Summer Classics Throwbacks

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2024-01-05).

  • Northern America: 🇺🇸 United States (us)
  • Western Europe: 🇳🇱 Netherlands (nl)
  • Eastern Europe: 🇧🇾 Belarus (by)
Annotation last modified on 2024-01-05 21:31 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Return of the Mack (C & J Street mix)
additional producer:
Cutfather & Joe
producer:
Phil Chill and Mark Morrison (r&b vocalist)
remixer:
Cutfather & Joe
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison & Cutfather & Joe3.53:33
2On the Beach
recording of:
On the Beach (Chris Rea)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3:41
3Baby, I Love Your Way (radio mix)
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain34:30
4Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
5Summer Feelings
Lennon Stella & Charlie Puth3.752:40
6Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:36
7Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
8That’s the Way (I Like It)
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band45:08
9Tonight’s the Night (Gonna Be Alright)
producer:
Tom Dowd
tenor saxophone:
Jerry Jumonville
spoken vocals [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976, in 2009) and Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Muscle Shoals Sound Studio in Sheffield, Alabama, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 21)
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart43:57
10Jump
Rupee3:35
11Sunshine Reggae
recording of:
Sunshine Reggae
lyricist and composer:
John Guldberg and Tim Stahl
Laid Back36:31
12Love Grows (Where My Rosemary Goes)
SMYLES32:20
13Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:33
14The Business
programming:
HIGHTOWER (producer) and Tiësto (Dutch DJ and record producer)
co-producer:
HIGHTOWER (producer)
producer:
Julia Karlsson (task: Vocal) and Tiësto (Dutch DJ and record producer)
performer:
Tiësto (Dutch DJ and record producer)
part of:
BILLIONS CLUB
recording of:
The Business
writer:
James Bell (Production music composer), Julia Christine Karlsson, Anton Rundberg and Tijs Verwest (Dutch DJ and record producer)
Tiësto3.42:44
15Summer Holiday
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
Summer Holiday
writer:
Brian Bennett (Shadows drummer) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music and EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard & The Shadows52:07
16Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 424)
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:09
17I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:46
18Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Rumer33:50
19Good Feeling
samples:
Something’s Got a Hold on Me by Etta James
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 16)
recording of:
Good Feeling
writer:
Arash Pournouri, Tim Bergling, Cirkut, Dr. Luke, Flo Rida (American rapper), Breyan Isaac, Etta James, Leroy Kirkland and Pearl Woods (60s R&B)
Flo Rida3.54:08
20Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
21Fuck You
remix of:
Fuck You (Bart B More mix) by CeeLo Green
music videos:
F**k You (lyric video) (explicit) by CeeLo Green and Fuck You by CeeLo Green
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 7)
recording of:
Fuck You
writer:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine and Bruno Mars (US singer)
part of:
Matuschkes Lieblinge 2010
CeeLo Green4.253:43
22All Summer Long
recording engineer and mixer:
Rob Cavallo, Kid Rock (American singer/rapper) and Al Sutton
programming and producer:
Kid Rock (American singer/rapper)
engineer:
Al Sutton
co-producer:
Rob Cavallo
bass guitar [bass]:
Aaron Julison
guitar [guitars]:
Marlon Young
piano:
Billy Powell
background vocals:
Thornetta Davis (Detroit, MI R&B vocalist), Andre Jones and Barbara Payton
lead vocals:
Kid Rock (American singer/rapper)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
recorded at and mixed at:
The Allen Roadhouse in Clarkston, Michigan, United States
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 85)
recording of:
All Summer Long
writer:
Kid Rock (American singer/rapper) and Uncle Kracker
is based on:
Sweet Home Alabama
is based on:
Werewolves of London
Kid Rock3.14:58
23High Hopes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Steve Genewick
miscellaneous support:
Ron Cabiltes and Danny Zook
programming:
Jonny Coffer (songwriter and producer) and Cook Classics
engineer:
Suzy Shinn
producer:
Jake Sinclair
mixer:
Claudius Mittendorfer (engineer, producer, mixer)
bass:
Jake Sinclair
cello:
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody and Tim Gill (cellist)
drums (drum set), piano and lead vocals:
Brendon Urie
guitar:
Kenneth Harris (former touring guitarist for Panic! at the Disco) and Jake Sinclair
saxophone:
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) and Peter Slocombe (saxophonist)
trumpet:
Jonathan Bradley (trumpet) and Mike Rocha (trumpeter)
viola:
Robert Brophy (violist), Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) and Bruce White (violist)
violin:
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav (violinist), Cathy Thompson (violinist) and Warren Zielinski (violinist)
background vocals:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber (US | pop singer), Suzy Shinn, Jake Sinclair and Brendon Urie
conductor:
Rob Mathes
arranger:
Rob Mathes
concertmaster:
Lori Casteel and Mike Casteel
phonographic copyright (℗) by:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2018) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 11), Spotify: Top Hits of 2019 (number: 47) and BILLIONS CLUB
recording of:
High Hopes
writer:
