Baroque Treasures

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Orfeo: Toccata
Orchester:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
Teil von:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
L’Orfeo, SV 318
Claudio Monteverdi1:41
2Serses: Frondi tenere … Ombra mai fù
Countertenorgesang:
David Daniels (American countertenor)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel3:07
3Canon and Gigue in D major: Canon
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel3:39
4Canon and Gigue in D major: Gigue
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel1:25
5Gloria RV 589: Gloria in excelsis Deo
Instrumente:
Taverner Players
Chorgesang:
Taverner Choir (in 1992-11) und Taverner Consort (in 1992-11)
Orchester:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Gloria in D major, RV 589
Antonio Vivaldi2:31
6Three parts upon a Ground Z731
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 731)
Henry Purcell5:09
7A Suite of Theatre Music: II. Rondeau (Abdelazer, or The Moor's Revenge Z.570 no. 2)
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
8Laetatus sum (Psalm 121) RV607
Chorgesang:
Taverner Choir (in 1992-11)
Orchester:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1992-11)
recording of:
Salmo 121: Laetatus sum, RV 607: Allegro (in 1992-11)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Ryom-Verzeichnis (Nummer: RV 607)
Antonio Vivaldi3:37
9The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro
Produzent(in):
Simon Woods (producer)
Editing und Tonmeister(in):
Tim Handley (engineer/editor/producer)
Solo-Geige / Violine:
Chiara Banchini (violinist and conductor) (in 1990-03)
Orchester:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (in 1990-03)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:23
10The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo
Produzent(in):
Simon Woods (producer)
Editing und Tonmeister(in):
Tim Handley (engineer/editor/producer)
Solo-Geige / Violine:
Chiara Banchini (violinist and conductor) (in 1990-03)
Orchester:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1990-03)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:36
11The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro)
Produzent(in):
Simon Woods (producer)
Editing und Tonmeister(in):
Tim Handley (engineer/editor/producer)
Solo-Geige / Violine:
Chiara Banchini (violinist and conductor) (in 1990-03)
Orchester:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
aufgenommen bei:
Hackney Church in Hackney, London (Greater London), England, Vereinigtes Königreich (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1990-03)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:02
12Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: I. Largo
flute:
Janet See
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: I. Largo (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": I. Largo)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
Antonio Vivaldi1:33
13Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: II. Presto (Fantasmi) ; III. Largo
flute:
Janet See
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": II. Presto "Fantasmi")
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": III. Largo)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
Antonio Vivaldi1:43
14Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: IV. Presto
flute:
Janet See
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: IV. Presto (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": IV. Presto)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
Antonio Vivaldi1:00
15Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: V. Largo (Il sonno)
flute:
Janet See
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": V. Largo "Il sonno")
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
Antonio Vivaldi1:41
16Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: VI. Allegro
flute:
Janet See
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte": VI. Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (Flötenkonzert g-Moll, op. 10 no. 2, RV 439 "La Notte")
Antonio Vivaldi2:16
17Cantata “Wir danken dir, Gott, wir danken dir” BWV 29: Sinfonia
Orchester:
Taverner Players (von 1987-04 bis 1987-06)
conductor:
Andrew Parrott (conductor) (von 1987-04 bis 1987-06)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1987-04 bis 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (von 1987-04 bis 1987-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
Teil von:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:40
18Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring)
Chorgesang:
Taverner Consort (in 1987)
Orchester:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:17
19Orchestral Suite no. 3 in D Major, BWV 1068: Air
Produzent(in):
Simon Woods (producer)
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bratsche / Viola:
David Miller (classical violist) (in 1992-04)
Cello:
Myron Lutzke (in 1992-04)
