| ¡Hazo, Antón! | Charivari Agréable | | | 8:29 | strumento |
| ... Galiarda, BK52b (harpsichord RvN) | William Byrd | | | 1:47 | strumento |
| ... Galiarda, BK59b (harpsichord RvN) | William Byrd | | | 1:33 | strumento |
| ... Galiardo, BK3b (harpsichord RvN) | William Byrd | | | 2:13 | strumento |
| ... Galliard, BK33b (harpsichord HB) | William Byrd | | | 1:53 | strumento |
| ... Galliard, BK100b [EKM10b] (harpsichord RvN) | William Byrd | | | 1:02 | strumento |
| ... il neige | NYYD Ensemble, Olari Elts, Ene Nael, Kristi Mühling | | | 7:59 | strumento |
| ... Quadran Galliard, BK70b (harpsichord RvN) | William Byrd | | | 4:34 | strumento |
| ... The Galliard to it, BK72b (harpsichord HB) | William Byrd | | | 1:48 | strumento |
| ... The Galliard, BK114b (harpsichord RvN) | William Byrd | | | 1:59 | strumento |
| ... The galliarde, BK2b (harpsichord HB) | William Byrd | | | 5:19 | strumento |
| ... The galliarde, BK32b (harpsichord HB) | William Byrd | | | 1:44 | strumento |
| ... The galliarde, BK71b (harpsichord HB) | William Byrd | | | 1:45 | strumento |
| ...durch einen Spiegel... | Jukka Tiensuu, Lahti Symphony Orchestra, Ulf Söderblom | | | 19:50 | strumento |
| ''Susanne ung jour'' intavolato | Orlande de Lassus | | | 2:44 | strumento (come “clavecin”) |
| 'Andante' from Sonata for Viola da Gamba in G Minor, BWV 1027 | Laurence Dreyfus, Ketil Haugsand | | | 2:23 | strumento |
| 'Brandenburg' Concerto no. 3 in G major, BWV 1048 | De Nederlandse Bachvereniging, Shunske Sato | | | 11:19 | strumento |
| 'French' Suite no. 1 in D minor, BWV 812 | Francesco Corti | | | 15:21 | strumento |
| 'French' Suite no. 5 in G major, BWV 816 | Francesco Corti | | | 16:52 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 4. Variatio 4 a 1 Clav. | Christiane Jaccottet | | | 1:47 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 9. Variatio 9 Canone alla Terza a 1 Clav. | Christiane Jaccottet | | | 2:01 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 12. Variatio 12 Canone alla Quarta | Christiane Jaccottet | | | 1:09 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 13. Variatio 13 a 2 Clav. | Christiane Jaccottet | | | 1:17 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 22. Variatio 22 Alla breve a 1 Clav. | Christiane Jaccottet | | | 1:56 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 24. Variatio 24 Canone all' Ottava a 1 Clav. | Christiane Jaccottet | | | 1:45 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 25. Variatio 25 a 2 Clav. | Christiane Jaccottet | | | 1:51 | strumento |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 27. Variatio 27 Canone alla Nona a 1 Clav. | Christiane Jaccottet | | | 2:21 | strumento |
| 'Goldberg' Variations | Alan Curtis | | | 2:05 | strumento |
| 'La Follia' in G minor op. 5. no. 12 | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | | | 9:32 | strumento |
| 'Manchester' Sonata for Violin and continuo no. 10 in B minor, RV 760 | Andrew Manze, Nigel North, John Toll | | | 10:20 | strumento |
| 'The Harmonious Blacksmith' from Harpsichord Suite #5 | Andrew Davis | | | 4:49 | strumento |
| 'Varianto 25' from the Goldberg Variations I G Major, BWV 988 | Igor Kipnis | | | 3:55 | strumento |
| "...durch einen Spiegel..." | Helsinki Chamber Orchestra, Kati Hämäläinen, Rudolf Baumgartner | | | 21:59 | strumento |
| "...durch einen Spiegel...", Metamorphosis for 12 Strings and Harpsichord | Olli Kosonen, Tommi Aalto, Ilari Angervo, Petri Kaskela, Tarja-Leena Keränen, Maija Kontunen, Petri Aarnio, Jouko Laivuori, Jukka Pohjola, Risto Poutanen, Tuija Rantamäki, Jari Valo, Juha-Pekka Vikman | | | 18:23 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:55 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:29 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:15 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:39 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:17 | strumento |
| "After Handel's Vesper" | Maggie Cole | | | 13:19 | strumento |
| “Air on a G String” (from Suite III), BWV 1068 | Yo‐Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | | | 5:04 | strumento |
| "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia | Trevor Pinnock, The English Concert | | | 6:47 | strumento |
| "Ancedetemi pur" (Arcadelt) livre I | Michèle Dévérité | | | 4:38 | strumento (come “by Anselm”) |
| "Awake, ye dead", Z. 182 | Peter Harvey, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | | | 3:04 | strumento |
| „Bist du bei mir“, BWV 508 | Capella Fidicinia Leipzig | | | 2:39 | strumento |
| “Brandenburg” Concerto no. 5 in D major, BWV 1050: I. Allegro | The Hanover Band, Andrew Arthur | | | 10:40 | strumento |
| “Brandenburg” Concerto no. 5 in D major, BWV 1050: II. Affettuoso | The Hanover Band, Andrew Arthur | | | 5:43 | strumento |
| “Brandenburg” Concerto no. 5 in D major, BWV 1050: III. Allegro | The Hanover Band, Andrew Arthur | | | 5:36 | strumento |
| "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1a. Opening ritornello | Trevor Pinnock, The English Concert | | | 0:21 | strumento |
| "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1b. First solo section | Trevor Pinnock, The English Concert | | | 0:29 | strumento |
| "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 2b. Solo section | Trevor Pinnock, The English Concert | | | 2:05 | strumento |
| "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 5c. New theme in minor, solo section | Trevor Pinnock, The English Concert | | | 3:27 | strumento |
