MITH

~ Release by Lonnie Holley (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1I’m a Suspect
engineer:
Joao Brandao
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
keyboard [Nord] and Rhodes piano [Fender Rhodes]:
Lonnie Holley
sampler [loops] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
vocals:
Lonnie Holley
recorded at:
Estúdios Sá da Bandeira in Porto, Porto (Porto District), Portugal
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
7:24
2Back for Me
engineer:
Joao Brandao
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
piano:
Laraaji
soprano saxophone:
Sam Gendel
vocals:
Lonnie Holley
recorded at:
Estúdios Sá da Bandeira in Porto, Porto (Porto District), Portugal
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
6:59
3How Far Is Spaced-Out?
engineer:
Marlon Patton
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
bass pedals [Moog Synth Bass Pedals], drums (drum set) [drums] and percussion:
Marlon Patton
keyboard [Nord], piano and synthesizer [MicroKorg]:
Lonnie Holley
sampler [loops] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
synthesizer [synthesizers]:
Shahzad Ismaily
background vocals:
Courtney Hartman, Elizabeth LaPrelle and Anna Roberts‐Gevalt
vocals:
Lonnie Holley
recorded at:
Oak Avenue Studio in DeKalb County, Georgia, United States
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
4:43
4I Snuck Off the Slave Ship
engineer:
Marlon Patton
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
bass pedals [Moog Synth Bass Pedals], drums (drum set) [drums] and percussion:
Marlon Patton
keyboard [Nord] and piano:
Lonnie Holley
sampler [loops] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
synthesizer [synthesizers]:
Shahzad Ismaily
vocals:
Lonnie Holley
recorded at:
Oak Avenue Studio in DeKalb County, Georgia, United States
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
17:52
5I Woke Up in a Fucked‐Up America
engineer:
Marlon Patton
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
bass pedals [Moog Synth Bass Pedals], drums (drum set) [drums] and percussion:
Marlon Patton
keyboard [Nord] and piano:
Lonnie Holley
sampler [loops] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
synthesizer [synthesizers]:
Shahzad Ismaily
vocals:
Lonnie Holley
recorded at:
Oak Avenue Studio in DeKalb County, Georgia, United States
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
part of:
Bleep 100 Tracks 2018 (number: 84)
5:35
6Copying the Rock
engineer:
Richard Swift
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
drums (drum set) [drums]:
Richard Swift
keyboard [keyboards]:
Lonnie Holley
vocals:
Lonnie Holley
recorded at:
National Freedom (Richard Swift’s studio) in Cottage Grove, Oregon, United States
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
6:47
7Coming Back (From the Distance Between the Spaces of Time)
engineer:
Philip Weinrobe
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
bass pedals [Moog Synth Bass Pedals], drums (drum set) [drums] and percussion:
Marlon Patton
keyboard [Nord] and synthesizer [MicroKorg]:
Lonnie Holley
sampler [loops], synthesizer [OP1] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
synthesizer [synthesizers]:
Shahzad Ismaily
vocals:
Lonnie Holley
recorded at and mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
7:49
8There Was Always Water
engineer:
Shahzad Ismaily
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
drums (drum set) [drums]:
Marlon Patton
electronic instruments [ThunbJam app] and piano:
Laraaji
synthesizer [synthesizers]:
Shahzad Ismaily
vocals:
Lonnie Holley
recorded at and mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
5:25
9Down in the Ghostness of Darkness
engineer:
Marlon Patton
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
bass pedals [Moog Synth Bass Pedals], drums (drum set) [drums] and percussion:
Marlon Patton
keyboard [Nord] and piano:
Lonnie Holley
sampler [loops] and trombone:
Dave Nelson (NYC‐based trombonist/composer, member of Pfarmers, Nelson Patton et al.)
synthesizer [synthesizers]:
Shahzad Ismaily
vocals:
Lonnie Holley
recorded at:
Oak Avenue Studio in DeKalb County, Georgia, United States
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
7:18
10Sometimes I Wanna Dance
engineer:
Joao Brandao
producer:
Matt Arnett and Lonnie Holley
mixer:
Shahzad Ismaily and Philip Weinrobe
percussion:
Shahzad Ismaily
piano and Rhodes piano [Fender Rhodes]:
Laraaji
vocals:
Lonnie Holley
recorded at:
Estúdios Sá da Bandeira in Porto, Porto (Porto District), Portugal
mixed at:
Figure 8 Recording in Brooklyn, New York, New York, United States
7:02