Greatest Hits On Earth

~ Veröffentlichung von The 5th Dimension (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1▼8-Spur-Kassette
Nr.TitelBewertungLänge
A1(Last Night) I Didn’t Get to Sleep at All
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(Last Night) I Didn’t Get to Sleep at All
Texter und Komponist(in):
Tony Macaulay
publisher:
PolyGram Music Publishing
33:13
A2Wedding Bell Blues
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
cover recording of:
Wedding Bell Blues
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
32:44
A3Together Let’s Find Love
assistierende(r) Techniker(in):
Ed Barton (engineer), John Golden (mastering engineer) und Ray Thompson (engineer)
Techniker(in):
Bones Howe
Bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) und Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Montego Joe
Gitarre:
Rudy Stevenson
Hybrid-Piano und Orgel:
Larry Knechtel
Klavier:
Isaiah Jones
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Billy und Marilyn
Orchester:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Dave Blumberg
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live recording of:
Together Let’s Find Love
Verfasser(in):
J. W. Alexander und Willie Hutchison
publisher:
Fifth Star Music
3:36
B4Stoned Soul Picnic
Sound-Engineering und Techniker(in):
Bones Howe
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone und Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo und Ron Townson
cover recording of:
Stoned Soul Picnic
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:28
B5One Less Bell to Answer
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo Davis (in 1970)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
One Less Bell to Answer (in 1970)
Texter:
Hal David (in 1967)
Komponist(in):
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (beendet), JAC Music Co., Inc. (beendet), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements und Universal Music Corp. (USA, affiliated with ASCAP)
3:31
B6Save the Country
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Save the Country
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
2:41
C1Love’s Lines, Angles and Rhymes
assistierende(r) Techniker(in):
John Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
Solo vocals:
Marilyn McCoo
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
mixed at und engineered at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
cover recording of:
Love’s Lines, Angles and Rhymes
Texter und Komponist(in):
Dorothea Joyce
publisher:
April Music
4:13
C2Puppet Man
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Puppet Man
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Screen Gems–Columbia Music, Inc.
2:58
C3Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers (Singer, songwriter, and guitarist) und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
2.52:39
D1Medley: Aquarius/Let the Sunshine In (The Flesh Failures)
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
4.154:49
D2Never My Love
assistierende(r) Techniker(in):
Ed Barton (engineer), John Golden (mastering engineer) und Ray Thompson (engineer)
Techniker(in):
Bones Howe
Bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) und Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Montego Joe
Gitarre:
Rudy Stevenson
Hybrid-Piano und Orgel:
Larry Knechtel
Klavier:
Isaiah Jones
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
Orchester:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live cover recording of:
Never My Love
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:55

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/99377 [Info]
Wikidata:Q17007909 [Info]