| "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 8c. Harpsichord solo | Trevor Pinnock, The English Concert | | | 3:28 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: First movement: allegro | Trevor Pinnock, The English Concert | | | 3:27 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: First movement: allegro | Trevor Pinnock, The English Concert | | | 3:27 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: First movement: allegro | Trevor Pinnock, The English Concert | | | 2:05 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: First movement: allegro | Trevor Pinnock, The English Concert | | | 0:25 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: First movement: allegro | Trevor Pinnock, The English Concert | | | 0:20 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: Second movement: affettuoso | Trevor Pinnock, The English Concert | | | 4:13 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: Second movement: affettuoso | Trevor Pinnock, The English Concert | | | 0:57 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: Third movement: allegro | Trevor Pinnock, The English Concert | | | 1:24 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: Third movement: allegro | Trevor Pinnock, The English Concert | | | 2:29 | strumento |
| "Brandenburg" Concerto No. 5 in D Major: Third movement: allegro | Trevor Pinnock, The English Concert | | | 1:15 | strumento |
| "Con Dolcezza E Pietate" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 1:11 | strumento |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": I. Les Sauvages: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:59 | strumento |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": II. Quand on scait aimer et plaire: Andante | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:18 | strumento |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": III. La Furstemberg: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 3:59 | strumento |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): I. Allegro | Richard Egarr | | | 4:24 | strumento |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): II. Andante | Richard Egarr | | | 4:51 | strumento |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): III. Presto | Richard Egarr | | | 3:50 | strumento |
| "Corilla Danzando" (Canzona A Tre Voci, Canto, Alto E Basso) | Girolamo Frescobaldi | | | 0:56 | strumento |
| "Così la ninfa...Tergei il ciglio lagrimoso" | Judith Nelson, Christopher Hogwood, Susan Sheppard | | | 3:29 | strumento |
| "Così Mi Disprezzate?" Aria Di Passacaglia (Alto Solo) | Girolamo Frescobaldi | | | 3:07 | strumento |
| "Cosi sugl' occhi miei" from La fida ninfa, RV 714 | Yo‐Yo Ma, Wouter Verschuren, Alfredo Bernardini, Margaret Faultless, Amsterdam Baroque Orchestra, Ton Koopman | | | 2:57 | strumento |
| “Cum dederit” per chalulmeau e B.C. dal “Nisi Dominus”, RV 608 | Giovanni Antonini, Il giardino armonico | | | 5:06 | strumento |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: I. Inside the Wave | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 3:24 | strumento |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: II. The Death of Despair | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 4:48 | strumento |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: III. Death Is a Friend of Ours | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 3:40 | strumento |
| “Diferencias sobre el canto ilano del Caballero” | Isolde Ahlgrimm | | | 3:30 | strumento |
| „Dir, dir Jehova will ich singen“, BWV 299 | Capella Fidicinia Leipzig | | | 3:39 | strumento |
| "Doloroso Mio Core" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 2:13 | strumento |
| "Donna, Siam Rei Di Morte" Sonetto: Basso Solo | Girolamo Frescobaldi | | | 2:59 | strumento |
| "Dunque Dovrò" Aria Di Romanesca (Soprano Solo) | Girolamo Frescobaldi | | | 3:17 | strumento |
| "Duresse de Frescobaldi" [O66a] | Bob van Asperen | | | 2:59 | strumento (come “Vaudry, 1681”) |
| “Eile mich, Gott” | Heinrich Schütz | | | 3:21 | strumento |
| "Epitaph" für Cembalo | Ruth Zechlin | | | 4:43 | strumento |
| "Eri Già Tutta Mia" Canzona A Due, Canto E Tenore | Girolamo Frescobaldi | | | 3:48 | strumento |
| "Falsche Welt, dir trau ich nicht", BWV 52: Sinfonia | Trevor Pinnock, The English Concert | | | 4:01 | strumento |
| "Fantasie duobus subjectis" in G Minor (BWV 917) | Igor Kipnis | | | 2:40 | strumento |
| "Fantasie über ein Rondo" in C Minor (BWV 918) | Igor Kipnis | | | 4:58 | strumento |
| "Fugge, anima mea", a 2 voci, basso continuo | René Jacobs, Judith Nelson, William Christie, Konrad Junghänel, Mihoko Kimura | | | 4:40 | strumento |
| „Gib dich zufrieden und sei stille“, BWV 511 | Capella Fidicinia Leipzig | | | 1:11 | strumento |
| "Graz" Sonata no. 3 in D major, RV 11: I. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:40 | strumento |
| "Graz" Sonata no. 3 in D major, RV 11: II. Allegro | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 3:01 | strumento |
| "Graz" Sonata no. 3 in D major, RV 11: III. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:16 | strumento |
| "Graz" Sonata no. 3 in D major, RV 11: IV. Allegro | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:43 | strumento |
| "Graz" Sonata no. 4 in C minor, RV 7: I. Preludio. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 3:34 | strumento |
| "Graz" Sonata no. 4 in C minor, RV 7: II. Allemanda. Allegro | Lina Tur Bonet, Musica Alchemica | | | 3:15 | strumento |
| "Graz" Sonata no. 4 in C minor, RV 7: III. Aria | Lina Tur Bonet, Musica Alchemica | | | 1:48 | strumento |
| "Graz" Sonata no. 4 in C minor, RV 7: IV. Vivace | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:27 | strumento |
