José Carreras: Verdi · Donizetti · Rossini

~ Release by Giuseppe Verdi, Gaetano Donizetti, Gioachino Rossini; José Carreras, London Philharmonic Orchestra, Jesús López Cobos (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
1I vespri siciliani: “È di monforte il cenno!” … “Giorno di pianto”
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
I vespri siciliani: Atto IV. “È di Monforte il cenno!” (Arrigo) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
recording of:
I vespri siciliani: Atto IV. “Giorno di pianto” (Arrigo) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi9:29
2Rigoletto: “Parmi veder le lagrime”
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi5:28
3Ernani: “Come rugiada al cespite”
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Jesús López Cobos (conductor)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi5:00
4Attila: “Qui del convegno è il loco”
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Jesús López Cobos (conductor)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi5:28
5L’elisir d’amore: “Una furtiva lagrima”
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1980-10)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:40
6Robert Devereux: “Ed ancor la tremenda porta” … “lo ti diró”
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Roberto Devereux: Atto III, Scena 4. “Ed ancor la tremenda porta” (Roberto) (in 1980-10)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Roberto Devereux: Atto III.
Gaetano Donizetti9:39
7Stabat Mater: “Cujus animam gementem”
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Stabat Mater: Cujus animam gementem (in 1980-10)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Gioachino Rossini5:47
8Guglielmo Tell: “Ah, non mi lasciar, o speme di vendetta” … “O muto asil del pianto”
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (in 1980-10)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini5:51