
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1977-06) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
Texter und Komponist(in):
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
48Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:34
49Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:22
50Satch Boogie
Programmierung:
Jeff Kreeger
Schlagzeug-Programmierung:
Joe Satriani und Bongo Bob Smith
Techniker(in):
John Cuniberti
Produzent(in):
John Cuniberti und Joe Satriani
zusätzliche(r) Produzent(in):
Jeff Kreeger
Bassgitarre, Gitarre und Keyboard:
Joe Satriani
Perkussion:
Jeff Campitelli, John Cuniberti, Joe Satriani und Bongo Bob Smith
Schlagzeug:
Jeff Campitelli
aufgenommen bei und mixed at:
Alpha Omega in San Rafael, California (Kalifornien), Vereinigte Staaten und Hyde Street Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Satch Boogie
Komponist(in):
Joe Satriani
publisher:
Strange Beautiful Music
Joe Satriani3.63:13
51Living in America (From “Rocky IV” Soundtrack)
assistierende(r) Techniker(in):
Jeff Lord‐Alge
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Dan Hartman und Stevie Ray Vaughan
Horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral und The Uptown Horns (US horn section, formed in 1980)
Keyboard:
Dan Hartman
membranophone:
Ray Marchica
Hintergrundgesang:
Dan Hartman und T.M. Stevens (US bass player Thomas Michael Stevens)
Sologesang:
James Brown (The Godfather of Soul)
recording of:
Living in America
Verfasser(in):
Dan Hartman und Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. und United Lion Music Inc.
James Brown3.354:42
52Just the Way You Are
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh (in 1977) und Hugh McCracken (in 1977)
alto saxophone [alto sax]:
Phil Woods (US jazz woodwind player) (in 1977)
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
Keyboard und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 17)
recording of:
Just the Way You Are (in 1977)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Billy Joel4.14:49
53This Is the One (remastered 2009)
The Stone Roses4:59
54The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:10
55Don’t Stop Believin’
recording of:
Don’t Stop Believin’ (Journey song)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4:09
56Drinkin’ My Baby Goodbye
The Charlie Daniels Band3:40
57Your Love
Produzent(in):
William Wittman
Mix:
John Agnello (engineer & producer) und William Wittman
Bassgitarre und Sologesang:
Tony Lewis (lead vocalist, bassist in The Outfield)
Gitarre:
John Spinks
Keyboard:
Reg Webb (piano)
Schlagzeug:
Alan Jackman
vocals:
John Spinks
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1985)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Your Love von The Outfield
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 59) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 450)
recording of:
Your Love
Texter und Komponist(in):
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Warning Tracks Ltd.
The Outfield3.753:42
58Born to Run
Techniker(in) und Mix:
Louis Lahav
Produzent(in):
Mike Appel und Bruce Springsteen
Bassgitarre:
Garry Tallent (von 1974-01 bis 1974-08-06)
Gitarre:
Bruce Springsteen (von 1974-01 bis 1974-08-06)
Keyboard:
David Sancious (von 1974-01 bis 1974-08-06)
Orgel:
Danny Federici (von 1974-01 bis 1974-08-06)
Saxophon:
Clarence Clemons (von 1974-01 bis 1974-08-06)
Schlagzeug:
Ernest Carter (von 1974-01 bis 1974-08-06)
vocals:
Bruce Springsteen (von 1974-01 bis 1974-08-06)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1975)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
aufgenommen bei:
914 Sound Studios in New York, Vereinigte Staaten (von 1974-01 bis 1974-08-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 27) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 70)
recording of:
Born to Run (von 1974-01 bis 1974-08-06)
publisher:
Bruce Springsteen (in 1975, in 1988, in 2003)
Texter und Komponist(in):
Bruce Springsteen (in 1974)
publisher:
Bruce Springsteen Music, Intersong Music Ltd., Penjane, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing France (not for release label use!), Universal Music Works (GMR affiliated) und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1974)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Springsteen4.354:30
59September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
60I’m Over You
Keith Whitley3:01
61The One I Loved Back Then (The Corvette Song)
