Brian Wilson Reimagines Gershwin

~ Veröffentlichung von Brian Wilson (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Titelliste

1Digitales Medium
Nr.TitelBewertungLänge
1Rhapsody in Blue (intro)
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
vocals:
Brian Wilson (Beach Boys co‐founder)
cover recording of:
Rhapsody in Blue (transcription for solo piano by Gershwin 1927)
Komponist(in):
George Gershwin (composer) (in 1924)
Klavier arranger:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1927)
Arrangement von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
1:07
2The Like in I Love You
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Clavinet und Klavier:
Darian Sahanaja
E-Bass:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Klarinette:
Paul Von Mertens (US brass/woodwinds player)
Perkussion:
Nelson Bragg
Schlagzeug:
Mike D'Amico
Vibraphon:
Scott Bennett
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
The Like in I Love You
Verfasser(in):
Scott Bennett, George Gershwin (composer) und Brian Wilson (Beach Boys co‐founder)
3:19
3Summertime
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Celesta:
Paul Von Mertens (US brass/woodwinds player)
E-Bass:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Glockenspiel und Perkussion:
Nelson Bragg
Klavier:
Scott Bennett und Darian Sahanaja
Schlagzeug:
Todd Sucherman
Theremin:
Probyn Gregory
Vibraphon:
Scott Bennett
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:13
4I Loves You, Porgy
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
akustische Bassgitarre:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Keyboard:
Scott Bennett
Orgel:
Gary Griffin (Beach Boys/Pacific Arts associated pianist)
Perkussion:
Nelson Bragg
Schlagzeug:
Todd Sucherman
Theremin:
Probyn Gregory
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:37
5I Got Plenty o’ Nuttin’2:45
6It Ain’t Necessarily So
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
E-Bass:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Hybrid-Piano:
Darian Sahanaja
Mundharmonika und Saxophon:
Paul Von Mertens (US brass/woodwinds player)
Orgel:
Gary Griffin (Beach Boys/Pacific Arts associated pianist)
Pauke und Perkussion:
Nelson Bragg
Schlagzeug:
Todd Sucherman
Theremin:
Probyn Gregory
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:58
7’S Wonderful
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Akustikgitarre und Theremin:
Probyn Gregory
akustische Bassgitarre:
Brett Simons
Altflöte und flute:
Paul Von Mertens (US brass/woodwinds player)
Gitarre:
Nick Walusko
Klavier:
Darian Sahanaja
Perkussion:
Nelson Bragg
Schlagzeug:
Todd Sucherman
Vibraphon:
Scott Bennett
vocals:
Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:48
8They Can’t Take That Away From Me
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
akustische Bassgitarre und E-Bass:
Brett Simons
Baritongitarre:
Probyn Gregory
Gitarre:
Probyn Gregory und Nick Walusko
Klavier:
Darian Sahanaja
Perkussion:
Nelson Bragg
Saxophon:
Paul Von Mertens (US brass/woodwinds player)
Schlagzeug:
Todd Sucherman
Vibraphon:
Scott Bennett
vocals:
Nelson Bragg, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:51
9Love Is Here to Stay
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
akustische Bassgitarre:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Perkussion:
Nelson Bragg
Schlagzeug:
Todd Sucherman
Theremin:
Probyn Gregory
Vibraphon:
Darian Sahanaja
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:59
10I’ve Got a Crush on You
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
E-Bass:
Brett Simons
Gitarre:
Nick Walusko
Klavier:
Darian Sahanaja
Orgel:
Gary Griffin (Beach Boys/Pacific Arts associated pianist)
Perkussion:
Nelson Bragg
Saxophon:
Paul Von Mertens (US brass/woodwinds player)
Schlagzeug:
Todd Sucherman
Slide-Gitarre:
Probyn Gregory
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
2:41
11I Got Rhythm
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
E-Bass:
Brett Simons
Gitarre:
Probyn Gregory und Nick Walusko
Glockenspiel und tack piano:
Darian Sahanaja
Klavier:
Scott Bennett
Perkussion:
Nelson Bragg
Saxophon:
Paul Von Mertens (US brass/woodwinds player)
Schlagzeug:
Todd Sucherman
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:42
12Someone to Watch Over Me
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Altflöte und Klarinette:
Paul Von Mertens (US brass/woodwinds player)
Cembalo:
Darian Sahanaja
E-Bass:
Brett Simons
Gitarre:
Nick Walusko
klassiche Gitarre [nylon string guitar]:
Probyn Gregory
Perkussion:
Nelson Bragg
Schlagzeug:
Todd Sucherman
vocals:
Scott Bennett, Jeffrey Foskett, Taylor Mills, Darian Sahanaja, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:04
13Nothing but Love
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Bass [6-String bass] und E-Bass:
Brett Simons
flute und Saxophon:
Paul Von Mertens (US brass/woodwinds player)
Gitarre:
Probyn Gregory und Nick Walusko
Klavier und Orgel:
Gary Griffin (Beach Boys/Pacific Arts associated pianist)
Schlagzeug:
Scott Bennett
tack piano:
Darian Sahanaja
vocals:
Scott Bennett, Jeffrey Foskett, Probyn Gregory, Nick Walusko und Brian Wilson (Beach Boys co‐founder)
recording of:
Nothing but Love
Verfasser(in):
Scott Bennett, George Gershwin (composer) und Brian Wilson (Beach Boys co‐founder)
3:24
14Rhapsody in Blue (reprise)
recording engineer und Techniker(in):
Mark Linett
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
vocals:
Brian Wilson (Beach Boys co‐founder)
cover recording of:
Rhapsody in Blue (transcription for solo piano by Gershwin 1927)
Komponist(in):
George Gershwin (composer) (in 1924)
Klavier arranger:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1927)
Arrangement von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
0:34
15Let’s Call the Whole Thing Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
2:40

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Walt Disney Records (in 2010)
zum Herunterladen kaufen und Streaming-Seite:https://music.apple.com/us/album/1443192568 [Info]