Sacred Music: Cornerstone Works of Sacred Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: CD 1 - Les premiers chants chrétiens
2▶CD: CD 2 - Mille ans de chant grégorien
3▶CD: CD 3 - La naissance de la polyphonie
4▶CD: CD 4 - La grande aventure du motet polyphonique
5▶CD: CD 5 - La messe polyphonique du Moyen Âge à la Renaissance (1)
6▶CD: CD 6 - La messe polyphonique du Moyen Âge à la Renaissance (2)
7▶CD: CD 7 - Petits et grands motets baroques
8▶CD: CD 8 - Lamentations & Tenebrae
9▶CD: CD 9 - Vêpres baroques (1)
10▶CD: CD 10 - Vêpres baroques (2)
11▶CD: CD 11 - Les grands oratorios (1)
12▶CD: CD 12 - Les grands oratorios (2)
13▶CD: CD 13 - Les grands oratorios (3)
14▶CD: CD 14 - Les grands oratorios (4)
15▶CD: CD 15 - Les grands oratorios (5)
16▶CD: CD 16 - Les grands oratorios (6)
17▶CD: CD 17 - Musiques de la Réforme (1)
18▼CD: CD 18 - Musiques de la Réforme (2)
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Chor "Jauchzet, frohlocket!"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:31
2Weihnachts-Oratorium, BWV 248: Teil I, II. Rezitativ "Es begab sich aber zu der Zeit"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
3Weihnachts-Oratorium, BWV 248: Teil I, III. Rezitativ "Nun wird mein liebster Bräutigam"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
4Weihnachts-Oratorium, BWV 248: Teil I, IV. Arie "Bereite dich, Zion"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:48
5Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:42
6Weihnachts-Oratorium, BWV 248: Teil I, VI. Rezitativ "Und sie gebar ihren ersten Sohn"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
7Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral "Er ist auf Erden kommen arm" - Rezitativ "Wer will die Liebe recht erhöhn"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:19
8Weihnachts-Oratorium, BWV 248: Teil I, VIII. Arie "Großer Herr, o starker König"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:51
9Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:33
10Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:48
11Weihnachts-Oratorium, BWV 248: Teil II, XI. Rezitativ "Und es waren Hirten in derselben Gegend"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
12Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:30
13Weihnachts-Oratorium, BWV 248: Teil II, XIII. Rezitativ "Und der Engel sprach zu ihnen" - "Fürchtet euch nicht"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
14Weihnachts-Oratorium, BWV 248: Teil II, XIV. Rezitativ "Was Gott dem Abraham verheissen"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
15Weihnachts-Oratorium, BWV 248: Teil II, XV. Arie "Frohe Hirten, eilt, ach eilet"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:25
16Weihnachts-Oratorium, BWV 248: Teil II, XVI. Rezitativ "Und das habt zum Zeichen"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
17Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
18Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Rezitativ "So geht denn hin"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
19Weihnachts-Oratorium, BWV 248: Teil II, XIX. Arie "Schlafe, mein Liebster"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach10:14
20Weihnachts-Oratorium, BWV 248: Teil II, XX. Rezitativ "Und alsobald war da bei dem Engel"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:15
21Weihnachts-Oratorium, BWV 248: Teil II, XXI. Chor "Ehre sei Gott in der Höhe"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:19
22Weihnachts-Oratorium, BWV 248: Teil II, XXII. Rezitativ "So recht, ihr Engel"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
23Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral "Wir singen dir in deinem Heer"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:05
24Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Chor "Herrscher des Himmels, erhöre das Lallen"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:46
25Weihnachts-Oratorium, BWV 248: Teil III, XXV. Rezitativ "Und da die Engel"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Chor "Lasset uns nun gehen"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
27Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Rezitativ "Er hat sein Volk getröst"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
28Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
29Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Duett "Herr, dein Mitleid"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:05
30Weihnachts-Oratorium, BWV 248: Teil III, XXX. Rezitativ "Und sie kamen eilend"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
31Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Arie "Schließe, mein Herze"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:54
32Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Rezitativ "Ja, ja, mein Herz soll es bewahren"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
33Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral "Ich will dich mit Fleiß bewahren"
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:12
19▶CD: CD 19 - Musiques de la Réforme (3)
20▶CD: CD 20 - Stabat Mater (1)
21▶CD: CD 21 - Stabat Mater (2)
22▶CD: CD 22 - Requiem (1)
23▶CD: CD 23 - Requiem (2)
24▶CD: CD 24 - Requiem (3)
25▶CD: CD 25 - Les Temps modernes (1)
26▶CD: CD 26 - Les Temps modernes (2)
27▶CD: CD 27 - Les Temps modernes (3)
28▶CD: CD 28 - Les Temps modernes (4)
29▶CD: CD 29 - Musique orthodoxe