recording of:
The One I Loved Back Then (The Corvette Song)
Texter und Komponist(in):
Gary Lee Gentry
George Jones2:29
62Rock and Roll, Hoochie Koo
Rick Derringer3:42
63Islands in the Stream
Produzent(in):
Barry Gibb
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers4:08
64Sunny
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
cover recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Boney M.44:01
65You’ve Got Another Thing Coming
recording of:
You’ve Got Another Thing Comin’
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
Judas Priest5:10
66Gone Country
recording engineer und Mix:
John Kelton
zusätzlich recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
Techniker(in):
Paula Montondo (Mixing & recording engineer)
Produzent(in):
Keith Stegall (American country singer / songwriter and record producer)
Sologesang:
Alan Jackson (US country singer/songwriter)
aufgenommen bei:
Eleven Eleven Sound in Nashville, Tennessee, Vereinigte Staaten und The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
Musikvideos:
Gone Country von Alan Jackson (US country singer/songwriter)
recording of:
Gone Country
Texter und Komponist(in):
Bob McDill
Alan Jackson44:20
67Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:09
68Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (Nashville session musician and arranger) (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley4.14:29
69Life Is So Good
recording of:
Life Is So Good
Texter und Komponist(in):
John Denver
John Denver1:56
70Oh, Pretty Woman
recording of:
Oh, Pretty Woman (Roy Orbison song)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison2:56
71Cat Scratch Fever
recording of:
Cat Scratch Fever
Texter und Komponist(in):
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music und Round Hill Works
Ted Nugent3:39
72Your Mama Don’t Dance
zusätzliche(r) Techniker(in):
John Fiore
recording of:
Your Mama Don’t Dance
Verfasser(in):
Kenny Loggins und Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:48
73When I See You Smile
recording of:
When I See You Smile
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Universal/MCA Music Ltd. (not for release label use!)
Bad English4:18
74Broken Wings
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister5:45
75You Make My Dreams (Come True)
Produzent(in):
Daryl Hall und John Oates
vocals:
Daryl Hall und John Oates
arranger:
Daryl Hall und John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 232)
recording of:
You Make My Dreams
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Geomantic Music, Hot Cha Music Co., Mushroom Music Pty. Ltd., Primary Wave Brian, Unichappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.053:10
76Piece of My Heart
recording of:
Piece of My Heart
Verfasser(in):
Bert Russell und Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. und Wren Music Co.
Big Brother & The Holding Company & Janis Joplin4:13
77Love My Way
recording of:
Love My Way
Texter und Komponist(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) und Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. und EMI Songs Musikverlag GmbH
The Psychedelic Furs3:34
78Don’t Be Cruel
Produzent(in):
Nick Shaffran
cover recording of:
Don’t Be Cruel
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Billy Swan4:13
79(Ghost) Riders in the Sky
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1979-03-27)
Produzent(in):
Brian Ahern
Banjo [banjo-lute] und Mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (von 1979-02 bis 1979-04)
E-Bass:
Marshall Grant (von 1979-02 bis 1979-04)
E-Gitarre:
Bob Wootton (von 1979-02 bis 1979-04)
Fiddle:
Ricky Skaggs (von 1979-02 bis 1979-04)
Gitarre:
Johnny Cash (country music legend) (von 1979-02 bis 1979-04), Jack Clement (von 1979-02 bis 1979-04), Jerry Hensley (von 1979-02 bis 1979-04) und Jack Routh (von 1979-02 bis 1979-04)
Hackbrett:
Alisa Jones (US hammered dulcimer player) (von 1979-02 bis 1979-04)
Klavier:
Earl Poole Ball (US country pianist) (von 1979-02 bis 1979-04)
Perkussion:
Mark Morris (drummer & percussionist) (von 1979-02 bis 1979-04)
Schlagzeug:
W.S. Holland (von 1979-02 bis 1979-04)
Trompete:
Jack Hale (trombone) (von 1979-02 bis 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
Waldhorn:
Jack Hale (trombone) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (von 1979-02 bis 1979-04), Johnny Cash (country music legend) (von 1979-02 bis 1979-04) und Jan Howard (von 1979-02 bis 1979-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (von 1979-02 bis 1979-04)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (am 1979-03-27)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