Cembalo:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
Geige / Violine:
Elizabeth Blumenstock (violinist) (in 1992-04) und Anthony Martin (violist) (in 1992-04)
Kontrabass:
Michael Willens (bass) (in 1992-04)
Oboe:
Stephen Hammer (oboist) (in 1992-04) und Marc Schachman (oboist) (in 1992-04)
Perkussion:
John Grimes (US percussionist) (in 1992-04)
Trompete:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) und John Thiessen (trumpet) (in 1992-04)
Orchester:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
Tonmeister(in):
Mike Hatch (engineer/editor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, Vereinigte Staaten (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1992-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:07
20Orchestral Suite no. 2 in B minor, BWV 1067: Menuet
Produzent(in):
Simon Woods (producer)
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bratsche / Viola:
David Miller (classical violist) (in 1992-04)
Cello:
Myron Lutzke (in 1992-04)
Cembalo:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
Geige / Violine:
Elizabeth Blumenstock (violinist) (in 1992-04) und Anthony Martin (violist) (in 1992-04)
Violone:
Michael Willens (bass) (in 1992-04)
Orchester:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
Tonmeister(in):
Mike Hatch (engineer/editor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, Vereinigte Staaten (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1992-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:19
21Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie
Produzent(in):
Simon Woods (producer)
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bratsche / Viola:
David Miller (classical violist) (in 1992-04)
Cello:
Myron Lutzke (in 1992-04)
Cembalo:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
Geige / Violine:
Elizabeth Blumenstock (violinist) (in 1992-04) und Anthony Martin (violist) (in 1992-04)
Violone:
Michael Willens (bass) (in 1992-04)
Orchester:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
Tonmeister(in):
Mike Hatch (engineer/editor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, Vereinigte Staaten (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1992-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:27
22Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
Geige / Violine:
John Holloway (violinist/conductor) (von 1988-07 bis 1988-10)
Oboe:
Paul Goodwin (conductor / oboist) (von 1988-07 bis 1988-10)
recorder:
Marion Verbruggen (recorder player) (von 1988-07 bis 1988-10)
Trompete:
David Staff (trumpet and cornetto player) (von 1988-07 bis 1988-10)
Orchester:
Taverner Players (von 1988-07 bis 1988-10)
conductor:
Andrew Parrott (conductor) (von 1988-07 bis 1988-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1988-07 bis 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (von 1988-07 bis 1988-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:55
23Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
Geige / Violine:
John Holloway (violinist/conductor) (von 1988-07 bis 1988-10)
Oboe:
Paul Goodwin (conductor / oboist) (von 1988-07 bis 1988-10)
recorder:
Marion Verbruggen (recorder player) (von 1988-07 bis 1988-10)
Trompete:
David Staff (trumpet and cornetto player) (von 1988-07 bis 1988-10)
Orchester:
Taverner Players (von 1988-07 bis 1988-10)
conductor:
Andrew Parrott (conductor) (von 1988-07 bis 1988-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1988-07 bis 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (von 1988-07 bis 1988-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:23
24Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Geige / Violine:
John Holloway (violinist/conductor) (von 1988-07 bis 1988-10)
Oboe:
Paul Goodwin (conductor / oboist) (von 1988-07 bis 1988-10)
recorder:
Marion Verbruggen (recorder player) (von 1988-07 bis 1988-10)
Trompete:
David Staff (trumpet and cornetto player) (von 1988-07 bis 1988-10)
Orchester:
Taverner Players (von 1988-07 bis 1988-10)
conductor:
Andrew Parrott (conductor) (von 1988-07 bis 1988-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Gateway Studio (Kingston, Surrey) in Kingston upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1988-07 bis 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (von 1988-07 bis 1988-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:52
25Solomon HWV 67: Sinfonia: Act 3, The Arrival of the Queen of Sheba
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel2:50
26Messiah, HWV 56: Overture (Grave – Allegro moderato)
Orchester:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:37
27Messiah, HWV 56: Hallelujah
Chorgesang:
Taverner Choir (in 1988-04)
Orchester:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
Interpret(in):
The Taverner Choir, Consort & Players (in 1988-04)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:57
2▶CD
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Veröffentlichung

ASIN:FR: B008R9QAZU [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002412203 [Info]