| "Abendempfindung an Laura", K. 523 | Julianne Baird, Colin Tilney | | | 4:40 | strumento |
| "Als Luise die Briefe", K. 520 | Julianne Baird, Colin Tilney | | | 1:42 | strumento |
| "An Chloë", K. 524 | Julianne Baird, Colin Tilney | | | 2:40 | strumento |
| "Ch'io mi scordi di te? ... Non temer, amato bene" Concert Aria for Soprano, Piano Obbligato & Orchestra, KV 505 | Vanessa Garcia Simon, Arthur Schoonderwoerd, Cristofori | | | 8:57 | strumento |
| "Ch'io mi scordi di te... Non temer, amato bene", K.505 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | | | 10:20 | strumento |
| "Dans un bois solitaire," K. 308 (295b) | Julianne Baird, Colin Tilney | | | 3:33 | strumento |
| "Das Lied der Trennung", K. 519 | Julianne Baird, Colin Tilney | | | 5:01 | strumento |
| "Das Traumbild", K. 530 | Julianne Baird, Colin Tilney | | | 3:05 | strumento |
| "Das Veilchen", K. 476 | Julianne Baird, Colin Tilney | | | 2:14 | strumento |
| "Der Frühling", K. 597 | Julianne Baird, Colin Tilney | | | 3:19 | strumento |
| "Der Zauberer", K. 472 | Julianne Baird, Colin Tilney | | | 1:58 | strumento |
| "Die Alte", K. 517 | Julianne Baird, Colin Tilney | | | 2:12 | strumento |
| "Die Verschweigung", K. 518 | Julianne Baird, Colin Tilney | | | 2:58 | strumento |
| "Die Zufriedenheit", K. 473 | Julianne Baird, Colin Tilney | | | 3:16 | strumento |
| "Freye Fantasie" in F sharp minor Wq 67 | Andreas Staier | | | 12:40 | strumento |
| "Gassenhauer-Trio" (Trio nº4) pour pianoforte, clarinette et violoncelle, op. 11: I. Allegro con brio | Patrick Cohen, Wolfgang Meyer, Christophe Coin | | | 9:53 | strumento |
| "Gassenhauer-Trio" (Trio nº4) pour pianoforte, clarinette et violoncelle, op. 11: II. Adagio con espressione | Patrick Cohen, Wolfgang Meyer, Christophe Coin | | | 4:59 | strumento |
| "Gassenhauer-Trio" (Trio nº4) pour pianoforte, clarinette et violoncelle, op. 11: III. Tema con variazioni. Allegretto | Patrick Cohen, Wolfgang Meyer, Christophe Coin | | | 6:45 | strumento |
| "Gesänge der Frühe" for piano, op. 133: I. Im ruhigen Tempo | Andreas Staier | | | 2:39 | strumento |
| "Gesänge der Frühe" for piano, op. 133: II. Belebt, nicht zu rasch | Andreas Staier | | | 2:27 | strumento |
| "Gesänge der Frühe" for piano, op. 133: III. Lebhaft | Andreas Staier | | | 2:22 | strumento |
| "Gesänge der Frühe" for piano, op. 133: IV. Bewegt | Andreas Staier | | | 3:06 | strumento |
| "Gesänge der Frühe" for piano, op. 133: V. Im Anfange ruhiges, im Verlaufe bewegteres Tempo | Andreas Staier | | | 2:38 | strumento |
| "Ich würd' auf meinem Pfad," K. 390 (340c) | Julianne Baird, Colin Tilney | | | 1:46 | strumento |
| "Introduction" | Andreas Staier | | | 3:20 | strumento |
| "Lied zur Gesellenreise", K. 468 | Julianne Baird, Colin Tilney | | | 2:50 | strumento |
| "Oiseaux, si tous les ans," K. 307 (284d) | Julianne Baird, Colin Tilney | | | 1:31 | strumento |
| “Prometheus” Variations, op. 35 | Ольга Пащенко | | | 25:26 | strumento, tecnico strumentista |
| "Ridente la calma", K. 152 (210a) | Julianne Baird, Colin Tilney | | | 3:30 | strumento |
| "Sei du mein Trost," K. 391 (340b) | Julianne Baird, Colin Tilney | | | 2:22 | strumento |
| “ZONE” RHAPSODY | 本多俊之 | | | 2:19 | strumento (come “a.pf”) |
| »Dans un bois solitaire« | Anne Sofie von Otter, Melvyn Tan | | | 2:54 | strumento |
