Grace

~ Release by Kathleen Battle (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rejoice Greatly
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:22
2Schlafendes Jesuskind
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Mörike-Lieder: Nr. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (catch-all for arrangements)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
arrangement of:
Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano)
Hugo Wolf3:04
3Laudate Dominum
choir vocals:
The American Boychoir
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
chorus master:
James Litton (conductor and choir master)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart3:18
4O Had I Jubal's Lyre
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
Georg Friedrich Händel2:37
5Seufzer, Tränen, Kummer, Not
trumpet:
Wynton Marsalis (from 1990-09-28 until 1991-07-22)
soprano vocals:
Kathleen Battle (soprano) (from 1990-09-28 until 1991-07-22)
orchestra:
Orchestra of St. Luke’s (from 1990-09-28 until 1991-07-22)
conductor:
John Nelson (American conductor) (from 1990-09-28 until 1991-07-22) and Robert Sadin (from 1990-09-28 until 1991-07-22)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1990-09-28 until 1991-07-22) and The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1990-09-28 until 1991-07-22)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (from 1990-09-28 until 1991-07-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:59
6Schafe können
recorder:
Kathleen Nester (from 1995-11-17 until 1995-11-30) and Nina Stern (classical recorder, chalumeau and clarinet player.) (from 1995-11-17 until 1995-11-30)
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (from 1995-11-17 until 1995-11-30)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:10
7Ave Maria
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni (composer & conductor)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni3:13
8Laudamus Te
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Messa di Gloria: III. Laudamus te (soprano)
composer:
Gioachino Rossini (composer)
part of:
Messa di Gloria
Gioachino Rossini6:43
9Bist du bei mir
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Gottfried Heinrich Stölzel2:24
10Mein Glaeubiges Herze
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1995-11-17 until 1995-11-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach4:00
11Pie Jesu
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1995-11-17 until 1995-11-30)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:15
12Were You There When They Crucified My Lord?
solo soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Were You There
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 11409)
[anonymous]2:47
13Flößt, mein Heiland
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1995-11-17 until 1995-11-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:12
14Ave Maria
harp:
Nancy Allen (harpist) (from 1995-11-17 until 1995-11-30)
soprano vocals:
Kathleen Battle (soprano) (from 1995-11-17 until 1995-11-30)
conductor:
Robert Sadin (from 1995-11-17 until 1995-11-30)
recorded at:
St. George's Episcopal Church in New York, New York, United States (from 1995-11-17 until 1995-11-30)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles‐François Gounod2:23

Credits

Release

art direction:Howard Fritzson
Joel Zimmerman (graphic design)
executive producer:Laura Mitgang
producer:David Frost (pianist and Grammy-winning producer of classical recordings)
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
assistant recording engineer:Todd Whitelock (engineer)
recording engineer:Rob Rapley (engineer)
editor:Ellen Fitton
Dawn Frank (editor)
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
Andreas K. Meyer (US sound engineer)
Darcy Proper
Robert Wolff (engineer)
ASIN:US: B0000029OC [info]