The Great Recordings: The LSO Years 1971-1980

~ Release by André Previn (see all versions of this release, 1 available)

Tracklist

1▶CD: Olivier Messiaen : Turangalîla-Symphonie
2▶CD: Claude Debussy : Prélude à l'après-midi d'un faune, Images for Orchestra, Nocturnes (3) for Orchestra
3▶CD: Rachmaninov : Symphony No.2 & Maurice Ravel : Boléro
4▶CD: Shostakovich : Symphony No.8 & Prokofiev : Symphony No.1
5▶CD: Prokofiev : Romeo & Juliet
6▶CD: Tchaikovsky : Swan Lake, The Sleeping Beauty, The Nutcracker
7▼CD: Walton : Belshazzar's Feast & Elgar : Enigma Variations & Vaughan Williams : Fantasia on Greensleeves
#TitleArtistRatingLength
1Belshazzar's Feast: Thus spake Isaiah
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: I. Thus spake Isaiah (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton6:09
2Belshazzar's Feast: If I forget thee, O Jerusalem
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-03-29 until 1972-03-30)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: IIa. If I forget thee, O Jerusalem (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast: II. If I forget thee, O Jerusalem / By the waters of Babylon
Sir William Walton2:48
3Belshazzar's Feast: By the waters of Babylon
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: IIb. By the waters of Babylon (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast: II. If I forget thee, O Jerusalem / By the waters of Babylon
Sir William Walton3:42
4Belshazzar's Feast: Babylon was a great city
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-03-29 until 1972-03-30)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: III. Babylon was a great city (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton4:25
5Belshazzar's Feast: Praise ye the God of Gold
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-03-29 until 1972-03-30)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: V. Praise ye the God of Gold (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton5:18
6Belshazzar's Feast: Thus in Babylon the mighty city
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: VI. Thus in Babylon the mighty city (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton3:24
7Belshazzar's Feast: And in that same hour, as they feasted
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1972-03-29 until 1972-03-30)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: VII. And in that same hour, as they feasted (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton2:18
8Belshazzar's Feast: Then sing aloud to God our strength
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: VIII. Then sing aloud to God our strength (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton4:14
9Belshazzar's Feast: The trumpeters and pipers are silent
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: IX. The trumpeters and pipers are silent (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton1:29
10Belshazzar's Feast: Then sing aloud to God our strength
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (from 1972-03-29 until 1972-03-30)
orchestra:
London Symphony Orchestra (from 1972-03-29 until 1972-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-03-29 until 1972-03-30)
chorus master:
Arthur Oldham (chorus master) (from 1972-03-29 until 1972-03-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-03-29 until 1972-03-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-03-29 until 1972-03-30)
recording of:
Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) (from 1972-03-29 until 1972-03-30)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton3:48
11Variations on an Original Theme "Enigma", op. 36: Theme (Andante)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:24
12Variations on an Original Theme "Enigma", op. 36: I. C.A.E. (the composer's wife) (L'istesso tempo)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:55
13Variations on an Original Theme "Enigma", op. 36: II. H.D.S.-P. ( Hew David Steuart-Powell) (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:47
14Variations on an Original Theme "Enigma", op. 36: III. R.B.T. (Richard Baxter Townshend) (Allegretto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:23
15Variations on an Original Theme "Enigma", op. 36: IV. W.M.B. (William Meath Baker) (Allegro di molto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:31
16Variations on an Original Theme "Enigma", op. 36: V. R.P.A. (Richard Penrose Arnold) (Presto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:01
17Variations on an Original Theme "Enigma", op. 36: VI. Ysobel (Isabel Fitton) (Andantino)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:24
18Variations on an Original Theme "Enigma", op. 36: VII. Troyte (Troyte Griffith) (Presto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:59
19Variations on an Original Theme "Enigma", op. 36: VIII. W.N. (Winifred Norbury) (Allegretto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:59
20Variations on an Original Theme "Enigma", op. 36: IX. Nimrod (A. J. Jaeger) (Moderato)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1978-11-27 until 1978-11-28)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:35
21Variations on an Original Theme "Enigma", op. 36: X. Intermezzo Dorabella (Dora Penny) (Allegretto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:42
22Variations on an Original Theme "Enigma", op. 36: XI. G.R.S. (George Robertson Sinclair) (Allegro di molto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:58
23Variations on an Original Theme "Enigma", op. 36: XII. B.G.N. (Basil G. Nevinson) (Andante)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:50
24Variations on an Original Theme "Enigma", op. 36: XIII. Romanza * * * [Lady Mary Lygon] (Moderato)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:46
25Variations on an Original Theme "Enigma", op. 36: XIV. Finale E.D.U. (the composer) (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:06
26Fantasia on "Greensleeves"
sound engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Christopher Bishop (conductor/producer) (on 1971-11-30)
orchestra:
London Symphony Orchestra (on 1971-11-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30)
recording of:
Fantasia on “Greensleeves” (on 1971-11-30)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:46
8▶CD: Holst : The Planets & Britten : Four Sea Interludes, Passacaglia from Peter Grimes
9▶CD: Orff : Carmina Burana & Barber : Adagio for Strings
10▶CD: Gershwin ; Rhapsody in Blue, An American in Paris, Piano Concerto in F, Cuban Overture