Richard Tauber – Superstar

~ Release by Richard Tauber (see all versions of this release, 1 available)

Tracklist

1▶CD: Tauberlieder – Zauberlieder
2▶CD: Lehár dirigiert, Tauber singt und dirigiert
3▶CD: Zarensohn und Teufelsgeiger – Der Lehár‐Tenor
4▶CD: Der König der Operette
5▶CD: Der Opernsänger I
6▶CD: Der Opernsänger II
7▶CD: Der Konzertsänger
8▶CD: Volkslieder und Wiener Musik
9▼CD: Als Emigrant von Land zu Land
#TitleRatingLength
1Der Freischütz: „Durch die Wälder, durch die Auen” (Live)
tenor vocals:
Richard Tauber (tenor) (in 1939)
orchestra:
The Hilversum Radio Orchestra (Dutch session orchestra) (in 1939)
conductor:
Nico Treep (Dutch conductor) (in 1939)
live recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1939)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
7:09
2Lohengrin: „In fernem Land” (Gralserzählung) (Live)
tenor vocals:
Richard Tauber (tenor) (in 1939)
orchestra:
The Hilversum Radio Orchestra (Dutch session orchestra) (in 1939)
conductor:
Nico Treep (Dutch conductor) (in 1939)
live recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung) (in 1939)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
5:30
3Carmen: « La fleur que tu m'avais jetée » (Blumenarie) (Live)
tenor vocals:
Richard Tauber (tenor) (in 1939)
orchestra:
The Hilversum Radio Orchestra (Dutch session orchestra) (in 1939)
conductor:
Nico Treep (Dutch conductor) (in 1939)
live recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1939)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
4:16
4My Heart Is in Vienna Still
tenor vocals:
Richard Tauber (tenor) (in 1947)
orchestra:
The BBC Orchestra (in 1947)
recording of:
My Heart Is in Vienna Still (in 1947)
lyricist and composer:
Alan Murray (UK composer)
3:15
5Der Zigeunerbaron: „Als flotter Geist” … „Ja, das alles auf Ehr'” (Live)
tenor vocals:
Richard Tauber (tenor) (in 1937)
orchestra:
General Motors Symphony Orchestra & Choir (in 1937)
conductor:
Ernö Rapée (in 1937)
live recording of:
Der Zigeunerbaron: Akt I. „Ja! Ja, das alles auf Ehr“ (Barinkay, Chor) (in 1937)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
2:52
6Frasquita: „Hab' ein blaues Himmelbett (Live)
tenor vocals:
Richard Tauber (tenor) (in 1937)
orchestra:
General Motors Symphony Orchestra (in 1937)
conductor:
Ernö Rapée (in 1937)
live recording of:
Frasquita: Akt II. “Hab’ ein blaues Himmelbett” (Serenade) (in 1937)
composer:
Franz Lehár (composer)
librettist:
Heinz Reichert and Alfred Maria Willner
part of:
Frasquita: Akt II
3:30
7Der singende Traum: „Du bist die Welt für mich”
piano and tenor vocals:
Richard Tauber (tenor) (in 1935)
recording of:
Der singende Traum: „Du bist die Welt für mich” (in 1935)
lyricist:
Ernst Marischka
composer:
Richard Tauber (tenor)
part of:
Der singende Traum
4:14
8Rossini in Neapel: „Ach manche vergangene Nacht”
tenor vocals:
Richard Tauber (tenor) (in 1937)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1937)
conductor:
Josef Krips (conductor/violinist) (in 1937)
recording of:
Rossini in Neapel: „Ach manche vergangene Nacht” (in 1937)
composer:
Bernhard Paumgartner
3:33
9Rosen aus dem Süden (Live)
piano:
Percy B. Kahn (composer and pianist) (in 1939)
tenor vocals:
Richard Tauber (tenor) (in 1939)
live recording of:
Rosen aus dem Süden (vocal version) (in 1939)
lyricist:
Rudolf Ilgner
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
arrangement of:
Rosen aus dem Süden, op. 388 (Roses from the South)
3:10
10Land Without Music: “Simple Little Melody”
piano:
Percy B. Kahn (composer and pianist) (in 1939)
tenor vocals:
Richard Tauber (tenor) (in 1939)
live recording of:
Simple Little Melody (in 1939)
composer:
Oscar Straus
3:22
11The Chocolate Soldier: “My Hero” (Der tapfere Soldat: „Komm Held meiner Träume”) (Live)
organ:
Pierre Palla (pianist) (in 1939)
tenor vocals:
Richard Tauber (tenor) (in 1939)
