Ravel: Shéhérazade / 5 Mélodies Populaires Grecques / Debussy: Chansons de Bilitis

~ Release by Ravel, Debussy, Duparc; Victoria de los Ángeles, Georges Prêtre, Gonzalo Soriano, Orchestre De La Société Des Concerts Du Conservatoire (see all versions of this release, 1 available)

Annotation

Copyright: © 2006 EMI Records Ltd.
℗ 1963(1-10, 22-24) & 1967 (11-22) The copyright in these sound recordings is owned by EMI Records Ltd. This compilation & digital remastering 2006 by EMI Records Ltd.

Annotation last modified on 2025-03-10 15:10 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Shéhérazade: I. Asie
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: I. Asie (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel9:04
2Shéhérazade: II. La flûte enchantée
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: II. La Flûte enchantée (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel2:43
3Shéhérazade: III. L'indifférent
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: III. L'Indifférent (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:10
4Cinq Mélodies populaires grecques: Le réveil de la mariée
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: I. Chanson de la mariée (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:24
5Cinq Mélodies populaires grecques: Là-bas, vers l'église
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: II. Là-bas, vers l'église (from 1962-02-20 until 1962-02-24)
lyricist:
Michel-Dimitri Calvocoressi
composer:
Francis Poulenc (French composer and pianist) and Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:19
6Cinq Mélodies populaires grecques: Quel galant m'est comparable
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel0:51
7Cinq Mélodies populaires grecques: Chanson des cueilleuses
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel2:22
8Cinq Mélodies populaires grecques: Tout gai!
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: V. Tout gai! (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:03
9Deux Mélodies hébraïques: Kaddisch
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel4:40
10Deux Mélodies hébraïques: L'énigme éternelle
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (Mejerke) (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel1:35
11Chants populaires: Chanson espagnole
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: I. Chanson espagnole (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel2:37
12Chants populaires: Chanson française
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: II. Chanson française (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:57
13Chants populaires: Chanson italienne
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: III. Chanson italienne (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:24
14Chants populaires: Chanson hébraïque
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: IV. Chanson hébraïque (from 1966-01-19 until 1966-01-26)
lyricist:
[traditional] (special purpose artist)
composer:
Maurice Ravel (French composer)
part of:
Chants populaires
Maurice Ravel4:39
15Trois Chansons de Bilitis: La Flûte de Pan
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:56
16Trois Chansons de Bilitis: La Chevelure
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:16
17Trois Chansons de Bilitis: Le Tombeau des Naïades
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:04
18Fêtes galantes: En sourdine
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:02
19Fêtes galantes: Fantoches
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy1:17
20Fêtes galantes: Clair de lune
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy2:58
21Noël des enfants qui n'ont plus de maison
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Noël des enfants qui n'ont plus de maison, L. 139, CD 147 "Nous n’avons plus de maison" (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (in 1915-12)
premiered at:
[concert] (1916-03-09)
publisher:
Durand et Cie (1909–1947) (in 1915-12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 139) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 147)
Claude Debussy2:47
22L'Enfant prodigue: Récit. & Air de Lia: L'année en vain chasse l'année
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
L’Enfant prodigue, L. 57, CD 61: II. Air "L'année, en vain chasse l'année ; Azaël, pourquoi m'as-tu quittée?" (from 1962-02-20 until 1962-02-24)
lyricist:
Édouard Guinand
composer:
Claude Debussy (French composer) (on 1884-05-24)
revised by:
Claude Debussy (French composer) (from 1907 until 1908)
part of:
L’Enfant prodigue, L. 57, CD 61 (1908 revision)
Claude Debussy4:52
23L'Invitation au voyage
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
L’Invitation au voyage (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
lyricist:
Charles Baudelaire
composer:
Henri Duparc (French composer)
Henri Duparc4:08
24Phidylé
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Phidylé (from 1962-02-20 until 1962-02-24)
lyricist:
Leconte de Lisle
composer:
Henri Duparc (French composer) (in 1882)
Henri Duparc5:20