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber (US | pop singer), Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean and Jenny Owen Youngs
Panic! at the Disco3.353:12
24God Only Knows
cover recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Vogues22:47
25Dreams
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 9) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 17)
recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) and Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.154:17
26Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.43:49
27Sailing
producer:
Tom Dowd
cover recording of:
Sailing
lyricist and composer:
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) and Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:39
28Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
29The Best (edit)
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
30Shivers
recording engineer:
Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) and Joe Rubel (songwriter and producer)
additional programming:
Joe Rubel (songwriter and producer)
programming:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Chris Laws (engineer, keyboardist & songwriter)
engineer:
Graham Archer (engineer), Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter), Johnny McDaid and Joe Rubel (songwriter and producer)
executive producer:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
producer:
Graham Archer (engineer) (task: vocal), FRED (UK producer, songwriter, multi-instrumentalist and DJ), Steve Mac (British pop producer/songwriter Steve McCutcheon) (task: vocal), Steve Mac (British pop producer/songwriter Steve McCutcheon) and Ed Sheeran (UK singer‐songwriter)
assistant mixer:
Charlie Holmes (UK mix engineer / producer), Kieran Beardmorre (mixing engineer) and Matt Wolach
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
drums (drum set) [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Chris Laws (engineer, keyboardist & songwriter)
guitar:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
violin [Pizzicato violin]:
Ed Sheeran (UK singer‐songwriter)
vocals:
Ed Sheeran (UK singer‐songwriter)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2021, in 2024)
recorded at:
Fieldwork Studio in London (Greater London), England, United Kingdom, Fieldwork Studio in Suffolk, England, United Kingdom and Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Mixsuite in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2022 (number: 5) and Billboard Hot 100: 2022-02-05 (number: 6)
recording of:
Shivers
writer:
Kal Lavelle (irish singer/songwriter), Steve Mac (British pop producer/songwriter Steve McCutcheon), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Rokstone Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Ed Sheeran3.23:28
31Kings & Queens
producer:
Cirkut and RedOne
assistant mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
Artist Partner Group, Inc. (copyright use only, imprint: 𝗮𝗽𝗴) (in 2020), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2020) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2020)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2021 (number: 73) and BILLIONS CLUB
recording of:
Kings & Queens
writer:
Amanda Ava Koci, Hillary Bernstein, Mimoza Blinsson, Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Desmond Child, Jakke Erixson, Henry Walter, Madison Love and Nadir Khayat
publisher:
Artist Publishing Global (from 2020 to present), Artist Publishing Group West (from 2020 to present), Brett McLaughlin Publishing Designee (from 2020 to present), Budde Music Inc. (US publisher) (from 2020 to present), Cirkut Breaker LLC (from 2020 to present), H BOOM SONGS (from 2020 to present), Kayat Music (from 2020 to present), Mason Levy Productions (from 2020 to present), Max Cut Publishing (from 2020 to present), Prescription Songs (from 2020 to present), Songs of RedOne (from 2020 to present), Sony/ATV Songs LLC (from 2020 to present), Universal PolyGram Int. Publishing Inc. (existed only since ca. 1998) (from 2020 to present) and Warner Geo‐Met‐Ric Music (from 2020 to present)
is based on:
If You Were a Woman (and I Was a Man)
Ava Max42:42
32La da Dee
Cody Simpson3.53:17
33Some Nights
additional programming:
Pat Reynolds
additional engineer:
Jeff Bhasker, Pete Bischoff and Noah Goldstein (R&B record producer, arranger and songwriter)
engineer:
Andrew Dawson (US mix engineer)
producer and mixer:
Jeff Bhasker
assistant mixer:
Pawel Sek
additional background vocals:
Joi Starr (US R&B singer)
phonographic copyright (℗) by:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2011)
recorded at:
Dawson’s Studio, Electric Lady Studios in Greenwich Village, New York, New York, United States and Enormous Studios in Los Angeles, California, United States
music videos:
Some Nights by Fun. (American indie pop band)
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 14) and Billboard Year-End Hot 100 singles of 2013 (number: 58)
recording of:
Some Nights
writer:
Jeff Bhasker and Fun. (American indie pop band)
publisher:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music and WB Music Corp. (1929–2019)
Fun.3.854:37
34Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 89)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.76:11
35Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner and Chris Huston
associate producer:
Lonnie Jordan and Howard E. Scott (US funk/rock guitarist, member of War)
producer:
Jerry Goldstein (producer, record label owner and publisher)
mixer:
Ed Barton (engineer)
recording of:
Low Rider
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11
36Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:22