Johnny Cash4.253:46
80Oh Sherrie
Steve Perry3:48
81Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.44:05
82American Woman (7″ single version)
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) und BMG Music (in 1970)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
American Woman (original stereo mix) von The Guess Who (Canadian rock band)
recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.23:50
83Peace of Mind
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Peace of Mind (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Pure Songs, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Boston4.25:03
84Oye Como Va
recording of:
Oye como va
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana4:16
85Under the Milky Way
phonographisches Urheberrecht (℗) von:
The Church (in 2009)
recording of:
Under the Milky Way
Verfasser(in):
Karin Jansson und Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) und Universal/MCA Music Publishing Pty Ltd
The Church4:57
86Forty Hour Week (For a Livin’)
recording of:
Forty Hour Week (For a Livin')
Komponist(in):
Dave Loggins, Don Schlitz und Lisa Silver
Alabama33:18
87Let’s Groove
Earth, Wind & Fire5:36
88Take Me Home Tonight
Techniker(in):
Michael Frondelli, Phil Kaffel und Dave Leonard
Produzent(in):
Eddie Money und Richie Zito
Mix:
Scott Litt (producer and engineer), Eddie Money und Richie Zito
Sologesang:
Eddie Money (von 1985-11 bis 1986-05)
zusätzlich Gast vocals:
Ronnie Spector (von 1985-11 bis 1986-05)
Interpret(in):
Ronnie Spector (von 1985-11 bis 1986-05)
arranger:
Eddie Money und Richie Zito
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05), Oasis Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05) und R.O. Studios in Concord, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05)
medley including a recording of:
Be My Baby (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
medley including a recording of:
Take Me Home Tonight (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
recording of:
Take Me Home Tonight
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
Eddie Money4.353:30
89Bark at the Moon
Techniker(in):
Max Norman
Produzent(in):
Bob Daisley, Max Norman und Ozzy Osbourne
Mix:
Tony Bongiovi
Bassgitarre:
Bob Daisley (in 1983)
Gitarre:
Jake E. Lee (in 1983)
Keyboard:
Don Airey (in 1983)
Schlagzeug:
Tommy Aldridge (in 1983)
Hintergrundgesang:
Bob Daisley (in 1983) und Jake E. Lee (in 1983)
Sologesang:
Ozzy Osbourne (in 1983)
instruments arranger:
Louis Clark
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (in 1983)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Bark at the Moon von Ozzy Osbourne
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 56)
recording of:
Bark at the Moon (in 1983)
Texter und Komponist(in):
Ozzy Osbourne
publisher:
BMG Gold Songs, EMI Virgin Music, Inc., Virgin Music (Publishers) Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) (in 1983), Monowise Ltd. (in 1983) und Nymph Music, Inc. (in 1983)
Ozzy Osbourne3.854:16
90Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und WB Music Corp. (1929–2019)
The Bangles43:03
91Piano Man
Techniker(in):
Ron Malo
Produzent(in):
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion und Keyboard [keyboards]:
Michael Omartian (in 1973)
E-Bass:
Wilton Felder (in 1973)
Gitarre:
Larry Carlton (in 1973) und Dean Parks (American session guitarist) (in 1973)
Gitarre [guitar overdubs]:
William Bennett (guitarist) (in 1973)
Mundharmonika und Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1973)
Perkussion:
Bobbi Hall (in 1973)
Schlagzeug:
Ron Tutt (drummer) (in 1973)
arranger:
Michael Omartian
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1973)
Musikvideos:
Piano Man von Billy Joel (American singer‐songwriter and pianist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 421)
recording of:
Piano Man (in 1973)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel4.355:36
92Walk This Way
Techniker(in):
Steve Ett
Koproduzent(in):
Jason Mizell und Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Keyboard und Perkussion:
Jason Mizell
Gast Hintergrundgesang:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986, in 1989) und Sony BMG Music Entertainment Inc. (in 1986)
Musikvideos:
Walk This Way von Run‐D.M.C.
