Swing Me an Old Song

~ Release by Julie London (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Come On‐a‐My House
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2Evening
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3Send for Me
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4Everyday I Have the Blues
producer:
Si Waronker
vocals:
Julie London
conductor:
Jimmy Rowles
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5Yes Indeed
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6T’Ain’t What You Do (It’s the Way That You Do It)
producer:
Si Waronker
vocals:
Julie London
conductor:
Jimmy Rowles
recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
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7The Boy From Ipanema
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8Every Chance I Get
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9Must Be Catchin’
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10I’m Coming Back to You
engineer:
Eddie Brackett
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
recording of:
I’m Coming Back to You
writer:
Arthur Kent and Ed Warren (US songwriter Edward C. Warren)
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11Can’t Get Used to Losing You
engineer:
Eddie Brackett
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
Can’t Get Used to Losing You
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
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12Watermelon Man
engineer:
Dayton “Bones” Howe
producer:
Richard Bock (record producer)
vocals:
Julie London
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
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13But Not for Me
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
But Not for Me (in 1960-08)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4?:??
14Why Don’t You Do Right?
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Why Don’t You Do Right?
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
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15Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
4?:??
16Desafinado
recording of:
Off Key (Gene Lees version)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
is based on:
Desafinado
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17An Occasional Man
recording of:
An Occasional Man
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
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18My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
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19Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
4?:??
20Tired
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21Fools Rush In
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22I Want to Find Out for Myself
engineer:
Dave Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
arranger:
Ernie Freeman
recording of:
I Want to Find Out for Myself
writer:
Sylvia Dee (American lyricist) and Arthur Kent
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23Wives and Lovers
engineer:
Dave Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
arranger:
Ernie Freeman
cover recording of:
Wives and Lovers
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
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24Baby Come Home
producer:
Si Waronker
vocals:
Julie London
conductor:
Jimmy Rowles
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25Our Day Will Come
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
Our Day Will Come
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
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26Back Home Again in Indiana
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
Jimmy Rowles and His Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
recording of:
Indiana (Back Home Again in Indiana) (in 1957-10)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
4?:??
27The End of a Love Affair
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28You Don’t Have to Be a Baby to Cry
engineer:
Dave Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
arranger:
Ernie Freeman
recording of:
You Don’t Have to Be a Baby to Cry
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
composer:
Terry Shand (jazz pianist/composer)
publisher:
Frank Music Corp.
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29Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.65?:??
30Moments Like This
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31The End of the World
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
The End of the World
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
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