| Achetez‐donc nos records | Bleu Jeans Bleu | | | 6:58 | strumento |
| Adieu mes amours | Job Boswinkel, Jan van Elsacker, Guillemette Laurens, Marcel Ketels, René van Laken, Piet Stryckers | | | 3:46 | strumento |
| Adjuva Nos | Eboræ Mvsica | | | 1:05 | strumento |
| Alleluia | Eboræ Mvsica | | | 2:16 | strumento |
| Ave Maris Stella | Eboræ Mvsica | | | 6:11 | strumento |
| Ave Maris Stella | Eboræ Mvsica | | | 1:06 | strumento |
| Benewdictus e Hosana | Eboræ Mvsica | | | 2:08 | strumento |
| Bewati Omnes | Eboræ Mvsica | | | 3:00 | strumento |
| Bout de Ficelle | Orchestre national de jazz InviteJeanne Rochette | | | 4:21 | strumento |
| Cachee | Orchestre national de jazz InviteJeanne Rochette | | | 3:25 | strumento |
| Café corsé | Bleu Jeans Bleu | | | 3:16 | strumento |
| Ce Mec | Orchestre national de jazz InviteJeanne Rochette | | | 3:17 | strumento |
| Coco | Orchestre national de jazz InviteJeanne Rochette | | | 3:32 | strumento |
| Concert no. 5 in F major: 1. Prélude (Gracieusement) | François Couperin | | | 1:54 | strumento |
| Coton ouaté | Bleu Jeans Bleu | | | 2:53 | strumento |
| Coup de Bol | Orchestre national de jazz InviteJeanne Rochette | | | 4:31 | strumento |
| Cueurs desolez | Job Boswinkel, Jan Caals, Jan van Elsacker, Guillemette Laurens, Erik Van Nevel, Marcel Ketels, Norbert Kunst, René van Laken, Piet Stryckers | | | 1:52 | strumento |
| D'la bière en pichet | Bleu Jeans Bleu | | | 0:21 | strumento |
| De tous bien pleine | Marcel Ketels, René van Laken, Patrick Laureys, Piet Stryckers | | | 1:28 | strumento |
| Des ailes de poulet | Bleu Jeans Bleu | | | 0:20 | strumento |
| Don Quichotte | Orchestre national de jazz InviteJeanne Rochette | | | 5:06 | strumento |
| Douleur me bat | Job Boswinkel, Jan Caals, Jan van Elsacker, Guillemette Laurens, Erik Van Nevel, Marcel Ketels, René van Laken, Piet Stryckers | | | 2:59 | strumento |
| Ecce Quomodo | Eboræ Mvsica | | | 2:41 | strumento |
| Elle l'a pris | Jan Caals, Marcel Ketels, René van Laken, Philippe Malfeyt, Piet Stryckers | | | 6:28 | strumento |
| Et incarnatus est | Eboræ Mvsica | | | 1:10 | strumento |
| Et vitam Futuri | Eboræ Mvsica | | | 0:48 | strumento |
| Etre la | Orchestre national de jazz InviteJeanne Rochette | | | 3:44 | strumento |
| Fabordon: In Exitu Israel | Eboræ Mvsica | | | 1:59 | strumento |
| Fantasia No. 6 in 4 parts in F major, Z 737 (14 June 1680) | Hespèrion XX | | | 4:06 | strumento (come “hautcontre de viole”) |
| Fantasia No. 7 in 4 parts in C minor, Z 738 (19 June 1680) | Hespèrion XX | | | 4:24 | strumento (come “hautcontre de viole”) |
| Fantasia No. 9 in 4 parts in A minor, Z 740 (23 June 1680) | Hespèrion XX | | | 5:09 | strumento (come “hautcontre de viole”) |
| Fantasia No. 10 in 4 parts in E minor, Z 741 (30 June 1680) | Hespèrion XX | | | 4:05 | strumento (come “hautcontre de viole”) |
| Fantasia No. 11 in 4 parts in G major, Z 742 (18 August 1680) | Hespèrion XX | | | 3:09 | strumento (come “hautcontre de viole”) |
| Fantasia upon One Note in F major, Z 745 | Hespèrion XX | | | 3:06 | strumento (come “hautcontre de viole”) |
| Glória | Eboræ Mvsica | | | 3:24 | strumento |
| Hé, compaignons | Jan Caals, Jan van Elsacker, Wim Becu, Hannelore Devaere, Marcel Ketels, René van Laken, Charles Toet | | | 2:48 | strumento |
