The Unpublished EMI Recordings 1946-1952

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata no. 51 'Jauchzet Gott in allen Landen', BWV51: I. Aria
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-28 until 1948-05-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-28 until 1948-05-31)
conductor:
Walter Süsskind (conductor) (from 1948-05-28 until 1948-05-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1948-05-28 until 1948-05-31)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1948-05-28 until 1948-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:05
2Cantata no. 51 'Jauchzet Gott in allen Landen', BWV51: II. Recitativ
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-28 until 1948-05-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-28 until 1948-05-31)
conductor:
Walter Süsskind (conductor) (from 1948-05-28 until 1948-05-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1948-05-28 until 1948-05-31)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1948-05-28 until 1948-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:12
3Cantata no. 51 'Jauchzet Gott in allen Landen', BWV51: III. Aria
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-28 until 1948-05-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-28 until 1948-05-31)
conductor:
Walter Süsskind (conductor) (from 1948-05-28 until 1948-05-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1948-05-28 until 1948-05-31)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1948-05-28 until 1948-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:20
4Cantata no. 51 'Jauchzet Gott in allen Landen', BWV51: IV. Choral
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-28 until 1948-05-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-28 until 1948-05-31)
conductor:
Walter Süsskind (conductor) (from 1948-05-28 until 1948-05-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1948-05-28 until 1948-05-31)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1948-05-28 until 1948-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:49
5Cantata no. 51 'Jauchzet Gott in allen Landen', BWV51: V. Alleluja
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-28 until 1948-05-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-28 until 1948-05-31)
conductor:
Walter Süsskind (conductor) (from 1948-05-28 until 1948-05-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1948-05-28 until 1948-05-31)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1948-05-28 until 1948-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:17
6Exsultate, jubilate, K.165: I. Exsultate, jubilate
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-06)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-06)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-06)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (on 1946-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart4:40
7Exsultate, jubilate, K.165: II. Fulget amica dies
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-06)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-06)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-06)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (on 1946-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart1:09
8Exsultate, jubilate, K.165: III. Tu virginum corona
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-06)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-06)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-06)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (on 1946-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart7:22
9Exsultate, jubilate, K.165: IV. Alleluia
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-06)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-06)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-06)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (on 1946-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:46
10Elisabeth Schwarzkopf Talks About the Magic Flute Recordings
spoken vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-06)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-06)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-06)
partial recording of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620) (on 1946-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
premiered at:
Theater auf der Wieden in Wieden, Wien (Vienna), Austria (on 1791-09-30)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 620) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 620)
Elisabeth Schwarzkopf3:13
11The Magic Flute, Act I: O welche Marter! Welche Pein... Bei Männern welche Liebe fühlen
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Zauberflöte: Duett “Bei Männern, welche Liebe fühlen” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
arrangement of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
Wolfgang Amadeus Mozart4:11
12The Magic Flute, Act I: Schnelle Fuße, rascher Mut... Konnte jeder brave Mann... O Freund, nun ist's um uns getan... Herr, ich bin zwar Verbrecherin
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:01
13The Magic Flute, Act II: Ich hörte deine Flöte... Ach, ich Fühl's
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Zauberflöte: Aria “Ach, ich fühl’s, es ist verschwunden” (Pamina) (catch‐all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
Wolfgang Amadeus Mozart4:46
14The Magic Flute, Act II: Soll ich dich, Teurer, nie mehr sehn?... Du also bist ein Brautigam
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:43
15The Magic Flute, Act II: Sterben will ich
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
partial recording of:
Die Zauberflöte, K. 620 (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
arrangement of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart4:48
16The Magic Flute, Act II: Tamino Mein...Wir Wandelten Durch Feuergluten
piano:
Norman Feasey (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:38
17La Traviata, Act I: E strano... Ah! fors è lui
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-04-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1948-04-12)
conductor:
Warwick Braithwaite (conductor) (on 1948-04-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-04-12)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (on 1948-04-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (on 1948-04-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:00
18La Boheme, Act III: Adio... Donde lieta usci
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-05-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-05-06)
conductor:
Issay Dobrowen (Russian conductor, composer and pianist) (on 1950-05-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1950-05-06)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (on 1950-05-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giuseppe Verdi3:45
19Ave Maria
piano:
Gerald Moore (pianist) (on 1947-10-02)
violin:
Jean Pougnet (violinist) (on 1947-10-02)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-10-02)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1947-10-02)
recording of:
Ave Maria (Bach/Gounod) (on 1947-10-02)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach arranged Charles‐François Gounod2:41
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ASIN:US: B00000IAEV [info]