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 9), New York Post: 100 Greatest Covers (2007) (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 287)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run-DMC & Aerosmith4.055:11
93One Toke Over the Line
recording of:
One Toke Over the Line
Texter und Komponist(in):
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) und Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
publisher:
Universal Music Careers
Brewer & Shipley3:19
94I Ran (So Far Away)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls5:00
95You Ain’t Goin’ Nowhere
recording of:
You Ain’t Goin’ Nowhere
Texter und Komponist(in):
Bob Dylan (in 1967)
zusätzlicher Texter:
Bob Dylan (in 1971)
publisher:
Dwarf Music (vom 1967 bis heute)
The Byrds2:33
96Surfing With the Alien
Programmierung:
Jeff Kreeger
Schlagzeug-Programmierung:
Joe Satriani und Bongo Bob Smith
Techniker(in):
John Cuniberti
Produzent(in):
John Cuniberti und Joe Satriani
zusätzliche(r) Produzent(in):
Jeff Kreeger
Bassgitarre, Gitarre und Keyboard:
Joe Satriani
Perkussion:
Jeff Campitelli, John Cuniberti, Joe Satriani und Bongo Bob Smith
Schlagzeug:
Jeff Campitelli
aufgenommen bei und mixed at:
Alpha Omega in San Rafael, California (Kalifornien), Vereinigte Staaten und Hyde Street Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 48)
recording of:
Surfing With the Alien
Komponist(in):
Joe Satriani
publisher:
Strange Beautiful Music
Joe Satriani4.754:24
97Badlands
recording engineer:
Jimmy Iovine (von 1977-06-27 bis 1978-05-05)
assistierende(r) Techniker(in):
Thom Panunzio
assistierende(r) Produzent(in):
Little Steven
Produzent(in):
Jon Landau und Bruce Springsteen
Mix:
Jimmy Iovine und Chuck Plotkin (am 1978-04-11)
Bassgitarre:
Garry Tallent (von 1977-06-27 bis 1978-05-05)
Gitarre:
Little Steven (von 1977-06-27 bis 1978-05-05)
Gitarre und Mundharmonika:
Bruce Springsteen (von 1977-06-27 bis 1978-05-05)
Klavier:
Roy Bittan (von 1977-06-27 bis 1978-05-05)
Orgel:
Danny Federici (von 1977-06-27 bis 1978-05-05)
Saxophon:
Clarence Clemons (von 1977-06-27 bis 1978-05-05)
Schlagzeug:
Max Weinberg (von 1977-06-27 bis 1978-05-05)
Sologesang:
Bruce Springsteen (von 1977-06-27 bis 1978-02-25)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1978)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1978)
aufgenommen bei:
Atlantic Audio Recording Studio (von 1977-06-27 bis 1977-07-13) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1977-08-24 bis 1978-05-05)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Badlands (von 1977-06-27 bis 1978-05-05)
publisher:
Bruce Springsteen (in 1978)
Texter und Komponist(in):
Bruce Springsteen (von 1977 bis 1978)
Bruce Springsteen3.654:02
98Burning Love
cover recording of:
Burning Love
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
Elvis Presley2:52
99Lights
recording of:
Lights
Verfasser(in):
Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
Lacey Boulevard Music und Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey3:10
100Aquarius/Let the Sunshine In (The Flesh Failures) (From the Musical “Hair”)
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:48
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phonographisches Urheberrecht (℗) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2024)
kostenlos streamen:https://www.deezer.com/album/569814181 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1739851876 [Info]
https://tidal.com/album/355646195 [Info]