| # | Title | Artist | Rating | Length |
|---|
| 1 | I Want to Break Free- additional recording engineer:
- Mike Beiriger
- assistant recording engineer:
- Eddie DeLena and Stephan Wissnet
- recording engineer, programming and engineer:
- Mack
- producer:
- Mack and Queen
- acoustic guitar [acoustic rhythm guitar] and bass guitar:
- John Deacon (from 1983-08 until 1984-01)
- drums (drum set):
- Roger Taylor (from 1983-08 until 1984-01)
- electric guitar:
- Brian May (from 1983-08 until 1984-01)
- guest solo synthesizer and guest synthesizer:
- Fred Mandel (from 1983-08 until 1984-01)
- synthesizer:
- John Deacon (from 1983-08 until 1984-01) and Freddie Mercury (from 1983-08 until 1984-01)
- background vocals and lead vocals:
- Freddie Mercury (from 1983-08 until 1984-01)
- phonographic copyright (℗) by:
- Raincloud Productions Ltd. (in 1984) and Queen Productions Ltd. (in 2011)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- produced at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- edit of:
- I Want to Break Free by Queen
- recording of:
- I Want to Break Free (from 1983-08 until 1984-01)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Queen Music Ltd.
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.3 | 3:15 |
| 2 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:22 |
| 3 | Walking on Sunshine | Katrina and the Waves | 3.6 | 3:40 |
| 4 | Hey Ya! | OutKast | 4 | 3:55 |
| 5 | I'm So Excited- recorded in:
- Los Angeles, California, United States (in 1983)
- synthesizer programming:
- Michael Boddicker
- engineer:
- Gabe Veltri
- associate producer:
- Trevor Lawrence
- producer:
- Richard Perry
- bass:
- Nathan Watts (in 1983)
- drums (drum set):
- John “JR” Robinson (in 1983)
- guitar:
- George Doering (in 1983) and Lee Ritenour (in 1983)
- organ:
- William D. “Smitty” Smith (in 1983)
- percussion:
- Paulinho da Costa (in 1983)
- piano:
- John Barnes (in 1983)
- reeds:
- Gary Herbig (in 1983) and Jim Horn (in 1983)
- synthesizer:
- Greg Phillinganes (in 1983)
- trombone:
- Dick Hyde (in 1983)
- trumpet:
- Chuck Findley (in 1983) and Gary Grant (in 1983)
- lead vocals:
- Anita Pointer (in 1983)
- horn arranger:
- Trevor Lawrence
- remix of:
- I’m So Excited by The Pointer Sisters
- recording of:
- I’m So Excited (in 1983)
- writer:
- Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing , EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Pointer Sisters | 5 | 4:48 |
| 6 | Moving On Up | M People | 2.65 | 3:34 |
| 7 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.2 | 5:23 |
| 8 | The Best | Tina Turner | 4 | 5:29 |
| 9 | Way to Go! | Rogue Traders | | 3:10 |
| 10 | I'll Be There for You | The Rembrandts | 4 | 3:05 |
| 11 | Toxic- recording engineer, programming, producer and editor:
- Bloodshy and Avant
- assistant engineer:
- J. D. Andrew and Jonas Östman
- mixer:
- Niklas Flyckt
- bass:
- Tomas Lindberg
- guitar:
- Henrik Jonback
- other instruments:
- Bloodshy and Avant
- strings:
- Stockholm Session Strings
- background vocals:
- Blackcell , Cathy Dennis and Emma Holmgren
- background vocals and lead vocals:
- Britney Spears
- conductor:
- Janson+Janson
- strings arranger:
- Janson+Janson
- arranger:
- Bloodshy and Avant and Steve Lunt
- phonographic copyright (℗) by:
- Zomba Recording LLC (in 2003)
- recorded at:
- Murlyn Studios in Stockholm, Stockholms län , Sweden and The Record Plant in Hollywood, Los Angeles, California, United States
- mixed at:
- KhaBang Studio in Stockholm, Stockholms län , Sweden
- music videos:
- Toxic by Britney Spears and Toxic (karaoke) by Britney Spears
- a cappella versions:
- Toxic (L∆VINCi Remix) by L∆VINCi feat. Britney Spears
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 1), Grammy Award: Best Dance/Electronic Recording nominees (number: 2005 winner), Billboard: The 500 Best Pop Songs (number: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 114) and BILLIONS CLUB
- recording of:
- Toxic
- writer:
- Cathy Dennis, Henrik Jonback , Christian Karlsson and Pontus Winnberg
- publisher:
- Colgems-EMI Music Inc., Murlyn Songs AB and Universal Music Publishing GmbH
| Britney Spears | 4.15 | 3:20 |
| 12 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:35 |
| 13 | I Want That Man | Deborah Harry | | 3:39 |
| 14 | Flashdance... What a Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983), Unidisc Music Inc. (in 1983) and Universal Music TV (in 1995)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (number: 492)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music , Carasmatic Music, Carub Music , Chappell Music Ltd., Famous Music Corporation , GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. , Sony/ATV Harmony and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
| Irene Cara | 3.65 | 3:54 |
| 15 | It's Raining Men | Geri Halliwell | 3 | 4:14 |
| 16 | Lola's Theme- producer:
- The Shapeshifters
- bass:
- Simon Marlin
- keyboard:
- Simon Marlin and Max Reich
- background vocals:
- Nate James and Karen Poole
- lead vocals:
- Cookie
- phonographic copyright (℗) by:
- Nocturnal Groove Ltd. (in 2004)
- recording of:
- Lola’s Theme
- lyricist:
- Karen Poole
- writer:
- Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten , Fulvio Perniola, Karen Poole and Max Reich
- publisher:
- AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control , Éditer à Paris, EMI Music Publishing , EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France , Universal Music Publishing GmbH , Universal Music Publishing Group Japan , Universal Music Publishing Ltd. , シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , 渡辺音楽出版 , フジパシフィック音楽出版 (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), フジパシフィックミュージック (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- What About My Love
- quotes lyrics from:
- Love Me Tonight
| The Shapeshifters | 3.5 | 3:25 |
| 17 | Groovejet (If This Ain't Love) | Spiller | 3 | 3:47 |
| 18 | Money | The Flying Lizards | 4.2 | 2:31 |
| 19 | Take a Chance on Me | Erasure | 2.85 | 3:38 |
| 20 | Four to the Floor (Thin White Duke mix) | Starsailor | 5 | 4:35 |
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