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1Samson et Dalila : Acte II. « Ah ! cesse d'affliger mon cœur ! »
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Qu’importe à mon cœur désolé » (Dalila, Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns3:37
2Samson et Dalila : Acte II. « Mon cœur s'ouvre à ta voix »
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:41
3Samson et Dalila : Acte II. « Mais ! … Non ! que dis-je, hélas ! »
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Mais ! Non ! Que dis-je ? Hélas ! La triste Dalila » (Dalila, Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:57
4Samson et Dalila : Acte III. « Vois ma misère, hélas! »
choir vocals [Les Hébreux]:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns9:29
5Samson et Dalila : Acte III. « L'aube qui blanchit déjà les coteaux »
choir vocals [Les Philistins]:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 2. Chœur des Philistins « L’aube qui blanchit déjà les coteaux » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns2:27
6Samson et Dalila : Acte III. Bacchanale
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 2. Bacchanale (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns7:18
7Samson et Dalila : Acte III. « Salut ! Salut au juge d'Israël »
baritone vocals [Le grand prêtre]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Salut ! Salut au juge d’Israël » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns1:18
8Samson et Dalila : Acte III. « L'âme triste jusqu'à la mort »
baritone vocals [Le grand prêtre]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « L’âme triste jusqu’à la mort » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns6:26
9Samson et Dalila : Acte III. « Gloire à Dagon vainqueur »
baritone vocals [Le grand prêtre]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Gloire à Dagon » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns8:03
10Polyeucte : Acte IV, scène 2. Stances
tenor vocals [Polyeucte]:
José Luccioni (tenor) (on 1946-06-03)
orchestra:
Orchestre du Théâtre national de l’Opéra (on 1946-06-03)
conductor:
Eugène Bigot (conductor) (on 1946-06-03)
partial recording of:
Polyeucte: Acte IV (on 1946-06-03)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Polyeucte
Charles‐François Gounod4:32
11Roméo et Juliette : Acte II. « Ah ! Lève-toi, soleil ! »
tenor vocals [Roméo]:
José Luccioni (tenor) (on 1946-06-03)
orchestra:
Orchestre du Théâtre national de l’Opéra (on 1946-06-03)
conductor:
Eugène Bigot (conductor) (on 1946-06-03)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo) (on 1946-06-03)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles‐François Gounod4:17
12Carmen : Acte II, scène 5. « La fleur que tu m'avais jetée »
tenor vocals [Don José]:
José Luccioni (tenor) (on 1936-10-05)
orchestra:
Orchestre du Théâtre national de l’Opéra (on 1936-10-05)
conductor:
Eugène Bigot (conductor) (on 1936-10-05)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (on 1936-10-05)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:00
13Hérodiade : Acte IV, scène 13. « Ne pouvant réprimer les élans de la foi »
tenor vocals [Jean]:
José Luccioni (tenor) (on 1937-03-15)
orchestra:
Orchestre du Théâtre national de l’Opéra (on 1937-03-15)
conductor:
Eugène Bigot (conductor) (on 1937-03-15)
recording of:
Hérodiade : Acte IV, tableau 1, scène 13. « Ne pouvant réprimer les élans de la foi » … « Adieu donc » (Jean) (on 1937-03-15)
composer:
Jules Massenet (French Romantic composer)
part of:
Hérodiade: Acte IV
part of:
Hérodiade: Acte IV
Jules Massenet4:25
14Manon : Acte III. « Ah ! Fuyez, douce image ! »
tenor vocals [Des Grieux]:
José Luccioni (tenor) (on 1937-03-15)
orchestra:
Orchestre du Théâtre national de l’Opéra (on 1937-03-15)
conductor:
Eugène Bigot (conductor) (on 1937-03-15)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux) (on 1937-03-15)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet4:13

Credits

Release

manufactured in:E.C. (Europe)
producer:Ward Marston (classical restoration, mastering) (task: archivist and restoration producer)
distributed by:MVD GmbH (Munich, Germany)
copyrighted (©) by and phonographic copyright (℗) by:HNH International Ltd. (not for release label use!) (in 2000)
ASIN:CA: B00004XO2D [info]
discography entry:http://www.naxos.com/catalogue/item.asp?item_code=8.110063-64 [info]