| Humor, say what mak'st thou here, dialogue for 2 voices, 4 viols, 4 part chorus & lute (Second Book of Songs) | Golden Age Singers, Julian Bream, Ernst Knava, Frieda Litschauer, Beatrice Reichert, Edith Steinbauer | | | 2:31 | strumento |
| I: [Almaine:] The Choise | Hespèrion XXI, Jordi Savall | | | 2:28 | strumento (come “viole de gambe altus”) |
| I: [Galliard:] Heigh ho Holiday | Hespèrion XXI, Jordi Savall | | | 2:30 | strumento (come “viole de gambe altus”) |
| I: [Galliard:] The teares of the Muses | Hespèrion XXI, Jordi Savall | | | 2:08 | strumento (come “viole de gambe altus”) |
| I: [Pavan:] Bona Speranza | Hespèrion XXI, Jordi Savall | | | 4:33 | strumento (come “viole de gambe altus”) |
| II: [Pavan:] Infernum | Hespèrion XXI, Jordi Savall | | | 3:18 | strumento (come “viole de gambe altus”) |
| II: Galliard | Hespèrion XXI, Jordi Savall | | | 2:04 | strumento (come “viole de gambe altus”) |
| III: [Almaine:] The night watch | Hespèrion XXI, Jordi Savall | | | 2:11 | strumento (come “viole de gambe altus”) |
| III: [Galliard:] Lullabie | Hespèrion XXI, Jordi Savall | | | 1:52 | strumento (come “viole de gambe altus”) |
| III: Galliard | Hespèrion XXI, Jordi Savall | | | 1:57 | strumento (come “viole de gambe altus”) |
| III: Galliard | Hespèrion XXI, Jordi Savall | | | 1:47 | strumento (come “viole de gambe altus”) |
| III: Pavan | Hespèrion XXI, Jordi Savall | | | 4:20 | strumento (come “viole de gambe altus”) |
| Ile fantazies de Joskin | Marcel Ketels, René van Laken, Piet Stryckers | | | 2:29 | strumento |
| In Nomine Dorian in 7 parts in G minor, Z 747 | Hespèrion XX | | | 3:51 | strumento (come “hautcontre de viole”) |
| In Nomine in 6 parts in G minor, Z 746 | Hespèrion XX | | | 1:52 | strumento (come “hautcontre de viole”) |
| Inchkeith Island | Grasscut | | | 3:35 | strumento (come “pizzicato viol”) |
| Interlude piano | Orchestre national de jazz InviteJeanne Rochette | | | 1:12 | strumento |
| IV: [Galliard:] Ecce quam bonum | Hespèrion XXI, Jordi Savall | | | 1:34 | strumento (come “viole de gambe altus”) |
| IV: [Galliard:] Sic semper soleo | Hespèrion XXI, Jordi Savall | | | 1:54 | strumento (come “viole de gambe altus”) |
| IV: [Pavane:] The image of Melancholly | Hespèrion XXI, Jordi Savall | | | 4:45 | strumento (come “viole de gambe altus”) |
| J'ai mangé trop de patates frites | Bleu Jeans Bleu | | | 2:28 | strumento |
| L'escalier | Orchestre national de jazz InviteJeanne Rochette | | | 2:35 | strumento |
| La belle se siet | Katelijne Van Laethem, Guillemette Laurens, Hannelore Devaere, Marcel Ketels, René van Laken, Philippe Malfeyt | | | 3:18 | strumento |
| La jungle du capital | Émile Bilodeau | | | 4:06 | strumento |
| La Malhonnete | Orchestre national de jazz InviteJeanne Rochette | | | 3:25 | strumento |
| La Morte d'Orfeo - Acte IV, Sc. 3 : Caliope sola | Ricercar Consort | | | 2:24 | strumento |
| La Mouche | Orchestre national de jazz InviteJeanne Rochette | | | 3:30 | strumento |
| Le Cha Cha Decomplexe | Orchestre national de jazz InviteJeanne Rochette | | | 3:10 | strumento |
| Le king de la danse en ligne | Bleu Jeans Bleu | | | 2:42 | strumento |
| Ma bouche rit | Guillemette Laurens, Marcel Ketels, René van Laken, Philippe Malfeyt | | | 4:44 | strumento |
| Métamorphose | Émile Bilodeau | | | 3:08 | strumento |
