100 Hits Singing in the Rain

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1Singin’ in the Rain
Sologesang:
Gene Kelly (US dancer/actor)
Orchester:
MGM Studio Orchestra
conductor:
Lennie Hayton
recording of:
Singin’ in the Rain (am 1951-06-05)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Teil von:
The Hollywood Revue (1929 MGM musical film)
Gene Kelly4:52
2Cheek to Cheek
recording engineer:
Alan Emig
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-06-12) und Bud Shank (am 1956-06-12)
baritone saxophone:
Chuck Gentry (am 1956-06-12)
Bass:
Joe Mondragon (am 1956-06-12)
Bratsche / Viola:
Virginia Majewski (violist) (am 1956-06-12)
Cello:
Edgar Lustgarden (am 1956-06-12)
Geige / Violine:
Lew Raderman (am 1956-06-12)
Gitarre:
Barney Kessel (am 1956-06-12)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-06-12)
Posaune:
Milt Bernhart (am 1956-06-12), Francis Howard (trombone) (am 1956-06-12), George Roberts (american bass trombone) (am 1956-06-12), Frank Rosolino (am 1956-06-12) und Lloyd Ulyate (am 1956-06-12)
Schlagzeug:
Alvin Stoller (am 1956-06-12)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-06-12) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-06-12)
Trompete:
Pete Candoli (am 1956-06-12), Harry “Sweets” Edison (am 1956-06-12), Maynard Ferguson (am 1956-06-12) und Conrad Gozzo (am 1956-06-12)
vocals:
Bing Crosby (am 1956-06-12)
Orchester:
Buddy Bregman & Orchestra (am 1956-06-12)
conductor:
Buddy Bregman (am 1956-06-12)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-06-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-06-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Bing Crosby4:00
3Putting on the Ritz
vocals:
Fred Astaire (in 1937)
recording of:
Puttin’ On the Ritz (in 1937)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Fred Astaire2:08
4I Could Have Danced All Night
vocals:
Julie Andrews (English actress/vocalist) (am 1956-03-25) und Philippa Bevans (am 1956-03-25)
conductor:
Franz Allers (European-American conductor) (am 1956-03-25)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1956)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-03-25)
recording of:
I Could Have Danced All Night (My Fair Lady) (am 1956-03-25)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
Julie Andrews, Philippa Bevans & Franz Allers3:31
5Stranger in Paradise
recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
Texter:
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Frank Music Co. Ltd. (vom 1953 bis heute)
basiert auf:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
Teil von:
Kismet (full musical)
Ann Blyth & Vic Damone3:09
6Tea for Two
vocals:
Dinah Shore (am 1947-04-25) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-04-25)
Orchester:
Axel Stordahl and His Orchestra (am 1947-04-25)
conductor:
Axel Stordahl (am 1947-04-25)
recording of:
Tea for Two (No, No, Nanette) (am 1947-04-25)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Frank Sinatra & Dinah Shore3:14
7Linda
Instrumente und Orchester:
Ray Noble and His Orchestra
Sologesang:
Buddy Clark (US 1930s~1940s singer)
Sprecher:
Buddy Clark (US 1930s~1940s singer) und Anita Gordon
vocals:
Buddy Clark (US 1930s~1940s singer) und Anita Gordon
Teil von:
V Disc (by matrix number) (Nummer: JB 344 (1))
recording of:
Linda (1946 song) (am 1946-11-15)
Texter und Komponist(in):
Jack Lawrence (US songwriter) (in 1942)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Clark & Ray Noble3:17
8Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Glenn Miller Orchestra3:30
9Mack the Knife
Klarinette:
Joe Muranyi (in 1967-07)
Klavier:
Marty Napoleon (in 1967-07)
Kontrabass:
Buddy Catlett (in 1967-07)
Posaune:
Tyree Glenn (in 1967-07)
Schlagzeug:
Danny Barcelona (in 1967-07)
Trompete:
Louis Armstrong (in 1967-07)
vocals:
Louis Armstrong (in 1967-07) und Tyree Glenn (in 1967-07)
live cover recording of:
Mack the Knife (1954 Blitzstein translation) (in 1967-07)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:32
10Lullaby of Broadway
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 winner)
Teil von:
42nd Street (full musical)
Doris Day2:54
11The Song Is You
recording engineer:
Alan Emig
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-06-11) und Bud Shank (am 1956-06-11)
baritone saxophone:
Chuck Gentry (am 1956-06-11)
Bass:
Joe Mondragon (am 1956-06-11)
Bratsche / Viola:
Virginia Majewski (violist) (am 1956-06-11)
Cello:
Edgar Lustgarden (am 1956-06-11)
Geige / Violine:
Lew Raderman (am 1956-06-11)
Gitarre:
Barney Kessel (am 1956-06-11)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-06-11)
Posaune:
Milt Bernhart (am 1956-06-11), Francis Howard (trombone) (am 1956-06-11), George Roberts (american bass trombone) (am 1956-06-11), Frank Rosolino (am 1956-06-11) und Lloyd Ulyate (am 1956-06-11)
Schlagzeug:
Alvin Stoller (am 1956-06-11)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-06-11) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-06-11)
Trompete:
Pete Candoli (am 1956-06-11), Harry “Sweets” Edison (am 1956-06-11), Maynard Ferguson (am 1956-06-11) und Conrad Gozzo (am 1956-06-11)
vocals:
Bing Crosby (am 1956-06-11)
Orchester:
Buddy Bregman & Orchestra (am 1956-06-11)
conductor:
Buddy Bregman (am 1956-06-11)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-06-11)
cover recording of:
The Song Is You (am 1956-06-11)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Bing Crosby3:55
12You Send Me
Produzent(in):
Robert “Bumps” Blackwell
Bass:
Ted Brinson (am 1957-06-01)
Gitarre:
Clifton White (am 1957-06-01) und René Hall (am 1957-06-01)
Schlagzeug:
Earl Palmer (am 1957-06-01)
Hintergrundgesang:
Charles Parlato, Alicia Adams (singer) (am 1957-06-01), Sue Allen (am 1957-06-01) und Lee Gotch (am 1957-06-01)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”) (am 1957-06-01)
Orchester:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (am 1957-06-01)
conductor:
Glenn Osser (am 1957-06-01)
phonographisches Urheberrecht (℗) von:
Keen (in 1958)
aufgenommen bei:
Specialty Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 115)
recording of:
You Send Me (am 1957-06-01)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Sam Cooke42:44
13I Can’t Stop Loving You
Techniker(in):
Bill Putnam
Produzent(in):
Sid Feller
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
arranger:
Marty Paich
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-15)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 161)
cover recording of:
I Can’t Stop Lovin’ You (am 1962-02-15)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles3.654:16
14Twilight Time
recorded in:
New York, New York, Vereinigte Staaten (in 1958-01)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
cover recording of:
Twilight Time (in 1958-01)
Texter:
Buck Ram
Komponist(in):
Artie Dunn, Al Nevins und Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) und Victoria Music Publishing Co. Ltd.
