| # | Title | Artist | Rating | Length |
|---|
| 1 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:48 |
| 2 | I’m So Excited- producer:
- Richard Perry
- bass guitar:
- Nathan East
- drums (drum set):
- John “JR” Robinson
- guitar:
- George Doering and Lee Ritenour
- keyboard [keyboards] and synthesizer:
- Michael Boddicker and Greg Phillinganes
- piano:
- William D. “Smitty” Smith
- background vocals:
- June Pointer and Ruth Pointer
- lead vocals:
- Anita Pointer
- phonographic copyright (℗) by:
- BMG Music (in 1982)
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 6) and Billboard: The 500 Best Pop Songs (number: 258)
- recording of:
- I’m So Excited
- writer:
- Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing , EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Pointer Sisters | 4.8 | 3:54 |
| 3 | Flashdance… What a Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983), Unidisc Music Inc. (in 1983) and Universal Music TV (in 1995)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (number: 492)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music , Carasmatic Music, Carub Music , Chappell Music Ltd., Famous Music Corporation , GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. , Sony/ATV Harmony and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
| Irene Cara | 3.65 | 3:58 |
| 4 | Working for the Weekend | Loverboy | 4.2 | 3:42 |
| 5 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.1 | 3:29 |
| 6 | She Bop- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Epic Records (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- She Bop
- writer:
- Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt
- publisher:
- PolyGram International Publishing, Inc. (ended), ATV/Sony Songs, LLC, Concord Copyrights , Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music , Rellla Music Company, Sony Music Publishing (Japan) Inc. , Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. , Wall to Wall Music, シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- “The Filthy Fifteen” (number: 15)
| Cyndi Lauper | 4.1 | 3:51 |
| 7 | The Reflex (7″ version) | Duran Duran | 3.85 | 4:25 |
| 8 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 9 | When Tomorrow Comes | Eurythmics | 3.65 | 4:30 |
| 10 | I’m Your Man | Wham! | 4 | 4:04 |
| 11 | Heaven (Must Be There) | Eurogliders | 3 | 3:42 |
| 12 | I Knew You Were Waiting (for Me)- recording engineer:
- David Frazer (in 1986)
- percussion programming:
- Preston Glass (in 1986)
- synthesizer programming:
- Walter Afanasieff (in 1986)
- additional assistant engineer:
- Stuart Hirotsu, Mike Iacopelli , Gordon Lyon, Lennete Viegas and Jim Watts
- additional engineer:
- Dana Jon Chappelle and Maureen Droney
- producer:
- George Michael and Narada Michael Walden
- mixer:
- David Frazer and Serban Ghenea
- bass guitar:
- Randy Jackson (in 1986)
- drums (drum set):
- Narada Michael Walden (in 1986)
- electric guitar:
- Corrado Rustici (in 1986)
- percussion and tambourine:
- Greg “Gigi” Gonaway (in 1986)
- synthesizer:
- Walter Afanasieff (in 1986)
- additional vocals:
- Aretha Franklin (in 1986)
- background vocals:
- Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
- lead vocals:
- Aretha Franklin (in 1986) and George Michael (in 1986)
- vocals:
- Aretha Franklin (in 1986)
- strings arranger:
- Jerry Hey
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1986), Arista Records, LLC (in 1986), CBS, Inc. (in 1986) and Sony Music Entertainment (UK) Ltd. (in 1986)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- I Knew You Were Waiting (for Me) (in 1986)
- writer:
- Simon Climie and Dennis Morgan
- publisher:
- BMG Music Publishing Ltd., Chrysalis Music , Chrysalis Music Ltd. , Kobalt Music Publishing Ltd. , Kobalt Music Services Ltd. , Little Shop of Morgansongs , Rare Blue Music, Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Aretha Franklin & George Michael | 3.8 | 4:03 |
| 13 | Maneater- assistant engineer:
- Bruce Buckhalter , Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Hall & Oates | 4.4 | 4:32 |
| 14 | Dangerous | Roxette | 3 | 3:51 |
| 15 | Steamy Windows | Tina Turner | 3.25 | 4:06 |
| 16 | What I Like About You | The Romantics | 4.55 | 2:57 |
| 17 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:53 |
| 18 | Dr. Beat | Miami Sound Machine | 3.85 | 4:23 |
| 19 | I Feel the Earth Move- drums (drum set) [drum programming] programming:
- Michael Jay (from 1988-04 until 1988-05)
- assistant engineer:
- Peter Arata, Ric Butz, John Hegedes, Greg Loskorn and Karen Siegel
- engineer and mixer:
- Michael McDonald
- producer:
- Michael Jay
- additional keyboard [keyboards]:
- Claude Gaudette (from 1988-04 until 1988-05)
- guitar:
- Don Kirkpatrick (from 1988-04 until 1988-05)
- keyboard [keyboards]:
- Greg Smith (from 1988-04 until 1988-05)
- background vocals:
- Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (from 1988-04 until 1988-05)
- arranger:
- Michael Jay
- vocals arranger:
- Michael Jay and Martika
- phonographic copyright (℗) by:
- Columbia Records (in 1988)
- recorded at:
- Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
- mixed at:
- Garden Rake Studio in Studio City, Los Angeles, California, United States
- cover recording of:
- I Feel the Earth Move (from 1988-04 until 1988-05)
- lyricist and composer:
- Carole King
- publisher:
- Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited , ソニー・ミュージックパブリッシング フジパシフィック事業部 and Screen Gems–EMI Music Ltd. (in 1988)
| Martika | 2 | 4:14 |
| 20 | Together in Electric Dreams | Philip Oakey & Giorgio Moroder | 2.5 | 3:55 |
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