The Columbia Stereo Collection 1958–1963

~ Veröffentlichung von Eugene Ormandy & The Philadelphia Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The set was originally released with CD 2 featuring Ormandy's 1967 recording of Grofé’s Grand Canyon Suite, rather than the 1957 version, as detailed in the track list. Also, track 2 on the originally released CD 23 ended prematurely. Sony provided replacement discs on request.

To identify the incorrect disc 2, its disc ID is pepA6f_d0xPf2no5ROLBTlx1uFM-, with the following timings:

  1. 5:15
  2. 5:33
  3. 7:55
  4. 4:43
  5. 9:27
Anmerkung zuletzt geändert am 2025-05-01 18:56 UTC.

Titelliste

1CD: Respighi: Pini di Roma / Fontane di Roma / Feste romane
2CD: Grofé: Grand Canyon Suite
3CD: Prokofiev: Symphony no. 5
4CD: Grieg: Piano Concerto / Rachmaninoff: Rhapsody
5CD: Sibelius: Symphonies nos. 2 & 7
6CD: Liszt: Hungarian Rhapsodies & Liebesträume / Enescu: 2 Romanian Rhapsodies
7CD: Dello Joio: Air Power Suite
8CD: Bizet: Carmen Suites nos. 1 & 2
9CD: Mozart: Sinfonia Concertante / Haydn: Sinfonia Concertante & Trumpet Concerto
10CD: Prokofiev: Peter and the Wolf / Britten: The Young Person’s Guide to The Orchestra
11CD: Tchaikovsky & Mendelssohn: Violin Concertos
12CD: Brahms: Symphony no. 1 & Variations and Fugue on a Theme by Handel
13CD: The Lord’s Prayer
14CD: Franck: Variations symphoniques / D’Indy: Symphonie sur un chant montagnard français
15CD: Liszt: Piano Concertos no. 1 & 2
16CD: Tchaikovsky: “1812” / Borodin / Mussorgsky / Khachaturian / Shostakovich / Rimsky‐Korsakov / Kabalevsky
17CD: Debussy: La Mer & Prélude à l’après‐midi d’un faune / Ravel: Daphnis et Chloé
18CD: Tchaikovsky: Piano Concerto no. 1 / Chopin: Piano Concerto no. 2
19CD: Mozart: Eine kleine Nachtmusik / Bach: Air on the G String / Corelli: Christmas Concerto / Mendelssohn: Scherzo
20CD: Handel: Messiah (Part I)
21CD: Handel: Messiah (Part I cont. & Part II‐III)
22CD: Rimsky‐Korsakov: Le Coq d’or & Russian Easter Festival / Glinka: Overture / Tchaikovsky: Marche slave / Balakirev: Islamey
23CD: Handel: Royal Fireworks & Water Music Suite / Corelli: Suite for Strings
24CD: Tchaikovsky: Symphony no. 5
25CD: Rachmaninoff: Symphony no. 2
26CD: Shostakovich: Cello Concerto no. 1 & Symphony no. 1
27CD: Mendelssohn: Piano Concertos nos. 1 & 2 / A Midsummer Night’s Dream
28CD: Brahms: Violin Concerto / Wieniawski: Violin Concerto no. 2
29CD: Debussy: The Martyrdom of St. Sebastian
30CD: Prokofiev: Symphony no. 4
31CD: Brahms: Piano Concerto no. 2
32CD: Tchaikovsky: Symphony no. 6
33CD: Sibelius: Violin Concerto & The Swan of Tuonela
34CD: Orff: Carmina Burana
35CD: Ravel: Boléro – Le Tombeau de Couperin – Alborada del gracioso – La Valse / Chabrier: España / Debussy: Clair de lune
36CD: Vincent: Symphonic Poem After Descartes / Symphony in D
37CD: J.S. Bach: Toccata and Fugue – Toccata – Passacaglia / J.C. Bach: Sinfonia for Double Orchestra
38CD: Vivaldi: The Four Seasons
39CD: Grieg: Peer Gynt Suite / Sibelius: Valse Triste – Finlandia – En Saga / Alfvén: Swedish Rhapsody
40CD: Walton: Concerto for Violin and Orchestra / Lalo: Symphonie espagnole
41CD: Vivaldi: Four Concertos for 2 Violins
42CD: Rachmaninoff: Symphonic Dances / Casella: Paganiniana
43CD: Tchaikovsky: Serenade for Strings / Borodin / Vaughan Williams / Grieg / Schubert / MacDowell / Massenet
44CD: Strauss: Frühlingsstimmen / Kaiser‐Walzer / Wiener Blut / An Der Schönen Blauen Donau / Geschichten aus dem Wienerwald
45CD: Yardumian: Passacaglia / Veni, Sancte Spiritus / Cantus Animae et Cordis / Symphony no. 2
46CD: Reger: Piano Concerto
47CD: Weber: Aufforderung zum Tanz – Overture / Liszt: Mephisto Waltz / Saint‐Saëns: Danse Macabre / Brahms: Hungarian Dances / Weinberger: Polka & Fugue
48CD: Berlioz: Symphonie fantastique / Saint‐Saëns: Samson et Dalila / Dukas: L’Apprenti sorcier
49CD: R. Strauss: Ein Heldenleben
50CD: Chopin: Piano Concerto no. 1 / Liszt: Danse macabre
51CD: Walton: Belshazzar’s Feast / Roussel: Baccus et Ariane (Suite no. 2)
52CD: Ravel: Piano Concerto for the Left Hand / Mozart: Concerto for 2 Pianos
53CD: Bartók: Violin Concerto no. 1 / Viotti: Violin Concerto no. 22
54CD: Mozart: Piano Concerto no. 22 / Piano Sonata no. 4
55CD: Tchaikovsky: The Sleeping Beauty (Suite)
56CD: Franck: Symphony in D minor
57CD: Tchaikovsky: Violin Concerto
58CD: Brahms: Piano Concerto no. 1
59CD: Tchaikovsky: Swan Lake (Suite)
60CD: R. Strauss: Don Juan / Tod und Verklärung
61CD: J.C. Bach: Sinfonia for Double Orchestra / W.F. Bach: Sinfonia for 2 Flutes and Strings / Casadesus: Concerto in the style of C.P.E. Bach