live recording of:
My Hero (from “The Chocolate Soldier”) (in 1939)
composer:
Oscar Straus
librettist:
Rudolf Bernauer
translator:
Stanislaus Stange
translated version of:
Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina)
part of:
The Chocolate Soldier
part of:
Two Weeks With Love (1950 film)
3:47
12Pagliacci: “On With the Motley” (Lache Bajazzo: „Jetzt spielen”) (Filmversion)
tenor vocals:
Richard Tauber (tenor) (in 1936, on 1936-09-09)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1936-09-09)
conductor:
G. Walter (conductor and composer) (in 1936)
recording of:
Pagliacci: On With the Motley (on 1936-09-09)
composer:
Ruggero Leoncavallo (composer)
translated version of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
recording of:
Pagliacci: On With the Motley (in 1936)
composer:
Ruggero Leoncavallo (composer)
translated version of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
3:01
13Sérénade (Aubade) (französisch gesungen)
choir vocals:
Frauenchor ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1946)
tenor vocals:
Richard Tauber (tenor) (in 1946)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1946)
conductor:
Henry Geehl (pianist, conductor and composer) (in 1946)
recording of:
Le Roi d'Ys: Acte III. Aubade « Vainement, ma bien-aimée » (Mylio) (in 1946)
composer:
Édouard Lalo (French composer)
part of:
Le Roi d'Ys: Acte III
3:08
14Joseph: „Vaterland, ich muss dich früh verlassen”
tenor vocals:
Richard Tauber (tenor) (in 1945)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1945)
conductor:
Henry Geehl (pianist, conductor and composer) (in 1945)
partial recording of:
Joseph (in 1945)
composer:
Étienne Nicolas Méhul (Étienne Méhul)
librettist:
Alexandre-Vincent Pineux Duval
4:34
15Die verkaufte Braut: „Komm, mein Söhnchen, auf ein Wort” (Live)
bass vocals:
Fritz Krenn (bass-baritone)
tenor vocals:
Richard Tauber (tenor) (in 1939)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
live partial recording of:
Die verkaufte Braut (The Bartered Bride) (in 1939)
lyricist:
Karel Sabina
composer:
Bedřich Smetana (composer)
translated version of:
Prodaná nevěsta (The Bartered Bride)
version of:
Prodaná nevěsta (The Bartered Bride)
7:25
16Die Entführung aus dem Serail: „Konstanze, dich wiederzusehen”
tenor vocals:
Richard Tauber (tenor) (in 1938)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) and Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1938)
conductor:
Carl Alwin (conductor) (in 1938)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1938)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1938)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:13
17Don Giovanni: „Tröstet die Heißgeliebte” (Live)
tenor vocals:
Richard Tauber (tenor) (on 1947-09-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1947-09-27)
conductor:
Josef Krips (conductor/violinist) (on 1947-09-27)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1947-09-27)
partial recording of:
Don Giovanni, K. 527 (German translation) (on 1947-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1787-03 until 1787-10)
translated version of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
3:27
18An die Musik
piano:
Percy B. Kahn (composer and pianist) (in 1937)
tenor vocals:
Richard Tauber (tenor) (in 1937)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1937)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
2:44
19Die Schöpfung: “In Native Worth” („Mit Würd' und Hoheit angetan”)
tenor vocals:
Richard Tauber (tenor) (in 1945)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1945)
conductor:
Henry Geehl (pianist, conductor and composer) (in 1945)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (in 1945)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
4:16
10▶CD: Der Emigrant – Fluchtpunkt London

Credits

Release

ASIN:DE: B0027LZ4BA [info]