Ken Burns Jazz: The Story of America’s Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

A very decent overview of what Jazz was.
Dig it if you want that kind of Listener Digest "first contact" with jazz.

Anmerkung zuletzt geändert am 2013-08-21 20:08 UTC.

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins3:04
2Cotton Tail
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-04)
alto saxophone:
Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
alto saxophone [as]:
Johnny Hodges (am 1940-05-04) und Otto Hardwicke (am 1940-05-04)
alto saxophone und Klarinette:
Johnny Hodges (am 1940-05-04)
alto saxophone, baritone saxophone und Klarinette, baritone saxophone und baritone saxophone [bars]:
Harry Carney (am 1940-05-04)
Gitarre und Gitarre [g]:
Fred Guy (am 1940-05-04)
Klarinette:
Harry Carney und Barney Bigard (am 1940-05-04)
Klarinette [cl] und Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-05-04)
Klavier und Klavier [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-05-04)
Kontrabass, Kontrabass [b] und Kontrabass [bass]:
Jimmy Blanton (am 1940-05-04)
Kornett und Kornett [c]:
Rex Stewart (am 1940-05-04)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-05-04), Joe "Tricky Sam" Nanton (am 1940-05-04) und Juan Tizol (am 1940-05-04)
Posaune [tb]:
Lawrence Brown (jazz trombonist) (am 1940-05-04) und Joe "Tricky Sam" Nanton (am 1940-05-04)
Rohrblattinstrumente:
Barney Bigard (am 1940-05-04), Harry Carney (am 1940-05-04), Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
Schlagzeug und Schlagzeug [d]:
Sonny Greer (am 1940-05-04)
Tenorsaxophon:
Ben Webster (am 1940-05-04)
Tenorsaxophon [ts]:
Barney Bigard (am 1940-05-04) und Ben Webster (am 1940-05-04)
Trompete:
Wallace Jones (am 1940-05-04), Rex Stewart (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Trompete [t]:
Wallace Jones (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Ventilposaune und Ventilposaune [vtb]:
Juan Tizol (am 1940-05-04)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Ben Webster
recording of:
Cotton Tail (am 1940-05-04)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra13:15
3Take the “A” Train
alto saxophone:
Otto Hardwick und Johnny Hodges
baritone saxophone:
Harry Carney
Gitarre:
Fred Guy
Kontrabass:
Jimmy Blanton
Kornett:
Rex Stewart
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Barney Bigard und Ben Webster
Trompete:
Wallace Jones und Ray Nance
Ventilposaune:
Juan Tizol
recording of:
Take the “A” Train (original instrumental version) (am 1941-02-15)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington & His Orchestra2:58
4Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:16
5In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Glenn Miller Orchestra3.753:37
6Well, Git It!
recording of:
Well, Git It!
Verfasser(in):
Sy Oliver
Tommy Dorsey3:04
7Solitude
alto saxophone:
Lester Boone (am 1941-05-09), Ernie Powell (am 1941-05-09) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1941-05-09)
Gitarre:
Paul Chapman (US jazz guitar player and singer) (am 1941-05-09)
Klarinette und Tenorsaxophon:
Ernie Powell (am 1941-05-09)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1941-05-09) und Eddie Heywood (am 1941-05-09)
Kontrabass:
Grachan Moncur (bassist) (am 1941-05-09)
Schlagzeug:
Herbert Cowens (jazz drummer) (am 1941-05-09)
Trompete:
Roy Eldridge (am 1941-05-09)
Sologesang:
Billie Holiday (am 1941-05-09)
vocals:
Billie Holiday (am 1941-05-09)
Orchester:
Billie Holiday and Her Orchestra (am 1941-05-09)
recording of:
(In My) Solitude (am 1941-05-09)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Billie Holiday feat. Eddie Heywood and His Orchestra3:16
8Drum Boogie
Gene Krupa3:09
9Salt Peanuts
recording of:
Salt Peanuts
Komponist(in):
Kenny Clarke und Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
Dizzy Gillespie3:15
10Groovin’ High
recording of:
Groovin’ High
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
Dizzy Gillespie2:43
11Ko‐Ko
recording of:
Ko Ko (am 1945-11-26)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:56
12Scrapple From the Apple
recording engineer:
Doug Hawkins (sound engineer) (am 1947-11-04)
Produzent(in):
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1947-11-04)
Klavier:
Duke Jordan (am 1947-11-04)
Kontrabass:
Tommy Potter (am 1947-11-04)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-11-04)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1947-11-04)
Orchester:
Original Charlie Parker Quintet (am 1947-11-04)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1947-11-04)
recording of:
Scrapple From the Apple (am 1947-11-04)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Übersetzer:
Harrie Geelen
Teil von:
The Real Book (compilation of jazz standards, volume I)
Charlie Parker3:00
13Embraceable You
instrumental recording of:
Embraceable You (am 1946-10-28)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Charlie Parker3:46
14Get Happy
Bud Powell2:53
15Epistrophy
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
aufgenommen bei:
Apex Studios in New York, New York, Vereinigte Staaten (am 1948-07-02)
recording of:
Epistrophy (am 1947-07-02)
Komponist(in):
Kenny Clarke und Thelonious Monk
publisher:
Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
Thelonious Monk43:09
16Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Straight, No Chaser (am 1951-07-23)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:57
17Manteca
recording of:
Manteca
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie und Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Twenty-Eighth Street Music
Dizzy Gillespie3:09
18Moon Dreams
alto saxophone:
Lee Konitz (jazz saxophonist) (am 1950-03-09)
baritone saxophone:
Gerry Mulligan (am 1950-03-09)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1950-03-09)
Kontrabass:
Al McKibbon (double bassist) (am 1950-03-09)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1950-03-09)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-03-09)
Tuba:
Bill Barber (Jazz tuba player) (am 1950-03-09)
Waldhorn:
Gunther Schuller (US horn player, conductor, composer) (am 1950-03-09)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
engineered at:
WOR Studios in New York, New York, Vereinigte Staaten (am 1950-03-09)
recording of:
Moon Dreams (am 1950-03-09)
Komponist(in):
Chummy MacGregor und Johnny Mercer
Miles Davis43:20
19Just Friends
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (am 1949-11-30)
Texter:
Sam M. Lewis (1930s lyricist)
Komponist(in):
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Charlie Parker3:33
20Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong3:07
21They Can’t Take That Away From Me
Klavier:
John Malachi (am 1957-02-14)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1957-02-14)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1957-02-14)
vocals:
Sarah Vaughan (am 1957-02-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1957-02-14)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan2:43
22Walkin’ Shoes
Interpret(in):
Gerry Mulligan
recording of:
Walkin’ Shoes
Komponist(in):
Gerry Mulligan
Chet Baker feat. Gerry Mulligan2.453:13
23Fine and Mellow
recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday8:01
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