50 Years of Australian Rock & Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Pressure Down
assistierende(r) Techniker(in):
Michael Wickow (engineer)
Techniker(in):
Doug Brady (engineer)
Produzent(in):
Ross Fraser
Gitarre:
Brett Garsed
Keyboard:
David Hirschfelder (Australian score composer)
arranger:
John Farnham, Ross Fraser und David Hirschfelder (Australian score composer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records (label founded by Glenn Wheatley) (in 1986) und Wheatley Records Pty. Ltd. (in 1986, in 1987)
aufgenommen bei und mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Pressure Down
Texter und Komponist(in):
Harry Bogdanovs
publisher:
Irving Music, Inc., Rondor Music und Rondor Music (Australia) Pty Ltd
John Farnham43:45
2She’s the One
phonographisches Urheberrecht (℗) von:
Regular Records (Australian label) (in 1987)
recording of:
She’s the One
Verfasser(in):
John Field (Australian songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
The Cockroaches2:34
3Run to Paradise
Bass:
Ian Hulme
Gitarre:
Brad Carr und Mark Gable
Schlagzeug:
Lindsay Tebbutt
vocals:
Mark Gable
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1987)
recording of:
Run to Paradise
Verfasser(in):
Brad Carr und Mark Gable
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Choirboys44:10
4Take Me Back
Bass:
Steve Balbi
Gitarre:
Stuart Fraser
Keyboard:
Justin Stanley
Schlagzeug:
Kevin Nicol
vocals:
Jon Stevens (Australian/NZ rock singer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1987)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien (vom 1987-04-13 bis ????)
recording of:
Take Me Back
Verfasser(in):
Jon Stevens (Australian/NZ rock singer) und Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Greenstone Music, peermusic (“Peermusic—the global independent”) und Warner Chappell
Noiseworks53:29
5What’s My Scene
Bass:
Clyde Bramley
Gitarre:
Dave Faulkner (David Faulkner) und Brad Shepherd
Keyboard:
Dave Faulkner (David Faulkner)
Mundharmonika:
Brad Shepherd
Schlagzeug:
Mark Kingsmill
vocals:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
Verfasser(in):
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) und Sony/ATV Music Publishing
Hoodoo Gurus3.353:49
6That Ain’t Bad
recording of:
That Ain’t Bad
Verfasser(in):
Simon Day (Australian musician, member of Ratcat)
Ratcat34:00
7You I Know
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1987)
recording of:
You I Know
Verfasser(in):
Neil Finn
publisher:
Mushroom Music (Mushroom label’s publishing company)
Jenny Morris4:09
8I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:45
9Better
phonographisches Urheberrecht (℗) von:
rooArt (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 100)
recording of:
Better
Verfasser(in):
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:39
10Treaty
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 36)
recording of:
Treaty
Verfasser(in):
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu und Mandawuy Yunupingu
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing und Yothu Yindi Music
Yothu Yindi4:05
11The Honeymoon Is Over
phonographisches Urheberrecht (℗) von:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) und Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
Verfasser(in):
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) und Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:09
12Green Limousine
recording of:
Green Limousine (The Badloves song)
Verfasser(in):
Michael Spiby
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
The Badloves3:49
13Tomorrow
recording engineer und Mix:
Kevin Shirley (producer & mixer)
Produzent(in):
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
aufgenommen bei:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien
mixed at:
Eclipse Studio in Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 17)
recording of:
Tomorrow
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.14:28
14Berlin Chair
Assistent recording engineer:
Mark Mason (sound engineer) (von 1993-07-27 bis 1993-08-03) und Brent Sigmeth (von 1993-07-27 bis 1993-08-03)
recording engineer:
Wayne Connolly (von 1993-07-27 bis 1993-08-03)
Produzent(in):
Lee Ranaldo
Mix:
Wayne Connolly und Lee Ranaldo
phonographisches Urheberrecht (℗) von:
rooArt (in 1993)
aufgenommen bei:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Vereinigte Staaten (von 1993-07-27 bis 1993-08-03)
mixed at:
Messina Music in New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 81)
recording of:
Berlin Chair (von 1993-07-27 bis 1993-08-03)
Texter:
Tim Rogers
Komponist(in):
Andy Kent, Tim Rogers und Mark Tunaley
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) und Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:38
15Just Ace
Assistent recording engineer:
Greg Courtney (in 1997-02)
recording engineer:
Phillip McKellar (Australian producer and engineer) (in 1997-02)
Produzent(in):
Grinspoon und Phillip McKellar (Australian producer and engineer) (in 1997-02)
assistierende(r) Mix:
Aaron Pratley (in 1997-04)
Mix:
Phillip McKellar (Australian producer and engineer) (in 1997-04)
phonographisches Urheberrecht (℗) von:
Universal Music Australia (see annotation before using) (in 1997)
aufgenommen bei:
Rockinghorse in Byron Bay, New South Wales, Australien (in 1997-02)
mixed at:
Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien (in 1997-04)
produced at:
RockingHorse Studios in Byron Bay, New South Wales, Australien (in 1997-02)
recording of:
Just Ace (in 1997-02)
Verfasser(in):
Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Shock Music Publishing Pty. Ltd.