übersetzte Version von:
Al caer la noche
The Platters4.52:44
15Blue Velvet
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:47
16All Alone Am I
vocals:
Brenda Lee (1960s American singer)
recording of:
All Alone Am I
Texter:
Arthur Altman
Komponist(in):
Μάνος Χατζιδάκις (Manos Hatzidakis, Greek composer)
publisher:
Seed Point Music Publishing, Ltd. und Songs of Universal, Inc. (BMI)
übersetzte Version von:
Μη τον ρωτάς τον ουρανό
Brenda Lee2:44
17C’est si bon
vocals:
Yves Montand
recording of:
C’est si bon (original French version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
publisher:
Éditions Beuscher Arpège
Yves Montand33:35
18Papa Loves Mambo
Produzent(in):
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1954-08-31) und The Ray Charles Singers (am 1954-08-31)
Orchester:
Mitchell Ayres and His Orchestra (am 1954-08-31)
recording of:
Papa Loves Mambo (am 1954-08-31)
Verfasser(in):
Al Hoffman, Dick Manning (American songwriter) und Bickley Reichner
Perry Como2.52:41
19Unforgettable
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole3.853:28
20Cold, Cold Heart
Klavier:
John Bunch (jazz pianist)
Stimme/Gesang:
Tony Bennett (US jazz/standards vocalist)
vocals:
Tony Bennett (US jazz/standards vocalist)
Orchester:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
cover recording of:
Cold, Cold Heart
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1951-02-16)
Tony Bennett2:39
21For the First Time (Come Prima)
Sologesang:
Tony Williams (lead singer for The Platters)
cover recording of:
For the First Time
Übersetzer:
Buck Ram
übersetzte Version von:
Come prima
Teil von:
For the First Time (1959 film)
The Platters2:14
22Are You Lonesome Tonight
Helen Shapiro2:48
23Volare (Nel blu dipinto di blu)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Dean Martin42:59
24You’re Nobody ’til Somebody Loves You
live cover recording of:
You’re Nobody Till Somebody Loves You
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington12:46
25I’ll Come Running Back to You
Gitarre:
Sam Cooke (American singer and songwriter, “King of Soul”) und Rene Hall
vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
recording of:
I’ll Come Running Back to You
Texter und Komponist(in):
Bill Cook (American songwriter)
Sam Cooke2:15
26Diane
recording of:
Diane (from 1927 film “Seventh Heaven”)
Texter:
Lew Pollack
Komponist(in):
Ernö Rapée
Teil von:
The Girl’s Suite
The Bachelors2:31
27The Next Time
Produzent(in):
Norrie Paramor
Instrumente:
The Norrie Paramor Strings
vocals:
Cliff Richard
Interpret(in):
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
The Next Time (1962 song)
Verfasser(in):
Buddy Kaye und Philip Springer
publisher:
Sony/ATV Tunes LLC (ASCAP) und Tamir Music
Cliff Richard2:57
28Caterina
recording of:
Caterina
Verfasser(in):
“Bugs” Bower (producer, trumpet arranger, band leader, composer / lyricist, author) und Earl S. Shuman (composer / lyricist)
publisher:
Music Sales Corp. (American copyright holder in both popular and classical music) und Nancy Music Company Inc.
sub-publisher:
Basart Belgium Editions und BMC Publishing NV
Perry Como2:14
29Don’t Let the Sun Catch You Crying
cover recording of:
Don’t Let the Sun Catch You Cryin’
Texter und Komponist(in):
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) und Universal Music Corp. (USA, affiliated with ASCAP)
Gerry & the Pacemakers2:36
30Raining in My Heart
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
Raining in My Heart (am 1958-10-21)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC und Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly52:50
31Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:34
32When I Fall in Love
vocals:
Nat King Cole (am 1956-12-28)
conductor:
Gordon Jenkins (am 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (am 1956-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:11
33My Old Flame
recorded in:
New York, New York, Vereinigte Staaten (von 1957-11 bis 1957-12)
Sologesang:
Zola Taylor (von 1957-11 bis 1957-12)
recording of:
My Old Flame (von 1957-11 bis 1957-12)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
cover recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Platters42:48
34Hello Young Lovers
cover recording of:
Hello, Young Lovers (The King and I)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Tom Jones2:30
35Music to Watch Girls By
Produzent(in):
Nick de Caro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (am 1967-02-21)
Verfasser(in):
Sid Ramin und Tony Velona
publisher:
Sidray Enterprises Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:37
36Hurt
cover recording of:
Hurt
Verfasser(in):
Jimmie Crane und Al Jacobs (US songwriter)
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. und Miller Music Corp.