37Breathless
recording engineer:
Michel Gallone and Tim Martin (engineer)
additional programming:
Cory Churko and Kevin Churko
programming:
Richard Meyer (American folk singer-songwriter)
assistant engineer:
Michel Gallone, Frances Murphy and Keith Roche
producer:
Robert John “Mutt” Lange (Robert John Lange)
assistant mixer:
Adam Olmsted (engineer)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Keith Duffy (bass player for the Corrs)
bodhrán, drums (drum set) and percussion:
Caroline Corr
guitar and keyboard:
Jim Corr
guitar [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
violin:
Sharon Corr
background vocals:
Caroline Corr, Jim Corr and Sharon Corr
vocals:
Andrea Corr
additionally recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recorded at:
Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
music videos:
Breathless by The Corrs
recording of:
Breathless
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.553:28
38Rockabye
additional drum machine programming:
Luke Patterson
programming:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Hal Ritson
additional sound engineer:
Hal Ritson
sound engineer:
Dann Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) and Anthony Leung (Hong Kong engineer)
audio engineer:
Drew Smith (engineer) and Tom AD Fuller
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
mixer:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
cello:
Grace Chatto
drums (drum set):
Luke Patterson
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
piano:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
viola:
James Boyd (UK viola player)
violin:
Braimah Kanneh‐Mason and Beatrice Philips (violinist)
additional vocals:
Kelly Barnes
background vocals:
Caroline Ailin and Grace Chatto
lead vocals:
Anne‐Marie (British singer) and Sean Paul (Jamaican reggae/dancehall)
performer:
Clean Bandit
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 2016), Atlantic Records UK (company credits only; do not use as release label!) (in 2016) and Major Toms (in 2016)
recorded at:
Club Ralph in London (Greater London), England, United Kingdom, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom and The Crypt Studio in Crouch End, Haringey, London (Greater London), England, United Kingdom
mixed at:
Club Ralph in London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 44) and BILLIONS CLUB
recording of:
Rockabye
writer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) and Ina Wroldsen
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. and Where Da Katz At
Clean Bandit, Sean Paul & Anne‐Marie3.354:10
39Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America & George Martin43:32
40It’s My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
41(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.42:44
42We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
43Informer
recording of:
Informer
lyricist:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
writer:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
Snow34:17
44Viva la Vida
producer:
Markus Dravs, Brian Eno, Jon Hopkins and Rik Simpson
mixer:
Michael Brauer (engineer), Markus Dravs, Rik Simpson and Andy Wallace (engineer)
bass:
Guy Berryman
drums (drum set) and percussion:
Will Champion
guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
strings:
Davide Rossi (Goldfrapp violinist)
synthesizer:
Brian Eno
background vocals:
Guy Berryman, Jonny Buckland, Will Champion and Brian Eno
music videos:
Viva la Vida (Anton Corbijn version) by Coldplay and Viva la Vida by Coldplay
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 13), Billboard Year-End Hot 100 singles of 2009 (number: 55), Indie 88: Top 500 Indie Rock Songs (number: 71), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 144) and BILLIONS CLUB
recording of:
Viva la Vida
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
Universal Music Publishing MGB Ltd.
Coldplay4.054:02
45Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:29
46Turn Me On
recording of:
Turn Me On (Lyttle original)
lyricist:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus and Courtney Sills
composer:
Arnold Hennings, Daron Jones, Kevin Lyttle and Raeon Primus
Kevin Lyttle4.153:10
47Follow Me
edit of:
Follow Me (explicit) by Uncle Kracker
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3:35
48Ain’t Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
49Pack Up
producer:
Matt Prime
guest vocals:
Lloyd Wade
music videos:
Pack Up by Eliza Doolittle (Eliza, formerly Eliza Doolittle)
recording of:
Pack Up
writer:
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime and Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3.53:11
50I Wanna Be the Only One
mixer:
Andy Bradfield
guest vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal & BeBe Winans2.53:37
51La bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:55
52Get Down Tonight
art direction:
STT!
producer:
Harry Wayne Casey and Richard Finch
recording of:
Get Down Tonight
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music and Southern Music (publisher)
KC & the Sunshine Band4.55:17
53You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:04
54Love Shack
The B‐52’s5:14
55Mysterious Girl (radio edit)
miscellaneous support:
Bubbler Ranx (task: toast)
producer and mixer:
Ollie J
bass, drums (drum set) [drums] and keyboard [keyboards]:
Ollie J
saxophone:
Claudio Galdes
background vocals [backing vocals]:
Glen Goldsmith, Bubbler Ranx and Samantha Scott
mixed for and produced for:
Roll Over Productions
recorded at:
Roll Over Studios London in London (Greater London), England, United Kingdom
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3.13:39