62CD: Tchaikovsky: Symphony no. 7
63CD: Josef Strauss: Feuerfest / J. Strauss II: Polkas & Waltzes
64CD: Rimsky‐Korsakov: Scheherazade
65CD: The Glorious Sound of Christmas
66CD: Delius: Brigg Fair / A Dance Rhapsody / On Hearing the First Cuckoo in Spring / In a Summer Garden
67CD: Barati: Chamber Concerto / Rochberg: Symphony no. 2
68CD: Sibelius: Symphony no. 1 / Violin Concerto
69CD: Poulenc: Concerto for Organ / R. Strauss: Festliches Präludium / Barber: Toccata Festiva
70CD: Bartók: Piano Concerto no. 1 / Prokofiev: Piano Concerto no. 4
71CD: The World’s Great Songs of Patriotism: This is my Country
72CD: Bartók: Bluebeard’s Castle
73CD: Bach: Mass in B minor (1)
74CD: Bach: Mass in B minor (2)
Nr.TitelKünstlerBewertungLänge
1Mass in B minor, BWV 232: Symbolum Nicenum: no. 13 Chorus: "Credo in unum Deum"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:25
2Mass in B minor, BWV 232: Symbolum Nicenum: no. 14 Chorus: "Credo in unum Deum, Patrem omnium"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
3Mass in B minor, BWV 232: Symbolum Nicenum: no. 15 Duet: "Et in unum Dominum"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
contralto vocals:
Rosalind Elias (mezzo-soprano) (von 1962-04-25 bis 1962-04-26)
Soprangesang:
Eleanor Steber (soprano) (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:44
4Mass in B minor, BWV 232: Symbolum Nicenum: no. 16 Chorus: "Et incarnatus est"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:20
5Mass in B minor, BWV 232: Symbolum Nicenum: no. 17 Chorus: "Crucifixus"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
6Mass in B minor, BWV 232 : Symbolum Nicenum: no. 18 Chorus: "Et resurrexit"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:29
7Mass in B minor, BWV 232: Symbolum Nicenum: no. 19 Aria: "Et in Spiritum Sanctum"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Bass-Gesang:
Richard Cross (operatic bass-baritone) (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:21
8Mass in B minor, BWV 232: Symbolum Nicenum: no. 20 Chorus: "Confiteor unum baptisma"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
9Mass in B minor, BWV 232: Symbolum Nicenum: no. 21 Chorus: "Et expecto resurrectionem"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
10Mass in B minor, BWV 232: Sanctus: no. 22 Chorus: "Sanctus"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:05
11Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 23 Chorus: "Osanna in excelsis"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53
12Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 24 Aria: "Benedictus qui venit"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Tenor-Gesang:
Richard Verreau (tenor) (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
13Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 25 Chorus: "Osanna in excelsis"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:54
14Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 26 Aria: "Agnus Dei"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
contralto vocals:
Rosalind Elias (mezzo-soprano) (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
15Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 27 Chorus: "Dona nobis pacem"
Produzent(in):
John McClure (recording engineer and record producer)
Orgel:
Cherry Rhodes (organist) (von 1962-04-25 bis 1962-04-26)
Chorgesang:
Temple University Choirs (von 1962-04-25 bis 1962-04-26)
Orchester:
The Philadelphia Orchestra (von 1962-04-25 bis 1962-04-26)
conductor:
Eugene Ormandy (conductor) (von 1962-04-25 bis 1962-04-26)
chorus master:
Robert Page (conductor/choir master) (von 1962-04-25 bis 1962-04-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
aufgenommen bei:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten (von 1962-04-25 bis 1962-04-26)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (von 1962-04-25 bis 1962-04-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
75CD: The Glorious Sound of Wagner
76CD: Shostakovich: Symphony no. 4
77CD: Walton: Façade / Ibert: Divertissments & Escales
78CD: Mozart: Bassoon Concerto / Flute Concerto no. 1
79CD: Mozart: Oboe Concerto / Clarinet Concerto
80CD: Yardumian: Symphony no. 1 / Violin Concerto
81CD: Saint‐Saëns: Organ Symphony / The Carnival of the Animals
82CD: A Festival of Marches
83CD: Brahms: A German Requiem
84CD: Prokofiev: Symphony no. 6
85CD: Mozart: Concerto for 3 Pianos / J.S. Bach: Concerto for 3 Pianos & Concerto in F major
86CD: Chopin: Les Sylphides & Nocturne / Delibes: Sylvia & Coppélia Ballet Suites
87CD: Strauss: Don Quixote / Bloch: Schelomo
88CD: Rachmaninoff: Piano Concertos nos. 1 & 4