Timi Yuro2:19
37Alabamy Bound
cover recording of:
Alabamy Bound
Texter:
Buddy DeSylva (in 1924) und Bud Green (in 1924)
Komponist(in):
Ray Henderson (in 1924)
Ray Charles1:55
38The Home Fire
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
Sologesang:
Louis Armstrong
recording of:
The Home Fire
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
Louis Armstrong33:21
39September in the Rain
recording engineer:
Alan Emig
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-06-12) und Bud Shank (am 1956-06-12)
baritone saxophone:
Chuck Gentry (am 1956-06-12)
Bass:
Joe Mondragon (am 1956-06-12)
Bratsche / Viola:
Virginia Majewski (violist) (am 1956-06-12)
Cello:
Edgar Lustgarden (am 1956-06-12)
Geige / Violine:
Lew Raderman (am 1956-06-12)
Gitarre:
Barney Kessel (am 1956-06-12)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-06-12)
Posaune:
Milt Bernhart (am 1956-06-12), Francis Howard (trombone) (am 1956-06-12), George Roberts (american bass trombone) (am 1956-06-12), Frank Rosolino (am 1956-06-12) und Lloyd Ulyate (am 1956-06-12)
Schlagzeug:
Alvin Stoller (am 1956-06-12)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-06-12) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-06-12)
Trompete:
Pete Candoli (am 1956-06-12), Harry “Sweets” Edison (am 1956-06-12), Maynard Ferguson (am 1956-06-12) und Conrad Gozzo (am 1956-06-12)
vocals:
Bing Crosby (am 1956-06-12)
Orchester:
Buddy Bregman & Orchestra (am 1956-06-12)
conductor:
Buddy Bregman (am 1956-06-12)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-06-12)
cover recording of:
September in the Rain (am 1956-06-12)
Texter:
Al Dubin (in 1937)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) und Peermusic (UK) Limited (in 1937)
Bing Crosby2:58
40I Want to Be Wanted (Per tutta la vita)
recording of:
I Want to Be Wanted (Per Tutta la Vita)
Verfasser(in):
Pino Spotti und Alberto Testa
Übersetzer:
Kim Gannon
publisher:
Santa Cecilia Casa Musicale Di A Rossi und Universal–Songs of PolyGram International, Inc.
übersetzte Version von:
Per tutta la vita
Brenda Lee3:05
41Ain’t That a Kick in the Head
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (am 1960-05-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:24
42Can’t Help Falling in Love
Produzent(in):
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
vocals:
Elvis Presley (“The King of Rock and Roll”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 394)
recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
Elvis Presley32:58
43Something’s Gotta Give
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (in 1964)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Ella Fitzgerald2:34
44Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Timi Yuro2:18
45In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller Orchestra3.753:39
46I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:55
47La Vie en rose
Klavier:
Robert Chauvigny (French composer, orchestra leader and conductor) (am 1946-10-09)
vocals:
Édith Piaf (am 1946-10-09)
Orchester:
Guy Luypaert and His Orchestra (am 1946-10-09)
conductor:
Guy Luypaerts (am 1946-10-09)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 71)
recording of:
La Vie en rose (French original) (am 1946-10-09)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi) und Édith Piaf
publisher:
Éditions Beuscher Arpège und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf53:08
48Under Paris Skies
Andy Williams2:03
49Un homme et une femme
vocals:
Pierre Barouh und Nicole Croisille
Orchestrator(in):
Maurice Vander (jazz musician and conductor, not the lyricist)
recording of:
Un homme et une femme (French lyrics) (in 1966)
Texter:
Pierre Barouh
Komponist(in):
Francis Lai (French composer)
Teil von:
Prix Vincent Scotto (Nummer: 1966)
basiert auf:
Un homme et une femme (sans lyrics)
Nicole Croisille & Pierre Barouh2:39
50Autumn Leaves
vocals:
Nat King Cole (in 1955-08)
Interpret(in):
Nelson Riddle and His Orchestra (in 1955-08)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1955-08)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Nat King Cole2:40
51I’ve Got a Crush on You
recording engineer und Mix:
Al Schmitt
leitende(r) Produzent(in):
Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Phil Ramone
assistierende(r) Mix:
Carl Glanville
Gitarre:
Paul Viapiano (in 1993)
Klavier:
Mike Melvoin (in 1993)
Kontrabass [bass]:
Dave Stone (bassist) (in 1993)
Schlagzeug:
Jeff Hamilton (jazz drummer) (in 1993)
zusätzlich Keyboard:
Mike Melvoin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1993-07-06) und Barbra Streisand (am 1993-08-17)
arranger:
Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
I’ve Got a Crush on You (in 1993)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
Frank Sinatra & Barbra Streisand33:23
52Duo de Guy et Geneviève
Danielle Licari & José Bartel4:56
53Beyond the Sea (La mer)
Helen Shapiro3:30
54J’aime
vocals:
Adamo (Belgian singer Salvatore Adamo)
recording of:
J’aime (in 1965)
Texter und Komponist(in):
Adamo (Belgian singer Salvatore Adamo)
Adamo3:06
55Paff, der Zauberdrachen
vocals:
Marlene Dietrich (actress and singer) (in 1963)
recording of:
Paff, der Zauberdrachen (in 1963)
Texter und Komponist(in):
Lenny Lipton (filmmaker, poet) und Peter Yarrow
übersetzte Version von:
Puff, the Magic Dragon
Marlene Dietrich4:10
56The Sunshine of Love
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
Sologesang:
Louis Armstrong
cover recording of:
The Sunshine of Love
Verfasser(in):
Chet Gierlach, Bob Thiele (producer & songwriter) und Leonard Whitcup
Louis Armstrong32:56
57Something Stupid
cover recording of:
Somethin’ Stupid
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
Andy Williams12:58
58Love Me Tonight
recording of:
Love Me Tonight
Texter:
Barry Mason (English songwriter)
Komponist(in):
Mario Panzeri (Italian lyricist and composer) und Lorenzo Pilat
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Alla fine della strada
live recording of:
Love Me Tonight
Texter:
Barry Mason (English songwriter)
Komponist(in):
Mario Panzeri (Italian lyricist and composer) und Lorenzo Pilat
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Alla fine della strada
cover recording of:
Love Me Tonight
Texter:
Barry Mason (English songwriter)
Komponist(in):
Mario Panzeri (Italian lyricist and composer) und Lorenzo Pilat
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Alla fine della strada
Tom Jones33:15
59Kiss
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
Orchester:
Gus Levene and His Orchestra (in 1957)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
Texter:
Haven Gillespie
Komponist(in):
Lionel Newman
Dean Martin52:22
60Pretty Paper
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1963-09-11)
Produzent(in):
Fred Foster
vocals:
Roy Orbison (am 1963-09-11)
Orchester:
The Barry Booth Orchestra (am 1963-09-11)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1967)
cover recording of:
Pretty Paper (am 1963-09-11)
Texter und Komponist(in):
Willie Nelson
publisher:
Sony ATV Music Publishing (1995–2020) und Tree Publishing Inc.
Roy Orbison42:47
61Since I Fell for You
Techniker(in):
John Arrias (engineer) und Sy Mitchell
Koproduzent(in):
John Arrias (engineer)
Produzent(in):
Martin Erlichman, Richard Perry (producer) und Barbra Streisand
vocals:
Barbra Streisand (am 1971-05-04)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Since I Fell for You (am 1971-05-04)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbra Streisand3:27
62Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Engelbert Humperdinck3:43
63It Was a Good Time
Liza Minnelli4:57
64Moon River
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-01-04)
Interpret(in):
Andy Williams (US pop/jazz vocalist) (am 1962-01-04)
arranger:
Robert Mersey
cover recording of:
Moon River (am 1962-01-04)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Andy Williams12:46
65Audrey
Joe Dolan3:03
66Help Yourself
recording of:
Help Yourself
Texter:
Mogul (Italian lyricist)
Verfasser(in):
Jack Fishman
Komponist(in):
Carlo Donida
basiert auf:
Gli Occhi Miei
Tom Jones2:57
67People Get Ready
cover recording of:
People Get Ready
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Petula Clark2:33
68Put Your Head on My Shoulder
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 1958-08)
conductor:
Joe Sherman (in 1958-08)
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
produced for:
Camy Productions, Inc.
