Memories Are Made of This

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Complete recordings from 1946 to 1955.
Box set with 8 CDs, 225 tracks and about 568 minutes of play.

Anmerkung zuletzt geändert am 2021-09-13 13:28 UTC.

Titelliste

1▶CD: Volume 1
2▶CD: Volume 2
3▶CD: Volume 3
4▶CD: Volume 4
5▼CD: Volume 5
Nr.TitelBewertungLänge
1Hey Brother, Pour the Wine
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Hey, Brother, Pour the Wine
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Frank Music Corp.
2:41
2Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
3:04
3Moments Like This
recording of:
Moments Like This (from "College Swing")
Texter:
Frank Loesser
Komponist(in):
Burton Lane
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
2:39
4That’s What I Like
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
That's What I Like
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
2:40
5I Want You
3:18
6I’d Cry Like a Baby
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
recording of:
I’d Cry Like a Baby
Verfasser(in):
Sammy Gallop und Howard Steiner
52:38
7How Do You Speak to an Angel?
cover recording of:
How Do You Speak to an Angel?
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
3:10
8Ev’ry Street ’s a Boulevard in Old New York
2:26
9Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
2:19
10That’s What I Like
recording of:
That's What I Like
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
2:06
11Belle from Barcelona (O‐O‐Le Mu‐Cha‐Cha)
2:52
12Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
42:45
13Under the Bridges of Paris
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
Orchester:
Dick Stabile and His Orchestra (in 1954)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (am 1954-04-22)
Texter:
Jean Rodor
Komponist(in):
Vincent Scotto
Übersetzer:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music und Zodiac Music Corp.
übersetzte Version von:
Sous les ponts de Paris
52:49
14The Peddler Man (Ten I Loved)
2:48
15I Never Had a Chance
cover recording of:
I Never Had a Chance
Texter und Komponist(in):
Irving Berlin
2:36
16Confused
3:01
17One More Time
2:43
18Try Again
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
2:44
19I’ll Gladly Make the Same Mistake Again
recording of:
I’ll Gladly Make the Same Mistake Again
Texter:
Sammy Cahn
Komponist(in):
David Jack Holt
2:36
20Open Up the Doghouse (Two Cats Are Coming In)
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (am 1954-09-07) und Dean Martin (American singer/actor) (am 1954-09-07)
Orchester:
Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Open Up the Doghouse (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
2:30
21Long, Long Ago
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (in 1954, am 1954-09-07) und Dean Martin (American singer/actor) (in 1954, am 1961-09-07)
Orchester:
Billy May and His Orchestra (in 1954) und Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
Version von:
Long, Long Ago (Original version for voice and piano)
2:21
22Mississippi Mud
cover recording of:
Mississippi Mud
Verfasser(in):
Harry Barris (in 1927) und James Cavanaugh (in 1927)
3:10
23When It’s Sleepy Time Down South
cover recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
2:54
24Carolina Moon
cover recording of:
Carolina Moon (1928 song)
Texter:
Benny Davis (US vaudeville performer and songwriter)
Komponist(in):
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) und Redwood Music
2:36
25’way Down Yonder in New Orleans
cover recording of:
’Way Down Yonder in New Orleans
Texter:
Henry Creamer (Lyricist)
Komponist(in):
Turner Layton
publisher:
Shapiro, Bernstein & Co., Inc.
2:22
26Just a Little Bit South of North Carolina
2:09
27Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:05
28Waiting for the Robert E. Lee
cover recording of:
Waitin’ for the Robert E. Lee
Texter:
L. Wolfe Gilbert
Komponist(in):
Lewis F. Muir
22:21
29Carolina in the Morning
cover recording of:
Carolina in the Morning
Texter:
Gus Kahn (in 1922)
Komponist(in):
Walter Donaldson (in 1922)
2:17
6▶CD: Volume 6
7▶CD: Volume 7
8▶CD: Volume 8