Grinspoon31:49
16Second Solution (single version)
recording engineer, Produzent(in) und Mix:
Lindsay Gravina (engineer & guitarist)
Bassgitarre:
Scott Owen (The Living End bassist)
Gitarre:
Chris Cheney (The Living End frontman)
Schlagzeug:
Travis Demsey
vocals:
Chris Cheney (The Living End frontman)
aufgenommen bei und mixed at:
Birdland Studios (Melbourne, Australia) in Melbourne, Victoria, Australien
produced at:
Birdland Studios (Melbourne, Australia) in Melbourne, Victoria, Australien
recording of:
Second Solution
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End33:11
17Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:37
18Get Free
recording engineer:
Doug Boehm (von 2001-07 bis 2002-02)
Produzent(in):
Rob Schnapf (producer and audio engineer)
assistierende(r) Mix:
Brian Douglass
Mix:
Andy Wallace (engineer) (in 2001)
Bass:
Patrick Matthews (von 2001-07 bis 2002-02)
E-Gitarre, Tamburin, Hintergrundgesang und Sologesang:
Craig Nicholls (von 2001-07 bis 2002-02)
Schlagzeug:
Joey Waronker (von 2001-07 bis 2002-02)
zusätzlich Perkussion:
Ethan Johns und Steven Rhodes (Engineer)
vocals:
Craig Nicholls
phonographisches Urheberrecht (℗) von:
Engine Room Music Pty Limited (in 2002)
aufgenommen bei:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-07 bis 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
Get Free (Vines song) (von 2001-07 bis 2002-02)
Texter und Komponist(in):
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:07
19On My Way
Produzent(in):
Andy Baldwin (Australian producer, currently at Rola Pola Studio)
recording of:
On My Way
Verfasser(in):
Janet English, Kram (singer/drummer from Spiderbait) und Damian Whitty
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait3:25
20Someday, Someday
Thirsty Merc34:31
21Woman
Techniker(in):
Ryan Castle
Produzent(in) und Mix:
David Sardy (American score composer)
Editing:
Andy Brohard
Bass und Keyboard:
Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew)
Gitarre:
Andrew Stockdale
Schlagzeug:
Myles Heskett
vocals:
Andrew Stockdale
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Woman (Wolfmother song)
Verfasser(in):
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) und Andrew Stockdale
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.452:58
22Black Fingernails, Red Wine
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Limited (in 2006)
aufgenommen bei:
The Grove Studios in New South Wales, Australien (in 2004)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 78)
recording of:
Black Fingernails, Red Wine (in 2004)
Komponist(in):
Stuart MacLeod, Joel Quartermain und Kav Temperley
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
Eskimo Joe34:09

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Veröffentlichung

hergestellt von und vermarkted von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
urheberrechtlich geschützt (©) von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (vom 2007 bis heute)
Discogs:https://www.discogs.com/release/7170958 [Info]
ASIN:US: B0011F0AV2 [Info]
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