Fidelio

~ Release by Ludwig van Beethoven; Gwyneth Jones, Edith Mathis, Theo Adam, Franz Crass, James King, Peter Schreier, Martti Talvela, Rundfunkchor Leipzig, Chor der Staatsoper Dresden, Staatskapelle Dresden, Karl Böhm (see all versions of this release, 4 available)

Tracklist

1▶12" Vinyl
2▶12" Vinyl
3▼12" Vinyl
#TitleArtistRatingLength
E1Ouverture "Leonore III"
engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
VEB Deutsche Schallplatten DDR
recording of:
Overture “Leonore” no. 3 in C major, op. 72b
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven?:??
F1Fidelio: Second Act No. 16
engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
VEB Deutsche Schallplatten DDR
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven?:??

Credits

Release

art direction:Dieter-Gerhard Worm
design/illustration:Werner Koberstein (designer)
photography:Christine Stephan Brosch (photographer)
Werner Neumeister (photographer)
Lothar Winkler (photographer)
liner notes:Marc Gillod (liner notes)
Lionel Salter (British keyboardist, composer, musicologist)
Discogs:https://www.discogs.com/release/5508561 [info]