Gold

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Loves You Porgy (live)
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
percussion:
Lisle Atkinson
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:29
2Images (live)
piano:
Nina Simone (on 1964-03-21)
vocals:
Nina Simone (on 1964-03-21)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live recording of:
Images (on 1964-03-21)
lyricist:
Waring Cuney
composer:
Nina Simone
2.52:52
3See Line Woman (live)
recorded in:
New York, New York, United States (in 1964)
producer:
Hal Mooney
piano:
Nina Simone (in 1964)
vocals and conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
2.652:37
4Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set) and membranophone:
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (on 1964-04-04)
background vocals:
Lisle Atkinson (on 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04) and Rudy Stevenson (on 1964-04-04)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
4.54:54
5Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:47
6A Monster
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone
vocals:
Nina Simone
orchestra:
Horace Ott's Orchestra
conductor:
Horace Ott
arranger:
Horace Ott
52:46
7Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
32:52
8I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:35
9Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:38
10Tomorrow Is My Turn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
lyricist:
Yves Stéphane
composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
L’amour c’est comme un jour
4.52:49
11Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:55
12Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
writer:
Andy Stroud (former husband of Nina Simone.)
4.53:00
13Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
42:05
14I Love Your Loving Ways
producer:
Hal Mooney
double bass:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
guitar:
Rudy Stevenson
piano:
Nina Simone
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
I Love Your Lovin’ Ways (in 1965-01)
writer:
Bennie Benjamin and Sol Marcus
52:38
15Be My Husband
producer:
Hal Mooney
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (from 1965-05-19 until 1965-05-20)
recording of:
Be My Husband (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
is based on:
Rosie (Work camp song first recorded by Alan and John Lomax)
2.653:22
16Ain’t No Use
producer:
Hal Mooney
recording of:
Ain’t No Use (from 1965-05-19 until 1965-05-20)
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
4.53:04
17Sinnerman
producer:
Hal Mooney
cover recording of:
Sinnerman (from 1965-05-19 until 1965-05-20)
lyricist and composer:
[traditional] (special purpose artist)
is based on:
Oh Sinner Man (Bob Gibson's version)
4.710:20
2▶CD