| holds phonographic copyright (℗) for |
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| 2023 | Cléopâtre, H 36: “Ah ! qu’ils sont loin ces jours, tourment de ma mémoire” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 7:05 |
| 2023 | Cléopâtre, H 36: “Non!... non, de vos demeures funèbres” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 2:42 |
| 2023 | Cléopâtre, H 36: Méditation. “Grands Pharaons, nobles Lagides” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 4:32 |
| 2023 | Cléopâtre, H 36: Récitatif mesuré. “Dieux du Nil, vous m’avez trahie !” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 3:26 |
| 2023 | Cléopâtre, H 36: Récitatif. “C’en est donc fait !” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 3:18 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 3:14 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1741) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 4:51 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1750) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 3:12 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 6:05 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “Their sound is gone out into all lands” (1743) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 1:09 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 3:12 |
| 2023 | Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1743) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 2:59 |
| 2023 | Messiah, HWV 56: Alternative Arias: Arioso. “But lo, the angel of the Lord came upon them” (1743) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 1:37 |
| 2023 | Messiah, HWV 56: Part the First: Accompanied recitative. “And lo, the angel of the Lord came upon them” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 0:18 |
| 2023 | Messiah, HWV 56: Part the First: Accompanied recitative. “And suddenly there was with the angel” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 0:16 |
| 2023 | Messiah, HWV 56: Part the First: Accompanied recitative. “Comfort ye my people” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 2:49 |
| 2023 | Messiah, HWV 56: Part the First: Accompanied recitative. “For behold, darkness shall cover the earth” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 1:50 |
| 2023 | Messiah, HWV 56: Part the First: Accompanied recitative. “Thus Saith the Lord of Hosts” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 1:25 |
| 2023 | Messiah, HWV 56: Part the First: Air & Chorus. “O thou that tellest good tidings to Zion” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, Choir of The English Concert, The English Concert, John Nelson | 5:07 |
| 2023 | Messiah, HWV 56: Part the First: Air. “But who may abide the day of His coming?” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 4:19 |
| 2023 | Messiah, HWV 56: Part the First: Air. “Ev’ry valley shall be exalted” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 3:20 |
| 2023 | Messiah, HWV 56: Part the First: Air. “Rejoice greatly, O daughter of Zion” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 4:26 |
| 2023 | Messiah, HWV 56: Part the First: Air. “The people that walked in darkness” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 3:24 |
| 2023 | Messiah, HWV 56: Part the First: Chorus. “And he shall purify” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:25 |
| 2023 | Messiah, HWV 56: Part the First: Chorus. “And the Glory of the Lord shall be revealed” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:29 |
| 2023 | Messiah, HWV 56: Part the First: Chorus. “For unto us a child is born” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 4:06 |
| 2023 | Messiah, HWV 56: Part the First: Chorus. “Glory to God in the highest” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 1:50 |
| 2023 | Messiah, HWV 56: Part the First: Chorus. “His yoke is easy, His burthen is light” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:15 |
| 2023 | Messiah, HWV 56: Part the First: Duet. “He shall feed His flock like a shepherd” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, Lucy Crowe, The English Concert, John Nelson | 4:51 |
| 2023 | Messiah, HWV 56: Part the First: Pifa. Larghetto e mezzo piano | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | The English Concert, John Nelson | 2:32 |
| 2023 | Messiah, HWV 56: Part the First: Recitative. “And the angel said unto them” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 0:30 |
| 2023 | Messiah, HWV 56: Part the First: Recitative. “Behold, a virgin shall conceive” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 0:26 |
| 2023 | Messiah, HWV 56: Part the First: Recitative. “Then shall the eyes of the blind be open’d” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 0:28 |
| 2023 | Messiah, HWV 56: Part the First: Recitative. “There were shepherds abiding in the field” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 0:17 |
| 2023 | Messiah, HWV 56: Part the First: Sinfony. Grave – Allegro moderato | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | The English Concert, John Nelson | 3:34 |
| 2023 | Messiah, HWV 56: Part the Second: Accompanied recitative. “All they that see Him laugh Him to scorn” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 0:41 |
| 2023 | Messiah, HWV 56: Part the Second: Accompanied recitative. “He was cut off out of the land of the living” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 0:17 |
| 2023 | Messiah, HWV 56: Part the Second: Accompanied recitative. “Thy rebuke hath broken His heart” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 1:53 |
| 2023 | Messiah, HWV 56: Part the Second: Air. “But Thou didst not leave His soul in hell” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 2:14 |
| 2023 | Messiah, HWV 56: Part the Second: Air. “He was despised” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 10:36 |
| 2023 | Messiah, HWV 56: Part the Second: Air. “Thou art gone up on high” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 3:10 |
| 2023 | Messiah, HWV 56: Part the Second: Air. “Thou shalt break them with a rod of iron” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 1:59 |
| 2023 | Messiah, HWV 56: Part the Second: Air. “Why do the nations so furiously rage together?” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 2:51 |
| 2023 | Messiah, HWV 56: Part the Second: Arioso. “Behold, and see, if there be any sorrow” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 1:31 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “All we, like sheep, have gone astray” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 3:49 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “And with His stripes we are healed” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:12 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Behold the Lamb of God” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 3:37 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Break forth into joy” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:10 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Hallelujah!” (3:44) | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 3:44 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “He trusted in God” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:06 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Let all the angels of God worship Him” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 1:29 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Let us break their bonds asunder” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 1:35 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Lift up your heads, O ye gates” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:58 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Surely He hath borne our griefs” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:13 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “The Lord gave the word” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 1:04 |
