After The Storm (40 Feel Good Country Ballads)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Calm After The Storm
phonographic copyright (℗) by:
The Longplay BV (from 2014 to present)
part of:
Netherlands in the Eurovision Song Contest (number: 2014)
recording of:
Calm After the Storm
lyricist and composer:
Ilse de Lange (Dutch singer/songwriter), Jake Etheridge (American songwriter and musician), JB Meijers (dutch multi-instrumentalist, producer and singer/songwriter), Matthew Crosby (US singer-songwriter) and Rob Crosby (American country singer/songwriter)
The Common Linnets?:??
2Need You NowLady A3.9?:??
3Who You Love
engineer:
Chad Franscoviak
producer:
John Mayer (US singer‐songwriter) and Don Was
mixer:
Manny Marroquin
bass trombone, tenor horn / alto horn and trombone:
Bill Reichenbach, Jr. (jazz trombonist)
drums (drum set) and percussion:
Aaron Sterling
electric bass guitar:
Sean Hurley (American bassist and songwriter)
flugelhorn:
Gary Grant (brass)
flute and tenor saxophone:
Dan Higgins (saxophonist and woodwind recording artist) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
lead vocals:
John Mayer (US singer‐songwriter) and Katy Perry
horn arranger:
John Mayer (US singer‐songwriter) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
recording of:
Who You Love
writer:
John Mayer (US singer‐songwriter) and Katy Perry
John Mayer3?:??
4The Pine Tree
cover recording of:
The Pine Tree
lyricist and composer:
Billy Edd Wheeler
Johnny Cash?:??
5Remind Me
commentary:
Remind Me (commentary) by Carrie Underwood duet with Brad Paisley
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 82)
recording of:
Remind Me
writer:
Chris DuBois (US country songwriter and music publisher), Kelley Lovelace and Brad Paisley
publisher:
Didn't Have To Be Music, EMI April Music Inc. and House of Sea Gayle Music
Brad Paisley with Carrie Underwood2?:??
6Remind Me
commentary:
Remind Me (commentary) by Carrie Underwood duet with Brad Paisley
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 82)
recording of:
Remind Me
writer:
Chris DuBois (US country songwriter and music publisher), Kelley Lovelace and Brad Paisley
publisher:
Didn't Have To Be Music, EMI April Music Inc. and House of Sea Gayle Music
Brad Paisley with Carrie Underwood2?:??
7From This Moment On
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
strings:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) and Carl Marsh (US orchestrator, arranger, composer and pianist)
guest vocals:
Bryan White (Lawton, OK country singer)
vocals:
Bryan White (Lawton, OK country singer)
performer:
Shania Twain
instruments arranger:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) and Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
recording of:
From This Moment On
writer:
Robert John “Mutt” Lange (Robert John Lange) and Shania Twain
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shania Twain4?:??
8When We Don't Talk
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1998)
recording of:
When We Don’t Talk
lyricist and composer:
Ilse de Lange (Dutch singer/songwriter) and Rob Crosby (American country singer/songwriter)
publisher:
Crutchfield Music, Peermusic (“Peermusic—the global independent”) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ilse DeLange?:??
9Don't Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
electric guitar:
Mike Landau
percussion:
Mike Fisher (Percussionist)
piano:
Don Grolnick
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
orchestra:
Skywalker Symphony Orchestra
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. and Snow Music
Linda Ronstadt3?:??
10Love Hurts
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Emmylou Harris?:??
11Creepin' In
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
snare drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Creepin’ In (from 2003 until 2004)
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Fumblethumbs Music
Norah Jones3.75?:??
12Gone Gone Gone (Done Moved On)
recording engineer and mixer:
Mike Piersante (recording engineer & mixer)
additional engineer:
Stacy Parrish (engineer) and Jason Wormer (american engineer)
assistant engineer:
Kyle Ford, Emile Kelman, Vanessa Parr (engineer) and Alex Pavlides
editor:
Jason Wormer (american engineer)
bass [6-string bass] and electric guitar:
T‐Bone Burnett (musician, songwriter and producer)
double bass:
Dennis Crouch (american bass player)
drums (drum set):
Jay Bellerose (american drummer and percussionist)
vocals:
Alison Krauss and Robert Plant (of Led Zeppelin)
recorded at:
ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
ElectroMagnetic Studio in Los Angeles, California, United States
cover recording of:
Gone, Gone, Gone
composer:
Don Everly and Phil Everly
Robert Plant & Alison Krauss3.65?:??
13We Must Have Been Out Of Our Minds
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Fred Foster
performer:
Rita Coolidge
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States
cover recording of:
We Must Have Been Out of Our Minds
lyricist and composer:
Melba Montgomery (country singer)
recording of:
We Must Have Been Out of Our Minds
lyricist and composer:
Melba Montgomery (country singer)
Kris Kristofferson3?:??
14If It Weren't For Him
performer:
Rosanne Cash
recording of:
If It Weren’t for Him
writer:
Rosanne Cash and Vince Gill
publisher:
Benefit Music (BMI, associated with Vince Gill)
Vince Gill?:??
15The Best Is Yet To Come
High South?:??
16Love Without You
Darius Rucker3?:??
17We've Got Tonight
lead vocals:
Sheena Easton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
performer:
Sheena Easton
cover recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc. and Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc. and Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
Kenny Rogers3?:??
18Cryin' Time
cover recording of:
Crying Time
lyricist and composer:
Buck Owens (in 1964)
publisher:
Beachaven Music Corporation and Sony/ATV Tree Publishing
George Jones & Tammy Wynette1?:??
19Night's Lullaby
acoustic guitar:
Lyle Lovett
double bass:
Leland Sklar (bassist, session musician)
drums (drum set):
Russ Kunkel (session drummer)
electric guitar:
Dean Parks (American session guitarist)
fiddle:
Sara Watkins (fiddler)
mandolin:
Sean Watkins
piano:
Matt Rollings (American composer, musician and record producer)
additional vocals:
Sara Watkins (fiddler) and Sean Watkins
vocals:
Lyle Lovett
Lyle Lovett3?:??
20Always On My Mind
producer:
Chips Moman
bass:
Mike Leech (Nashville session musician and arranger) (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Willie Nelson4.7?:??
2CD