recording of:
Put Your Head on My Shoulder (in 1958-08)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Chrysalis Standards Inc. und Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:37
69Just in Time
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1956-09-19)
Orchester:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
recording of:
Just in Time (Bells Are Ringing) (am 1956-09-19)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Tony Bennett2:34
70I’m Sorry
Hintergrundgesang:
Anita Kerr Singers (mixed vocal group)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 28) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 168)
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee3.52:40
71In Dreams
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-01-04)
Produzent(in):
Fred Foster
Sologesang:
Roy Orbison
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 312)
recording of:
In Dreams (am 1963-01-04)
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1963-02-13)
Roy Orbison42:51
72The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Akustikgitarre und Hintergrundgesang:
Antônio Carlos Jobim (am 1967-01-31)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
cover recording of:
The Girl From Ipanema (am 1967-01-31)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Frank Sinatra & Antônio Carlos Jobim4.353:19
73The Shadow of Your Smile
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
Engelbert Humperdinck2:37
74Starbright
Johnny Mathis2:47
75Conversations in the Wind
Petula Clark2:38
76The Windmills of Your Mind
cover recording of:
The Windmills of Your Mind
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 41st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1968 winner)
Teil von:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Jack Jones4:13
77This Girl’s in Love With You
cover recording of:
This Guy’s in Love With You
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Dionne Warwick5:25
78Raindrops Keep Fallin’ on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographisches Urheberrecht (℗) von:
Scepter (a/k/a Scepter Records) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 4) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 345)
recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
B.J. Thomas43:06
79It’s a Lovely Day Today
recording of:
It’s a Lovely Day Today
Texter und Komponist(in):
Irving Berlin (in 1950)
Rosemary Clooney3:19
80Only You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-08)
alto saxophone:
Arthur Herfurt (am 1955-09-08) und Harry Klee (am 1955-09-08)
Klarinette:
Barney Bigard (am 1955-09-08)
Klavier:
Billy Kyle (am 1955-09-08)
Kontrabass:
Arvell Shaw (am 1955-09-08)
Posaune:
Trummy Young (am 1955-09-08) und Si Zentner (am 1955-09-08)
Schlagzeug:
Barrett Deems (am 1955-09-08)
Tenorsaxophon:
Babe Russin (am 1955-09-08) und Donald Ruffell (am 1955-09-08)
Trompete:
Louis Armstrong (am 1955-09-08), Pete Candoli (am 1955-09-08), Manny Klein (am 1955-09-08) und Vito N. Mangano (am 1955-09-08)
vocals:
Louis Armstrong (am 1955-09-08)
Orchester:
Benny Carter and His Orchestra (am 1955-09-08)
cover recording of:
Only You (am 1955-09-08)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
Louis Armstrong3:14
81I’d Cry Like a Baby
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
recording of:
I’d Cry Like a Baby
Verfasser(in):
Sammy Gallop und Howard Steiner
Dean Martin52:35
82What Kind of Fool Am I
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1963)
recording of:
What Kind of Fool Am I?
Texter und Komponist(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music und Ludlow Music
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1963 winner)
Teil von:
Stop the World – I Want to Get Off
Perry Como2:42
83If I Ruled the World
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
Ernie Altschuler
Bass:
Hal Gaylor (Canadian bassist)
Klavier:
Ralph Sharon
Schlagzeug:
William "Billy" Exiner
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
If I Ruled the World (Pickwick)
Texter:
Leslie Bricusse
Komponist(in):
Cyril Ornadel
publisher:
Delfont Music
Teil von:
Pickwick
Tony Bennett3:01
84A Time for Us
Engelbert Humperdinck43:04
85Can’t Help Lovin’ That Man of Mine
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
Liza Minnelli2:38
86Don’t Forget to Catch Me
Cliff Richard2:48
87Don’t Gamble With Love
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
conductor:
Joe Sherman
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963)
recording of:
Don’t Gamble with Love
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet) und Epa Publishing
Paul Anka2:27
88Someone
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1959)
recording of:
Someone (1959 song)
Verfasser(in):
William J. Tennyson, Jr.