| 2023 | Messiah, HWV 56: Part the Second: Chorus. “Their sound is gone out into all lands” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 1:27 |
| 2023 | Messiah, HWV 56: Part the Second: Duet. “How beautiful are the feet” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, Rory McCleery, The English Concert, John Nelson | 1:02 |
| 2023 | Messiah, HWV 56: Part the Second: Recitative. “He that dwelleth in heaven” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 0:11 |
| 2023 | Messiah, HWV 56: Part the Second: Recitative. “Unto which of the angels said He at any time” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Michael Spyres, The English Concert, John Nelson | 0:14 |
| 2023 | Messiah, HWV 56: Part the Third: Accompanied recitative. “Behold, I tell you a mystery” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 0:40 |
| 2023 | Messiah, HWV 56: Part the Third: Air. “I know that my Redeemer liveth” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 5:40 |
| 2023 | Messiah, HWV 56: Part the Third: Air. “If God be for us, who can be against us?” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Lucy Crowe, The English Concert, John Nelson | 4:40 |
| 2023 | Messiah, HWV 56: Part the Third: Air. “The trumpet shall sound” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Matthew Brook, The English Concert, John Nelson | 8:46 |
| 2023 | Messiah, HWV 56: Part the Third: Chorus. “But thanks be to God” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:04 |
| 2023 | Messiah, HWV 56: Part the Third: Chorus. “Since by man came death” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 2:08 |
| 2023 | Messiah, HWV 56: Part the Third: Chorus. “Worthy is the Lamb that was slain – Amen” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choir of The English Concert, The English Concert, John Nelson | 7:25 |
| 2023 | Messiah, HWV 56: Part the Third: Duet. “O death, where is thy sting?” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, Michael Spyres, The English Concert, John Nelson | 1:37 |
| 2023 | Messiah, HWV 56: Part the Third: Recitative. “Then shall be brought to pass the saying” | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Alex Potter, The English Concert, John Nelson | 0:17 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 1: “Mab, la messagère fluette et légère” – “Bientôt la mort est souveraine” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Cyrille Dubois, Orchestre philharmonique de Strasbourg, John Nelson | 2:44 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 1: Introduction. Combats – Tumulte – Intervention du Prince | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 4:28 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 1: Récitatif choral. “D’anciennes haines endormies” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Joyce DiDonato, Cyrille Dubois, Orchestre philharmonique de Strasbourg, John Nelson | 5:04 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 1: Récitatif et Scherzetto. “Bientôt de Roméo la pâle rêverie” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Cyrille Dubois, Orchestre philharmonique de Strasbourg, John Nelson | 0:24 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 1: Strophes. “Premiers transports que nul n’oublie !” – “Heureux enfants aux coeurs de flamme” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Joyce DiDonato, Orchestre philharmonique de Strasbourg, John Nelson | 6:24 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 2: Grande fête chez Capulet | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 5:58 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 2: La Reine Mab, ou la Fée des Songes | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 8:16 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 2: Nuit sereine – Le jardin de Capulet, silencieux et désert – Les jeunes Capulets, sortant de la fête, passent en chantant des réminiscences de la musique du bal. “Ohé ! Capulets, bonsoir, bonsoir !” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 2:50 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 2: Roméo seul – Tristesse – Bruits lointains de concert et de bal | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 6:16 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 2: Scène d’amour | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 13:58 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Air. “Pauvres enfants que je pleure” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Christopher Maltman, Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 8:38 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Convoi funèbre de Juliette. “Jetez des fleurs pour la vierge expirée” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 7:57 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Final. La foule accourt au cimetière – Rixe des Capulets et des Montagus. “Quoi ! Roméo de retour !” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 1:25 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Invocation et réveil de Juliette | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 6:36 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Récitatif et air. Serment de réconciliation – Chœurs et récitatif. “Je vais dévoiler le mystère” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Christopher Maltman, Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 3:06 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Roméo au tombeau des Capulets | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Orchestre philharmonique de Strasbourg, John Nelson | 1:33 |
| 2023 | Roméo et Juliette, op. 17, H 79, Pt. 3: Serment. “Jurez donc par l’auguste symbole” | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Christopher Maltman, Choeur de l'Opéra national du Rhin, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | 5:19 |
| holds phonographic copyright (℗) for |
|---|
| 2019 | La Damnation de Faust | | | Berlioz; DiDonato, Spyres, Courjal, Duhamel, Coro Gulbenkian, Les Petits Chanteurs de Strasbourg, Orchestre philharmonique de Strasbourg, John Nelson | |
| 2023 | Messiah | Ascanio’s Purse, a Colorado non-profit corporation, under exclusive licence to Parlophone Records Limited | | Handel; Lucy Crowe, Alex Potter, Michael Spyres, Matthew Brook, The English Concert & Choir, John Nelson | |
| 2023 | Roméo et Juliette / Cléopâtre | Ascanio’s Purse, a Colorado (USA) non-profit corporation, under exclusive licence to Parlophone Records Limited | | Berlioz; DiDonato, Dubois, Maltman, Coro Gulbenkian, Chœur de l’OnR, Orchestre philharmonique de Strasbourg, John Nelson | |
