Revolutions in Sound: Warner Bros. Records: The First Fifty Years

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1I.G.Y. (What a Beautiful World)
batteria :
James Gadson (American drummer)
batteria aggiunto:
Jeff Porcaro
chitarra :
Hugh McCracken
chitarra basso :
Anthony Jackson (US bassist)
percussione :
Roger Nichols (US mastering, recording engineer and producer) e Starz Vanderlocket
pianoforte elettrico :
Greg Phillinganes
sassofono baritono :
Ronnie Cuber
sassofono contralto :
David Tofani
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
sintetizzatore :
Donald Fagen e Rob Mounsey
tromba :
Randy Brecker
trombone :
Dave Bargeron (US trombonist & tubist)
voce di accompagnamento:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders e Valerie Simpson
voce principale:
Donald Fagen
arrangiatore:
Donald Fagen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen6:04
2Heat of the Moment
Asia3:29
3Holy Diver
assistente tecnico:
Ray Leonard (engineer)
tecnico:
Angelo Arcuri
produttore:
Ronnie James Dio
basso elettrico :
Jimmy Bain (nel 1983)
batteria :
Vinny Appice (nel 1983)
chitarra :
Vivian Campbell (nel 1983)
tastiera :
Jimmy Bain (nel 1983) e Ronnie James Dio (nel 1983)
voce principale:
Ronnie James Dio (nel 1983)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983, nel 2021), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1983) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti (nel 1983)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 9) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 43)
registrazione di:
Holy Diver (nel 1983)
paroliere e compositore:
Ronnie James Dio
editore:
Carlin Music Corporation e Niji Music
Dio4.455:49
4Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:29
5Gone Daddy Gone (I Just Want to Make Love to You)
registrazione di:
Gone Daddy Gone
paroliere:
Willie Dixon e Gordon Gano
compositore:
Gordon Gano
editore:
Gorno Music Publishing, Gorno Music (nel 1980), Hoochie Coochie Music (nel 1980) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1982)
si basa su:
I Just Wanna Make Love to You
Violent Femmes3:07
6Middle of the Road
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
chitarra basso :
Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 2000)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
registrazione di:
Middle of the Road
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music e Hynde House of Hits Music
The Pretenders4.754:14
7Swingin’
John Anderson3:02
8I Guess That’s Why They Call It the Blues
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
armonica (a bocca) :
Stevie Wonder
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra acustica e chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-03-07)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I Guess That’s Why They Call It the Blues di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I Guess That’s Why They Call It the Blues
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer) e Davey Johnstone
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.54:44
9Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus & Chaka Khan3.74:43
10Jump
assistente tecnico:
Ken Deane
tecnico:
Donn Landee
produttore:
Ted Templeman
basso :
Michael Anthony (US bassist, formerly of Van Halen)
batteria e percussione :
Alex Van Halen
chitarra e tastiera :
Edward Van Halen
voce principale:
David Lee Roth
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 177) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 200)
registrazione di:
Jump
paroliere e compositore:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth e Alex Van Halen
editore:
Mugambi Publishing, Diamond Dave Music (nel 1984) e Van Halen Music (nel 1984)
Van Halen4.454:03
11The Boys of Summer
tecnico e tecnico di missaggio:
Niko Bolas e Greg Ladanyi
produttore:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) e Greg Ladanyi
basso elettrico [bass] :
Larry Klein
chitarra [guitars], percussione e sintetizzatore :
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
chitarra synth [synthesizer guitar] :
Danny Kortchmar (Danny Kootch)
sintetizzatore :
Steve Porcaro
voce principale:
Don Henley
video musicali:
The Boys of Summer (music video) di Don Henley
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 209) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 416)
registrazione di:
The Boys of Summer
paroliere e compositore:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) e Don Henley
editore:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) e Woody Creek Music
Don Henley3.94:50
12The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:48
13Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:47
14Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:18
15Just Like Honey
tecnico:
John Loder (sound engineer and producer)
produttore:
The Jesus and Mary Chain
basso :
Douglas Hart (musician & video director)
batteria :
Bobby Gillespie
chitarra :
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
voce:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
diritti fonografici (℗) detenuti da:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (nel 1985) e WEA Records Ltd. (holding company based in the UK) (nel 1985)
registrata presso:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
video musicali:
Just Like Honey di The Jesus and Mary Chain
parte di:
Mixtape – Game Soundtrack (numero: 2) e Indie 88: Top 500 Indie Rock Songs (numero: 186)
registrazione di:
Just Like Honey
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
si basa su:
Intro (Just Like Honey)
The Jesus and Mary Chain53:02
16Slave to Love
assistente tecnico:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs e Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Rhett Davies
tecnico aggiunto:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita e Bryan McGee (sound engineer)
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
voce principale:
Bryan Ferry
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985, nel 1999, nel 2004)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Stati Uniti, RPM Studios in New York, New York, Stati Uniti, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e The White House in Nashville, Tennessee, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
Slave to Love di Bryan Ferry
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry3.654:18
17She Sells Sanctuary
tecnico di registrazione:
"Syco" Steve Williams (UK recording engineer, aka Syco)
tecnico:
Steve Brown (engineer/music producer) e Mark Stent (producer, engineer)
produttore:
Steve Brown (engineer/music producer)
archi , chitarra basso e tastiera :
Jamie Stewart (bassist with The Cult) (dal 1985-07 al 1985-08)
batteria ospite :
Nigel Preston (British drummer) (dal 1985-07 al 1985-08)
chitarra :
William H Duffy (dal 1985-07 al 1985-08)
voce:
Ian Astbury (vocalist for The Cult) (dal 1985-07 al 1985-08)
diritti fonografici (℗) detenuti da:
Beggars Banquet Ltd. (publisher, copyright company) (nel 1985)
registrata presso:
Jacobs Studios in Farnham, Surrey, England, Regno Unito (dal 1985-07 al 1985-08) e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1985-07 al 1985-08)
mixata presso:
Dean St. Studios in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
She Sells Sanctuary di The Cult (British rock band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 25)
registrazione di:
She Sells Sanctuary (dal 1985-07 al 1985-08)
autore:
Ian Astbury (vocalist for The Cult) e Billy Duffy
editore:
Chappell Music Ltd.
The Cult4.154:18
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