| »Komm, liebe Zither« | Anne Sofie von Otter, Melvyn Tan | | | 1:53 | strumento |
| »Oiseaux, si tous les ans« | Anne Sofie von Otter, Melvyn Tan | | | 1:21 | strumento |
| »She never told her love« | Anne Sofie von Otter, Melvyn Tan | | | 3:32 | strumento |
| 「3つのイギリスソナタ集」より クラヴィーアソナタ 変ホ長調 Hob.XVI:52 第1楽章 アレグロ | 小倉貴久子 | | | 9:02 | strumento |
| 「3つの間奏曲」作品117より第2番 | イェルク・デムス | | | 4:46 | strumento |
| 「6つの小品」作品118より第2番「間奏曲」 | イェルク・デムス | | | 5:33 | strumento |
| 「24の前奏曲」作品28より 第1番 ハ長調 | イェルク・デムス | | | 0:35 | strumento |
| 「24の前奏曲」作品28より 第9番 ホ長調 | イェルク・デムス | | | 1:30 | strumento |
| 「24の前奏曲」作品28より 第15番 変ニ長調 | イェルク・デムス | | | 5:03 | strumento |
| 「24の前奏曲」作品28より 第17番 変イ長調 | イェルク・デムス | | | 2:42 | strumento |
| 「ウィーンの謝肉祭の道化」作品26より第2番「ロマンス」 | イェルク・デムス | | | 2:04 | strumento |
| 「エリーゼのために」イ短調 作品番号外59 ポコ・モート | 小倉貴久子 | | | 2:45 | strumento |
| 「クッペルヴィーザー・ワルツ」変ト長調 | イェルク・デムス | | | 1:27 | strumento |
| 「ハンガリーのメロディー」ロ短調 D. 811 | イェルク・デムス | | | 3:03 | strumento |
| 「ペトラルカの3つのソネット」より第123番 | イェルク・デムス | | | 5:51 | strumento |
| 「ベルガマスク組曲」より「月の光」 | イェルク・デムス | | | 5:27 | strumento |
| 「前奏曲・フーガと変奏曲」作品18 フーガ | イェルク・デムス | | | 2:41 | strumento |
| 「前奏曲・フーガと変奏曲」作品18 前奏曲 | イェルク・デムス | | | 4:01 | strumento |
| 「前奏曲・フーガと変奏曲」作品18 変奏曲 | イェルク・デムス | | | 3:44 | strumento |
| 「子共の情景」作品15より第7番「トロイメライ」 | イェルク・デムス | | | 2:47 | strumento |
| 「楽興の時」第3番 へ短調 D. 780 | イェルク・デムス | | | 1:50 | strumento |
| 2 German Church Songs for Voice & Piano No. 1 in F major, K. 336c/343 "O Gottes Lamm" | Bas Ramselaar, Bart van Oort | | | 1:41 | strumento |
| 2 German Church Songs for Voice & Piano No. 2 in C major, K. 336c/343 "Als aus Ägypten" | Bas Ramselaar, Bart van Oort | | | 2:23 | strumento |
| 2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f | Tobias Koch | | | 1:37 | strumento |
| 2 Märsche (for Sir Henry Harpur), Hob.VIII: no. 1 | Joseph Haydn - Ronald Brautigam | | | 1:29 | tecnico strumentista, strumento |
| 2 Märsche (for Sir Henry Harpur), Hob.VIII: no. 2 | Joseph Haydn - Ronald Brautigam | | | 1:39 | strumento, tecnico strumentista |
| 2 Polonaises, op. 26, no. 1. Polonaise de Bal in D major | Franz Xaver Wolfgang Mozart | | | 4:04 | strumento |
| 2 Polonaises, op. 26, no. 2. Polonaise elegante in C major | Franz Xaver Wolfgang Mozart | | | 4:15 | strumento |
| 2 Rondo für Piano-Forte und Guitare, op. 68: Rondo I | Brenda Blewett, Erik Stenstadvold | | | 3:57 | strumento |
| 2 Rondo für Piano-Forte und Guitare, op. 68: Rondo II | Brenda Blewett, Erik Stenstadvold | | | 5:40 | strumento |
| 2 Sonatinas, Anh. 5: No. 1 in G. I. Moderato / II. Romance | Tobias Koch | | | 5:06 | strumento |
| 2 Sonatinas, Anh. 5: No. 2 in F. I. Allegro assai / II. Rondo | Tobias Koch | | | 6:25 | strumento |
| 2-Voice Fugues, Hess 236 (1794): No. 1 in d | Tobias Koch | | | 1:26 | strumento |
| 2-Voice Fugues, Hess 236 (1794): No. 2 in E phrygian | Tobias Koch | | | 0:42 | strumento |
| 2-Voice Fugues, Hess 236 (1794): No. 3 in F | Tobias Koch | | | 1:22 | strumento |
| 2-Voice Fugues, Hess 236 (1794): No. 4 in B-flat | Tobias Koch | | | 0:47 | strumento |
| 2-Voice Fugues, Hess 236 (1794): No. 5 in d | Tobias Koch | | | 1:24 | strumento |
| 3 Duets, Op. 20: No. 1, Wege der Liebe | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 2:20 | strumento |
| 3 Duets, Op. 20: No. 2, Wege der Liebe | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 2:24 | strumento |