Johnny Mathis2:56
89New York, New York
recording engineer und Mix:
Al Schmitt
assistierende(r) Mix:
Carl Glanville
Bass:
Chuck Berghofer (Jazz bassist) (in 1993)
Gitarre:
Ron Anthony (in 1993)
Schlagzeug:
Gregg Field (drums, producer) (in 1993)
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1979-09-19, am 1993-08-11) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1993-07-06)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1993)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
Frank Sinatra & Tony Bennett43:30
90Milord
vocals:
Édith Piaf (am 1959-06-05)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (am 1959-06-05)
recording of:
Milord (am 1959-06-05)
Texter:
Georges Moustaki
Komponist(in):
Marguerite Monnot
publisher:
Éditions Salabert
Édith Piaf44:30
91Dream a Little Dream of Me
recorded in:
Las Vegas, Nevada, Vereinigte Staaten (am 1968-07-23)
Techniker(in):
Eddie Brackett (am 1968-07-23) und Bob Simpson (US jazz engineer/producer) (am 1968-07-23)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1968-07-23)
Klarinette:
Joe Muranyi (am 1968-07-23)
Klavier:
Marty Napoleon (am 1968-07-23)
Kontrabass:
Buddy Catlett (am 1968-07-23)
Posaune:
Tyree Glenn (am 1968-07-23)
Schlagzeug:
Danny Barcelona (am 1968-07-23)
Trompete und Sologesang:
Louis Armstrong (am 1968-07-23)
recording of:
Dream a Little Dream of Me (am 1968-07-23)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong43:20
92Let It Be Me
cover recording of:
Let It Be Me
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
Tom Jones3:00
93Fly Me to the Moon
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Neil Sedaka3:43
94Tears on My Pillow
Timi Yuro2:03
95I Love You Much Too Much
recording of:
I Love You Much Too Much
Texter:
Chaim Tauber
Komponist(in):
Alexander Olshanetsky
Übersetzer:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
Dean Martin2:37
96Ich hab’ noch einen Koffer in Berlin
vocals:
Marlene Dietrich (actress and singer) (in 1960-08)
conductor:
Burt Bacharach (in 1960-08)
recording of:
Ich hab noch einen Koffer in Berlin (in 1960-08)
Texter:
Aldo von Pinelli (songwriter, screenwriter and film producer)
Komponist(in):
Ralph Maria Siegel (German composer, father of Ralph Siegel)
Marlene Dietrich3:05
97It’s Impossible
Hintergrundgesang:
J.D. Sumner & The Stamps und The Sweet Inspirations
arranger:
Glen D. Hardin
aufgenommen bei:
Elvis Presley at Las Vegas Hilton (1972-02-18) (midnight show)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
Las Vegas Hilton in Winchester, Nevada, Vereinigte Staaten (am 1972-02-16, am 1972-02-17)
live cover recording of:
It’s Impossible (am 1972-02-16)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
live cover recording of:
It’s Impossible (am 1972-02-17)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
Elvis Presley42:53
98I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Perry Como2:15
99Cabaret
Techniker(in):
Eddie Brackett (am 1967-08-16) und Bob Simpson (US jazz engineer/producer) (am 1967-08-16)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1967-08-16)
Klarinette:
Joe Muranyi (am 1967-08-16)
Klavier:
Marty Napoleon (am 1967-08-16)
Kontrabass:
Buddy Catlett (am 1967-08-16)
Posaune:
Tyree Glenn (am 1967-08-16)
Schlagzeug:
Danny Barcelona (am 1967-08-16)
Trompete und Sologesang:
Louis Armstrong (am 1967-08-16)
recording of:
Cabaret (title song from the Kander & Ebb musical) (am 1967-08-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Louis Armstrong32:50
100Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald feat. Louis Armstrong2.855:00
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Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 26)