Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt, Leonhardt-Consort, Gustav Leonhardt (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Sie werden euch in die Bann tun, BWV 44: No. 1, Duett. "Sie werden euch in den Bann tun"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-11 until 1975-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": I. Aria (Duetto: Tenore, Basso) "Sie werden euch in den Bann tun" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach2:16
2Sie werden euch in die Bann tun, BWV 44: No. 2, Chor. "Es kömmt aber die Zeit"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": II. Coro "Es kömmt aber die Zeit" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:47
3Sie werden euch in die Bann tun, BWV 44: No. 3, Aria. "Christen müssen auf der Erden"
alto vocals:
Paul Esswood (countertenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach4:39
4Sie werden euch in die Bann tun, BWV 44: No. 4, Choral. "Ach Gott, wie manches Herzeleid"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": IV. Choral (Tenore) "Ach Gott, wie manches Herzelid" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:15
5Sie werden euch in die Bann tun, BWV 44: No. 5, Rezitativ. "Es sucht der Antichrist"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": V. Recitativo (Basso) "Es sucht der Antichrist" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:45
6Sie werden euch in die Bann tun, BWV 44: No. 6, Aria. "Es ist und bleibt der Christen Trost"
treble vocals:
Peter Jelosits (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VI. Aria (Soprano) "Es ist und bleibt der Christen Trost" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach5:48
7Sie werden euch in die Bann tun, BWV 44: No. 7, Choral. "So sei nun, Seele, deine"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VII. Choral "So sei nun, Seele, deine'" (from 1974-11 until 1975-05)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 296)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:51
8Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 1, Chor. "Es ist der gesagt, Mensch, was gut ist"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach5:53
9Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 2, Rezitativ. "Der Höchste läßt mich seinen Willen wissen"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:58
10Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 3, Aria. "Weiß ich Gottes Rechte"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:48
11Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 4, Arioso. "Es werden viele zu mir sagen"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:02
12Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 5, Aria. "Wer Gott bekennt"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach4:08
13Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 6, Rezitativ. "So wird denn Herz und Mund"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:55
14Es ist dir gesagt, Mensch, was gut ist, BWV 45: No. 7, Choral. "Gib, daß ich tu mit Fleiß"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:45
15Schauet doch und sehet, BWV 46: No. 1, Chor. "Schauet doch und sehet, ob irgend ein Schmerz sei"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach5:57
16Schauet doch und sehet, BWV 46: No. 2, Rezitativ. "So klage du, zerstörte Gottesstadt"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": II. Recitativo (Tenore) "So klage, du zerstörte Gottesstadt" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach1:46
17Schauet doch und sehet, BWV 46: No. 3, Aria. "Dein Wetter zog sich auf von weiten"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": III. Aria (Basso) "Dein Wetter zog sich auf von weiten" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach2:57
18Schauet doch und sehet, BWV 46: No. 4, Rezitativ. "Doch bildet euch, o Sünder, ja nicht ein"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": IV. Recitativo (Alto) "Doch bildet euch, o Sünder, ja nicht ein" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach0:38
19Schauet doch und sehet, BWV 46: No. 5, Aria. "Doch Jesus will auch bei der Strafe"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": V. Aria (Alto) "Doch Jesus will auch bei der Strafe" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach4:31
20Schauet doch und sehet, BWV 46: No. 6, Choral. "O großer Gott von Treu"
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": VI. Choral "O großer Gott von Treu" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
Johann Sebastian Bach0:55
21Wer sich selbst erhöhet, BWV 47: No. 1, Chor. "Wer sich selbst erhöhet"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach6:20
22Wer sich selbst erhöhet, BWV 47: No. 2, Aria. "Wer ein wahrer Christ will heißen"
treble vocals:
Peter Jelosits (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach9:28
23Wer sich selbst erhöhet, BWV 47: No. 3, Rezitativ. "Der Mensch ist Kot, Stank, Asch und Erde"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach1:32
24Wer sich selbst erhöhet, BWV 47: No. 4, Aria. "Jesu beuge doch mein Herze"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach4:22
25Wer sich selbst erhöhet, BWV 47: No. 5, Choral. "Der zeitlichen Ehr will ich gern entbehrn"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach0:50
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5▶CD
6▶CD

Credits

Release

part of:Das Kantatenwerk (Teldec) (order: 3)
Das Alte Werk (order: 20)
Discogs:https://www.discogs.com/release/20458846 [info]