| 3 Duets, Op. 20: No. 3, Die Meere | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 2:25 | strumento |
| 3 Gesänge des Harfners aus “Wilhelm Meister”, D. 478: Harfenspieler I, "Wer sich der Einsamkeiter gibt" (version 2a) | Markus Schäfer, Zvi Meniker | | | 3:55 | strumento |
| 3 Gesänge des Harfners aus “Wilhelm Meister”, D. 478: Harfenspieler II, "An die Türen will ich schleichen" (version 2a) | Markus Schäfer, Zvi Meniker | | | 2:15 | strumento |
| 3 Gesänge des Harfners aus “Wilhelm Meister”, D. 478: Harfenspieler III, "Wer nie sein Brot mit Thränen ass" (version 3a) | Markus Schäfer, Zvi Meniker | | | 4:40 | strumento |
| 3 Klavierstucke, D. 946: No. 1 in E flat minor | Paul Badura‐Skoda | | | 8:30 | strumento (come “Conrad Graf”) |
| 3 Klavierstucke, D. 946: No. 2 in E flat major | Paul Badura‐Skoda | | | 11:19 | strumento (come “Conrad Graf”) |
| 3 Klavierstucke, D. 946: No. 3 in C major | Paul Badura‐Skoda | | | 5:20 | strumento (come “Conrad Graf”) |
| 3 Lieder, op. 12: 1. Er ist gekommen | Dorothea Craxton, Hedayet Djeddikar | | | 2:17 | strumento |
| 3 Lieder, op. 12: 2. Liebst du um Schönheit | Dorothea Craxton, Hedayet Djeddikar | | | 2:10 | strumento |
| 3 Lieder, op. 12: 3. Warum willst du and're fragen | Dorothea Craxton, Hedayet Djeddikar | | | 2:22 | strumento |
| 3 Marches, op. 45: No. 1 in C major – Allegro ma non troppo | Sara Hamann, Amy Hamann | | | 4:17 | strumento |
| 3 Marches, op. 45: No. 2 in E-flat major – Vivace | Sara Hamann, Amy Hamann | | | 4:48 | strumento |
| 3 Marches, op. 45: No. 3 in D major – Vivace | Sara Hamann, Amy Hamann | | | 4:32 | strumento |
| 3-Voice Fugues, Hess 237 (1794): No. 1 in G | Tobias Koch | | | 1:03 | strumento |
| 3-Voice Fugues, Hess 237 (1794): No. 2 in F | Tobias Koch | | | 0:52 | strumento |
| 3-Voice Fugues, Hess 237 (1794): No. 3 in e | Tobias Koch | | | 1:49 | strumento |
| 3-Voice Fugues, Hess 237 (1794): No. 4 in d | Tobias Koch | | | 0:52 | strumento |
| 4 Ariettas and a Duet, op. 82: no. 1, Hoffnung | Nicolò Balducci, Anna Paradiso | | | 1:48 | tecnico strumentista, strumento |
| 4 Ballades & Romances, Op. 75 (Excerpts): No. 2, Guter Rat | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 2:45 | strumento |
| 4 Ballades & Romances, Op. 75 (Excerpts): No. 4, Walpurgisnacht | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 1:53 | strumento |
| 4 Duets, Op. 61 (Excerpts): No. 1, Die Schwestern | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 2:04 | strumento |
| 4 Duets, Op. 61 (Excerpts): No. 3, Phänomen | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 1:48 | strumento |
| 4 Duets, Op. 61 (Excerpts): No. 4, Die Boten der Liebe | Rachel Harnisch, Marina Viotti, Jan Schultsz | | | 3:02 | strumento |
| 4 Impromptus, op. 90, D. 899: No. 1 in C minor | Ronald Brautigam | | | 9:18 | strumento |
| 4 Impromptus, op. 90, D. 899: No. 2 in E-flat major | Ronald Brautigam | | | 4:27 | strumento |
| 4 Impromptus, op. 90, D. 899: No. 3 in G-flat major | Ronald Brautigam | | | 6:07 | strumento |
| 4 Impromptus, op. 90, D. 899: No. 4 in A-flat major | Ronald Brautigam | | | 6:42 | strumento |
| 4 Impromptus, op. 142, D. 935: No. 1 in F minor | Ronald Brautigam | | | 10:38 | strumento |
| 4 Impromptus, op. 142, D. 935: No. 2 in A-flat major | Ronald Brautigam | | | 6:00 | strumento |