| Musikalisches Opfer, BWV 1079: Canon 3 a 2 per motum contrarium | Le Concert des Nations, Jordi Savall | | | 2:06 | strumento (come “altus”) |
| Musikalisches Opfer, BWV 1079: Canon 5 a 2 per tonos "Ascendenteque modulatione ascendat gloria regis" | Le Concert des Nations, Jordi Savall | | | 3:30 | strumento (come “altus”) |
| Musikalisches Opfer, BWV 1079: Canon a 4 (10) | Le Concert des Nations, Jordi Savall | | | 4:42 | strumento (come “altus”) |
| Octet for strings in E flat major, op. 20 (1825): I. Allegro moderato, ma con fuoco | Pražák Quartet, Kocian Quartet | | | 14:30 | strumento |
| Octet for strings in E flat major, op. 20 (1825): II. Andante | Pražák Quartet, Kocian Quartet | | | 7:07 | strumento |
| Octet for strings in E flat major, op. 20 (1825): III. Scherzo. Allegro leggierissimo | Pražák Quartet, Kocian Quartet | | | 4:22 | strumento |
| Octet for strings in E flat major, op. 20 (1825): IV. Presto | Pražák Quartet, Kocian Quartet | | | 6:22 | strumento |
| Oculi Mei | Eboræ Mvsica | | | 2:37 | strumento |
| Oualissa | Orchestre national de jazz InviteJeanne Rochette | | | 5:29 | strumento |
| Parfum de grill | Bleu Jeans Bleu | | | 2:47 | strumento |
| Pathetique | Orchestre national de jazz InviteJeanne Rochette | | | 5:23 | strumento |
| Phrases fromagées | Bleu Jeans Bleu | | | 3:45 | strumento |
| Plusieurs regretz | Jan Caals, Jan van Elsacker, Marcel Ketels, René van Laken, Philippe Malfeyt, Piet Stryckers | | | 2:25 | strumento |
| Quando stanno morendo, Diario Polacco 2° | Luigi Nono | | | 33:30 | strumento |
| Qui parle d'elle | Chimène Badi | | | 3:37 | strumento |
| S'elle m'amera / Petite camusette | Capella Sancti Michaelis, Marcel Ketels, René van Laken, Piet Stryckers, Charles Toet | | | 4:29 | strumento |
| Sanctus | Eboræ Mvsica | | | 3:49 | strumento |
| Sanctus da Missa Tui Sunt Coeli | Eboræ Mvsica | | | 2:52 | strumento |
| Si j'avoye Marion | Jan Caals, René van Laken, Philippe Malfeyt, Piet Stryckers | | | 1:43 | strumento |
| Sièges en cuir | Bleu Jeans Bleu | | | 1:23 | strumento |
| Stabat Matewr | Eboræ Mvsica | | | 1:40 | strumento |
| Tenebrae factae sunt | Eboræ Mvsica | | | 2:58 | strumento |
| Triste plaisir | Guillemette Laurens, Marcel Ketels, René van Laken, Piet Stryckers | | | 2:14 | strumento |
| V: [Galliard:] My selfe | Hespèrion XXI, Jordi Savall | | | 2:19 | strumento (come “viole de gambe altus”) |
| V: [Pavan:] Decrevi | Hespèrion XXI, Jordi Savall | | | 4:56 | strumento (come “viole de gambe altus”) |
| V: Galliard | Hespèrion XXI, Jordi Savall | | | 2:23 | strumento (come “viole de gambe altus”) |
| Veux‐tu jouer un bowling? | Bleu Jeans Bleu | | | 3:24 | strumento |
| VI: [Almaine:] The Honie-suckle | Hespèrion XXI, Jordi Savall | | | 2:33 | strumento (come “viole de gambe altus”) |
| VI: [Galliard:] The Fairie-round | Hespèrion XXI, Jordi Savall | | | 1:49 | strumento (come “viole de gambe altus”) |
| VI: [Galliard:] The Sighes | Hespèrion XXI, Jordi Savall | | | 2:37 | strumento (come “viole de gambe altus”) |
| VI: [Pavan:] Paradizo | Hespèrion XXI, Jordi Savall | | | 3:09 | strumento (come “viole de gambe altus”) |
| VII: [Almaine:] The fruit of love | Hespèrion XXI, Jordi Savall | | | 1:29 | strumento (come “viole de gambe altus”) |
| VII: [Galliard:] As it fell on a holie Eve | Hespèrion XXI, Jordi Savall | | | 1:38 | strumento (come “viole de gambe altus”) |
