L'art du chant

~ Release by Sigismond Thalberg; Paul Wee (see all versions of this release, 1 available)

Annotation

Copyright: © 2020 BIS
℗ 2020 BIS

Annotation last modified on 2025-09-21 16:26 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1L'art du chant appliqué au piano, op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg4:02
2L'art du chant appliqué au piano, op. 70: No. 14, La dove prende (After Mozart's K. 620)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 14, La dove prende (After Mozart's K. 620)
composer:
Sigismond Thalberg (composer)
arrangement of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg3:52
3L'art du chant appliqué au piano, op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg6:56
4L'art du chant appliqué au piano, op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
composer:
Sigismond Thalberg (composer)
arrangement of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg3:44
5L'art du chant appliqué au piano, op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)
composer:
Sigismond Thalberg (composer)
arrangement of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg33:37
6L'art du chant appliqué au piano, op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg3:22
7L'art du chant appliqué au piano, op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg5:14
8L'art du chant appliqué au piano, op. 70: No. 19, Casta diva (After Bellini's "Norma")
piano:
Paul Wee (pianist)
recording of:
L’art du chant appliqué au piano, op. 70: No. 19. "Casta diva", cavatine de Norma
composer:
Vincenzo Bellini (Sicilian opera composer)
arranger:
Sigismond Thalberg (composer)
arrangement of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg6:22
9L'art du chant appliqué au piano, op. 70: No. 20, Voi che sapete (After Mozart's K. 492)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 20, Voi che sapete (After Mozart's K. 492)
composer:
Sigismond Thalberg (composer)
arrangement of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg2:53
10L'art du chant appliqué au piano, op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg4:24
11L'art du chant appliqué au piano, op. 70: No. 22, Dafydd y garreg wen
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 22, Dafydd y garreg wen
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg3:22
12L'art du chant appliqué au piano, op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg4:14
13L'art du chant appliqué au piano, op. 70: No. 24, Fenesta vascia (After Cottrau)
piano:
Paul Wee (pianist)
recording of:
L'art du chant appliqué au piano, op. 70: No. 24, Fenesta vascia (After Cottrau)
composer:
Sigismond Thalberg (composer)
part of:
L’art du chant appliqué au piano, op. 70
Sigismond Thalberg3:59
143 Mélodies de Franz Schubert, op. 79: No. 1, Täuschung (After Schubert's D. 911)
piano:
Paul Wee (pianist)
recording of:
3 Mélodies de Franz Schubert, op. 79: No. 1, Täuschung (After Schubert's D. 911)
composer:
Sigismond Thalberg (composer) (in 1862)
part of:
3 Mélodies de Franz Schubert, op. 79
Sigismond Thalberg1:25
153 Mélodies de Franz Schubert, op. 79: No. 2, Der Neugierige (After Schubert's D. 795)
piano:
Paul Wee (pianist)
recording of:
3 Mélodies de Franz Schubert, op. 79: No. 2, Der Neugierige (After Schubert's D. 795)
composer:
Sigismond Thalberg (composer) (in 1862)
part of:
3 Mélodies de Franz Schubert, op. 79
Sigismond Thalberg4:13
163 Mélodies de Franz Schubert, op. 79: No. 3, Die Post (After Schubert's D. 911)
piano:
Paul Wee (pianist)
recording of:
3 Mélodies de Franz Schubert, op. 79: No. 3, Die Post (After Schubert's D. 911)
composer:
Sigismond Thalberg (composer) (in 1862)
part of:
3 Mélodies de Franz Schubert, op. 79
Sigismond Thalberg2:21
17Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
piano:
Paul Wee (pianist)
recording of:
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
composer:
Sigismond Thalberg (composer)
is based on:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Sigismond Thalberg3:03
1810 Piano Pieces, op. 36: No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
piano:
Paul Wee (pianist)
recording of:
10 Piano Pieces, op. 36: No. 3 Mi manca la Voce, quatuor de Rossini (Moïse)
composer:
Sigismond Thalberg (composer)
is based on:
Mosè in Egitto: Atto II. No. 11. Quartetto “Mi manca la voce!” (Elcia, Amaltea, Osiride, Aronne, Chorus)
part of:
10 Piano Pieces, op. 36
Sigismond Thalberg3:53