Die Himmel rühmen (Berühmte Chöre)

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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1Die Ehre Gottes aus der Natur op. 48. No. 4 „Die Himmel rühmen“
choir vocals:
Berliner Händel-Chor
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Günther Arndt (choral conductor)
recording of:
Die Himmel rühmen (for choir and orchestra)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer)
arranger:
Uwe Johst
publisher:
Jessica Musikverlag
arrangement of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
Ludwig van Beethoven2:46
2Ave verum corpus, K. 618
choir vocals:
Regensburger Domchor (former members of R.D.)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Ave verum corpus, K. 618 (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Ave verum corpus, K. 618 (for chorus, string and organ)
Wolfgang Amadeus Mozart3:32
3Te Deum: „In te, Domine, speravi“
bass vocals:
Peter Lagger (operatic bass singer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
contralto vocals:
Sieglinde Wagner (contralto)
soprano vocals:
Maria Stader (soprano)
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt
composer:
Anton Bruckner (Austrian composer) (until 1884-03-07)
part of:
Te Deum in C major: V. In te Domine speravi
Anton Bruckner5:48
4Die Schöpfung: „Die Himmel erzählen die Ehre Gottes“
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:07
5Symphony no. 2 in B‐flat major, op. 52. Hymn of Praise: „Alles was Odem hat, lobe den Herrn“
choir vocals:
London Symphony Chorus
contralto vocals:
Elizabeth Connell (soprano)
soprano vocals:
Karita Mattila (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: II. “Alles, was Odem hat, lobe den Herrn!” - “Lobt den Herrn mit Saitenspiel” - “Lobe den Herrn, meine Seele”
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn5:35
6Gesänge, op. 17: „Es tönt ein voller Harfenklang“
harp:
Julia Raines (harpist)
horn:
Jan Schroeder (horn player) and Hans-Ulrich Winckler (hornist)
choir vocals:
NDR Vokalensemble
conductor:
Günter Jena
recording of:
4 Gesänge, op. 17: Nr. 1. Es tönt ein voller Harfenklang
lyricist:
Friedrich Ruperti
composer:
Johannes Brahms (German composer) (in 1860)
part of:
4 Gesänge, op. 17
Johannes Brahms3:23
7Cecilia Mass: Credo in unum Deum
choir vocals:
Tschechischer Sängerchor Prag (Czech Philharmonic Chorus, Prague Philharmonic Choir)
orchestra:
Tschechische Philharmonie Prag (Czech Philharmonic, formerly Czech Philharmonic Orchestra)
conductor:
Igor Markevitch (conductor)
recording of:
Messe solennelle de Sainte Cécile : III. Credo
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles Gounod4:43
8Mass in C major. Kyrie
bass vocals:
Ernst Gerold Schramm (German baritone)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
contralto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
soprano vocals:
Gundula Janowitz (soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven4:17
9Mass in C major, K. 317 „Coronation“. Gloria
bass vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
contralto vocals:
Norma Procter (contralto)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Donald Grobe (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart4:23
10Israel in Egypt: Moses and the Children of Israel
choir vocals:
Leeds Festival Chorus
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Israel in Egypt, HWV 54: Part III, no. 17: Introitus (Chorus) "Moses and the children of Israel"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Israel in Egypt, HWV 54: Part III "Moses' Song"
Georg Friedrich Händel3:49
11Herz und Mund und Tat und Leben: Cantata BWV 147: Jesu bleibet meine Freude
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
12Messiah: Halleluja
choir vocals:
The John Alldis Choir
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:04
13Ein deutsches Requiem: Wie lieblich sind deine Wohnungen
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:44
14Missa solemnis in D major, op.123. Gloria in excelsis Deo
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Gundula Janowitz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven4:53
15Mass no. 2 in E Minor: Sanctus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Mitglieder des Symphonieorchesters des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Mass no. 2 in E minor: IV. Sanctus
composer:
Anton Bruckner (Austrian composer)
part of:
Mass no. 2 in E minor, WAB 27
Anton Bruckner3:56
16Die Jahreszeiten: „Ach, das Ungewitter Naht!“
bass vocals:
Martti Talvela (operatic bass)
choir vocals:
Wiener Singverein
soprano vocals:
Gundula Janowitz (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Die Jahreszeiten, Der Sommer: XVII. Chor: Allegro assai: "Ach, das Ungewitter naht!" (Chor)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn3:58
17Die Jahreszeiten: „Dann bricht der große Morgen an“
bass vocals:
Martti Talvela (operatic bass)
choir vocals:
Wiener Singverein
soprano vocals:
Gundula Janowitz (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Die Jahreszeiten, Der Winter: XXXIX. Terzett und Doppelchor: Allegro moderato: "Dann bricht der große Morgen an" (Simon, Lukas, Hanne, Chor)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn5:38