Four Classic Albums Plus

~ Release by Billie Holiday (see all versions of this release, 1 available)

Tracklist

1▼CD: Tracks (1 - 8) Body and Soul / Tracks (9 - 13) Ella Fitzgerald and Billie Holiday at Newport / Tracks (14 - 21) Billie Holiday at Jazz at the Philharmonic
#TitleRatingLength
1Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:24
2They Can’t Take That Away From Me
producer:
Norman Granz (on 1957-01-09)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09) and Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
electric guitar and guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01, on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.654:12
3Darn That Dream
producer:
Norman Granz (on 1957-01-07)
double bass:
Joe Mondragon (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
Darn That Dream (on 1957-01-07)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
46:20
4Let’s Call the Whole Thing Off
producer:
Norman Granz (on 1957-01-09)
double bass:
Joe Mondragon (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
53:26
5Comes Love
recording of:
Comes Love (on 1956-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
24:02
6Gee, Baby, Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
5:38
7Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:49
8Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:51
9Willow Weep for Me
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-07-06)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-07-06)
piano:
Mal Waldron (American jazz pianist) (on 1957-07-06)
vocals:
Billie Holiday (on 1957-07-06)
recorded at:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Willow Weep for Me (on 1957-07-06)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
cover recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
33:09
10My Man
3:30
11Lover, Come Back to Me
live recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:06
12Lady Sings the Blues
live recording of:
Lady Sings the Blues
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
3:00
13What a Little Moonlight Can Do
live recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
cover recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
3:14
14Body and Soul
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1945-02-12)
double bass [bass]:
Charles Mingus (on 1945-02-12)
drums (drum set):
Davie Coleman (jazz drummer) (on 1945-02-12)
electric guitar:
Dave Barbour (on 1945-02-12)
piano:
Milt Raskin (Milton Raskin) (on 1945-02-12)
tenor saxophone:
Wardell Gray (on 1945-02-12), Illinois Jacquet (on 1945-02-12) and Charlie Ventura (on 1945-02-12)
trumpet:
Howard McGhee (on 1945-02-12)
vocals:
Billie Holiday (on 1945-02-12)
recorded at:
Billie Holliday at Philharmonic Auditorium (1945-02-12)
recorded at:
Philharmonic Auditorium in Los Angeles, California, United States (on 1945-02-12)
live recording of:
Body and Soul (on 1945-02-12)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.53:21
15Strange Fruit
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1945-02-12)
double bass [bass]:
Charles Mingus (on 1945-02-12)
drums (drum set):
Davie Coleman (jazz drummer) (on 1945-02-12)
electric guitar:
Dave Barbour (on 1945-02-12)
piano:
Milt Raskin (Milton Raskin) (on 1945-02-12)
tenor saxophone:
Wardell Gray (on 1945-02-12), Illinois Jacquet (on 1945-02-12) and Charlie Ventura (on 1945-02-12)
trumpet:
Howard McGhee (on 1945-02-12)
vocals:
Billie Holiday (on 1945-02-12)
recorded at:
Billie Holliday at Philharmonic Auditorium (1945-02-12)
recorded at:
Philharmonic Auditorium in Los Angeles, California, United States (on 1945-02-12)
live recording of:
Strange Fruit (on 1945-02-12)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
2.52:53
16Travelin’ Light
double bass [bass]:
Charlie Drayton (1930s-50s blues bassist) (on 1946-10-07)
drums (drum set):
Jackie Mills (on 1946-10-07)
electric guitar:
Barney Kessel (on 1946-10-07)
piano:
Ken Kersey (on 1946-10-07)
tenor saxophone:
Illinois Jacquet (on 1946-10-07)
trombone:
Trummy Young (on 1946-10-07)
trumpet:
Howard McGhee (on 1946-10-07)
vocals:
Billie Holiday (on 1946-10-07)
recorded at:
Billie Holiday at Shrine Auditorium (1946-10-07)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1946-10-07)
live recording of:
Travelin’ Light (on 1946-10-07)
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
43:25
17He’s Funny That Way
double bass [bass]:
Charlie Drayton (1930s-50s blues bassist) (on 1946-10-07)
drums (drum set):
Jackie Mills (on 1946-10-07)
electric guitar:
Barney Kessel (on 1946-10-07)
piano:
Ken Kersey (on 1946-10-07)
tenor saxophone:
Illinois Jacquet (on 1946-10-07)
trombone:
Trummy Young (on 1946-10-07)
trumpet:
Howard McGhee (on 1946-10-07)
vocals:
Billie Holiday (on 1946-10-07)
recorded at:
Billie Holiday at Shrine Auditorium (1946-10-07)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1946-10-07)
live recording of:
She’s Funny That Way (on 1946-10-07)
lyricist:
Richard A. Whiting (composer) (in 1928)
writer:
Neil Moret and Richard A. Whiting (composer)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
52:52
18The Man I Love
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (double bassist) (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
The Man I Love (on 1946-06-03)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
43:04
19Gee, Baby, Ain’t I Good to You
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (double bassist) (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
Gee, Baby Ain’t I Good to You (on 1946-06-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
42:19
20All of Me
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (double bassist) (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
All of Me (on 1946-06-03)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
41:56
21Billie’s Blues
recording of:
Billie’s Blues
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
3:38
2▶CD: Tracks (1 - 8) Music for Torching / Tracks (9 - 16) Velvet Mood / Track 17 the Sound of Jazz