The Sound of Silence

~ Release by Carmen McRae (see all versions of this release, 1 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1The Sound of Silence
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Max Bennett (US jazz bassist and session musician) (on 1968-06-27)
drums (drum set):
James Gordon (drums) (on 1968-06-27)
electric piano:
Norman Simmons (on 1968-06-27)
guitar:
Mike Deasy (on 1968-06-27), Tommy Tedesco (guitar) (on 1968-06-27) and Francois Vaz (on 1968-06-27)
percussion:
Emil Radocchia (on 1968-06-27)
saxophone:
James Horn (woodwind) (on 1968-06-27)
trombone:
Lew McCreary (on 1968-06-27) and Dick Nash (on 1968-06-27)
trumpet:
Buddy Childers (American jazz trumpeter & composer) (on 1968-06-27) and Jack Sheldon (on 1968-06-27)
violin:
Herman Clebanoff (on 1968-06-27), Sam Freed (on 1968-06-27), Dave Frisina (on 1968-06-27), Anatol Kaminsky (on 1968-06-27), Nathan Kaproff (on 1968-06-27) and Bernard Kundell (on 1968-06-27)
vocals:
Carmen McRae (on 1968-06-27)
conductor:
Shorty Rogers (trumpet) (on 1968-06-27)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-27)
cover recording of:
The Sound of Silence (on 1968-06-27)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
3:05
A2I Got It Bad and That Ain't Good
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (on 1968-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:29
A3MacArthur Park
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Bob West (US session bassist, producer & songwriter) (on 1968-06-28)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1968-06-28)
guitar:
Mike Deasy (on 1968-06-28), Al Hendrickson (on 1968-06-28) and Francois Vaz (on 1968-06-28)
percussion:
Larry Bunker (on 1968-06-28)
piano:
Norman Simmons (on 1968-06-28)
saxophone:
John Lowe (woodwind) (on 1968-06-28)
trombone:
Lew McCreary (on 1968-06-28) and Dick Nash (on 1968-06-28)
trumpet:
Jack Sheldon (on 1968-06-28) and Jimmy Zito (on 1968-06-28)
violin:
Herman Clebanoff (on 1968-06-28), Sam Freed (on 1968-06-28), Dave Frisina (on 1968-06-28), Anatol Kaminsky (on 1968-06-28), Nathan Kaproff (on 1968-06-28) and Bernard Kundell (on 1968-06-28)
vocals:
Carmen McRae (on 1968-06-28)
conductor:
Shorty Rogers (trumpet) (on 1968-06-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-28)
cover recording of:
MacArthur Park (on 1968-06-28)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Canopy Music, Carlin Music Corporation, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:03
A4Watch What Happens
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
Watch What Happens (on 1968-06-26)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
translated version of:
Les Parapluies de Cherbourg: Récit de Cassard
2:38
A5Stardust
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
Stardust (the jazz standard) (on 1968-06-26)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
4:08
A6Don't Go Away
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Max Bennett (US jazz bassist and session musician) (on 1968-06-27)
drums (drum set):
James Gordon (drums) (on 1968-06-27)
electric piano:
Norman Simmons (on 1968-06-27)
guitar:
Mike Deasy (on 1968-06-27), Tommy Tedesco (guitar) (on 1968-06-27) and Francois Vaz (on 1968-06-27)
percussion:
Emil Radocchia (on 1968-06-27)
saxophone:
James Horn (woodwind) (on 1968-06-27)
trombone:
Lew McCreary (on 1968-06-27) and Dick Nash (on 1968-06-27)
trumpet:
Buddy Childers (American jazz trumpeter & composer) (on 1968-06-27) and Jack Sheldon (on 1968-06-27)
violin:
Herman Clebanoff (on 1968-06-27), Sam Freed (on 1968-06-27), Dave Frisina (on 1968-06-27), Anatol Kaminsky (on 1968-06-27), Nathan Kaproff (on 1968-06-27) and Bernard Kundell (on 1968-06-27)
vocals:
Carmen McRae (on 1968-06-27)
conductor:
Shorty Rogers (trumpet) (on 1968-06-27)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-27)
2:19
B1Gloomy Sunday
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Max Bennett (US jazz bassist and session musician) (on 1968-06-27)
drums (drum set):
James Gordon (drums) (on 1968-06-27)
electric piano:
Norman Simmons (on 1968-06-27)
guitar:
Mike Deasy (on 1968-06-27), Tommy Tedesco (guitar) (on 1968-06-27) and Francois Vaz (on 1968-06-27)
percussion:
Emil Radocchia (on 1968-06-27)
saxophone:
James Horn (woodwind) (on 1968-06-27)
trombone:
Lew McCreary (on 1968-06-27) and Dick Nash (on 1968-06-27)
trumpet:
Buddy Childers (American jazz trumpeter & composer) (on 1968-06-27) and Jack Sheldon (on 1968-06-27)
violin:
Herman Clebanoff (on 1968-06-27), Sam Freed (on 1968-06-27), Dave Frisina (on 1968-06-27), Anatol Kaminsky (on 1968-06-27), Nathan Kaproff (on 1968-06-27) and Bernard Kundell (on 1968-06-27)
vocals:
Carmen McRae (on 1968-06-27)
conductor:
Shorty Rogers (trumpet) (on 1968-06-27)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-27)
recording of:
Gloomy Sunday (on 1968-06-27)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
4:11
B2I Sold My Heart to the Junkman
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Bob West (US session bassist, producer & songwriter) (on 1968-06-28)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1968-06-28)
guitar:
Mike Deasy (on 1968-06-28), Al Hendrickson (on 1968-06-28) and Francois Vaz (on 1968-06-28)
percussion:
Larry Bunker (on 1968-06-28)
piano:
Norman Simmons (on 1968-06-28)
saxophone:
John Lowe (woodwind) (on 1968-06-28)
trombone:
Lew McCreary (on 1968-06-28) and Dick Nash (on 1968-06-28)
trumpet:
Jack Sheldon (on 1968-06-28) and Jimmy Zito (on 1968-06-28)
violin:
Herman Clebanoff (on 1968-06-28), Sam Freed (on 1968-06-28), Dave Frisina (on 1968-06-28), Anatol Kaminsky (on 1968-06-28), Nathan Kaproff (on 1968-06-28) and Bernard Kundell (on 1968-06-28)
vocals:
Carmen McRae (on 1968-06-28)
conductor:
Shorty Rogers (trumpet) (on 1968-06-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-28)
recording of:
I Sold My Heart to the Junkman (on 1968-06-28)
writer:
Leon René and Otis René
3:45
B3Poor Butterfly
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Bob West (US session bassist, producer & songwriter) (on 1968-06-28)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1968-06-28)
guitar:
Mike Deasy (on 1968-06-28), Al Hendrickson (on 1968-06-28) and Francois Vaz (on 1968-06-28)
percussion:
Larry Bunker (on 1968-06-28)
piano:
Norman Simmons (on 1968-06-28)
saxophone:
John Lowe (woodwind) (on 1968-06-28)
trombone:
Lew McCreary (on 1968-06-28) and Dick Nash (on 1968-06-28)
trumpet:
Jack Sheldon (on 1968-06-28) and Jimmy Zito (on 1968-06-28)
violin:
Herman Clebanoff (on 1968-06-28), Sam Freed (on 1968-06-28), Dave Frisina (on 1968-06-28), Anatol Kaminsky (on 1968-06-28), Nathan Kaproff (on 1968-06-28) and Bernard Kundell (on 1968-06-28)
vocals:
Carmen McRae (on 1968-06-28)
conductor:
Shorty Rogers (trumpet) (on 1968-06-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-28)
recording of:
Poor Butterfly (on 1968-06-28)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
2:21
B4My Heart Reminds Me
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Bob West (US session bassist, producer & songwriter) (on 1968-06-28)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1968-06-28)
guitar:
Mike Deasy (on 1968-06-28), Al Hendrickson (on 1968-06-28) and Francois Vaz (on 1968-06-28)
percussion:
Larry Bunker (on 1968-06-28)
piano:
Norman Simmons (on 1968-06-28)
saxophone:
John Lowe (woodwind) (on 1968-06-28)
trombone:
Lew McCreary (on 1968-06-28) and Dick Nash (on 1968-06-28)
trumpet:
Jack Sheldon (on 1968-06-28) and Jimmy Zito (on 1968-06-28)
violin:
Herman Clebanoff (on 1968-06-28), Sam Freed (on 1968-06-28), Dave Frisina (on 1968-06-28), Anatol Kaminsky (on 1968-06-28), Nathan Kaproff (on 1968-06-28) and Bernard Kundell (on 1968-06-28)
vocals:
Carmen McRae (on 1968-06-28)
conductor:
Shorty Rogers (trumpet) (on 1968-06-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-28)
recording of:
My Heart Reminds Me (Translation of "Concerto d'automno") (on 1968-06-28)
lyricist:
Dante Panzuti
composer:
Camillo Bargoni (Italian composer)
translator:
Paul Siegel (American songwriter) and Al Stillman
is based on:
Autumn Concerto (Concerto d'autumno)
2:33
B5The Folks Who Live on the Hill
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
The Folks Who Live on the Hill (on 1968-06-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
4:30
B6Can You Tell
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Max Bennett (US jazz bassist and session musician) (on 1968-06-27)
drums (drum set):
James Gordon (drums) (on 1968-06-27)
electric piano:
Norman Simmons (on 1968-06-27)
guitar:
Mike Deasy (on 1968-06-27), Tommy Tedesco (guitar) (on 1968-06-27) and Francois Vaz (on 1968-06-27)
percussion:
Emil Radocchia (on 1968-06-27)
saxophone:
James Horn (woodwind) (on 1968-06-27)
trombone:
Lew McCreary (on 1968-06-27) and Dick Nash (on 1968-06-27)
trumpet:
Buddy Childers (American jazz trumpeter & composer) (on 1968-06-27) and Jack Sheldon (on 1968-06-27)
violin:
Herman Clebanoff (on 1968-06-27), Sam Freed (on 1968-06-27), Dave Frisina (on 1968-06-27), Anatol Kaminsky (on 1968-06-27), Nathan Kaproff (on 1968-06-27) and Bernard Kundell (on 1968-06-27)
vocals:
Carmen McRae (on 1968-06-27)
conductor:
Shorty Rogers (trumpet) (on 1968-06-27)
arranger:
Shorty Rogers (trumpet)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-27)
2:18

Credits

Release

photography:Jerry Schatzberg (photographer and film director)

Release group

included in:Sound of Silence / Portrait of Carmen