Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Apparently comes in 10 sets à 2 CDs.

Individual barcodes:

CDs 1&2:
CDs 3&4:
CDs 5&6:
CDs 7&8: 4011222045843
CDs 9&10: 4011222045850
CDs 11&12:
CDs 13&14:
CDs 15&16:
CDs 17&18:
CDs 19&20:

Annotation last modified on 2014-06-29 03:50 UTC.

Tracklist

1▶CD: Das wohltemperierte Klavier, Teil 1: Edwin Fischer (rec 1933-1936)
2▶CD: Das wohltemperierte Klavier, Teil 1+2: Edwin Fischer (rec 1933-1936)
3▶CD: Das wohltemperierte Klavier, Teil 2: Edwin Fischer (rec 1933-1936)
4▶CD: Klavierwerke
5▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
6▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
7▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
8▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
9▶CD: Goldberg Variations; Clavier Works
10▶CD: Werke für Cembalo und Violine (cembalo: Wanda Landowska, violin: Yehudi Menuhin)
11▶CD: Magnificat BWV 243 / Kantaten BWV 147 / BWV 82
12▶CD: Vokalwerke: Lieder und Arien
13▶CD: Matthäuspassion, BWV 244, Teil 1 (Gewandhausorchester feat. conductor: Günther Ramin)
14▼CD: Matthäuspassion, BWV 244, Teil 2 (Gewandhausorchestra feat. conductor: Günther Ramin)
#TitleRatingLength
1Matthäus-Passion, BWV 244: Arie (Alt) "Ach! Nun ist mein Heiland hin"
alto vocals:
Friedel Beckmann (German mezzo/contralto) (in 1941-03)
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:38
2Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und der Hoheprister stand auf"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:28
3Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
tenor vocals:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:01
4Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) Chor "Und der Hoheprister antwortete"
bass vocals [Jesus]:
Gerhard Hüsch (baritone) (in 1941-03)
choir vocals:
Thomanerchor Leipzig (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
1:37
5Matthäus-Passion, BWV 244: Rezitativ (Tenor) Chor "Da speieten sie aus"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
0:39
6Matthäus-Passion, BWV 244: Choral "Wer hat dich so geschlagen"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1941-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
1:00
7Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Petrus aber saß draußen im Palast"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
1:25
8Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da hub er an sich zu verfluchen"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
1:42
9Matthäus-Passion, BWV 244: Arie (Alt) "Erbarme Dich, mein Gott"
alto vocals:
Friedel Beckmann (German mezzo/contralto) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1941-03)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:03
10Matthäus-Passion, BWV 244: Choral "Bin ich gleich von Dir gewichen"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1941-03)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:24
11Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Des Morgens aber"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
1:12
12Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und er warf die Silberlinge"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
0:19
13Matthäus-Passion, BWV 244: Arie (Baß) "Gebt mir mir meinen Jesum wieder"
bass vocals:
Siegfried Schulze (bass) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:46
14Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Jeus aber stand vor dem Landpfleger"
bass vocals [Jesus]:
Gerhard Hüsch (baritone) (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:11
15Matthäus-Passion, BWV 244: Choral "Befiehl Du deine Wege"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1941-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
1:34
16Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Auf das Fest"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
1:52
17Matthäus-Passion, BWV 244: Choral "Wie wunderbarlich ist doch diese Strafe"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1941-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
1:07
18Matthäus-Passion, BWV 244: Begl. Rezitativ (Sopran) "Er hat uns allen wohlgetan"
soprano vocals:
Tiana Lemnitz (soprano) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:10
19Matthäus-Passion, BWV 244: Arie (Sopran) "Aus Liebe will mein Heiland sterben"
soprano vocals:
Tiana Lemnitz (soprano) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:36
20Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da aber Pilatus sahe"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
1:38
21Matthäus-Passion, BWV 244: Begl. Rezitativ (Alt) "Erbarm es Gott"
alto vocals:
Friedel Beckmann (German mezzo/contralto) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
22Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da nahmen die Kriegsknechte"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
1:09
23Matthäus-Passion, BWV 244: Choral "O Haupt voll Blut und Wunden"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1941-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
3:18
24Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da sie ihn verspotten hatten"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:43
25Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da wurden zween Mörder mit ihm gekreuzigt"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:58
26Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Desgleichen schmäheten ihn"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:14
27Matthäus-Passion, BWV 244: Rezitativ (Alt) "Ach Golgatha, unsel'ges Golgatha"
alto vocals:
Friedel Beckmann (German mezzo/contralto) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:02
28Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) Chor "Und von der sechsten Stunde an"
bass vocals [Jesus]:
Gerhard Hüsch (baritone) (in 1941-03)
choir vocals:
Thomanerchor Leipzig (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
2:48
29Choral "Wenn ich einmal soll scheiden"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1941-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
2:08
30Rezitativ (Tenor) Chor "Und siehe da"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
2:23
31Matthäus-Passion, BWV 244: Begl. Rezitativ (Baß) "Am Abend, da es kühle war"
bass vocals:
Siegfried Schulze (bass) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:14
32Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und Joseph nahm den Leib"
tenor vocals [Evangelist]:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
2:24
33Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor, Baß, Sopran) Chor "Nun ist der Herr zur Ruh' gebracht"
alto vocals:
Friedel Beckmann (German mezzo/contralto) (in 1941-03)
bass vocals:
Siegfried Schulze (bass) (in 1941-03)
choir vocals:
Thomanerchor Leipzig (in 1941-03)
soprano vocals:
Tiana Lemnitz (soprano) (in 1941-03)
tenor vocals:
Karl Erb (German tenor) (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:23
34Matthäus-Passion, BWV 244: Schlußchor "Wir setzen uns mit Tränen nieder"
choir vocals:
Thomanerchor Leipzig (in 1941-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1941-03)
conductor:
Günther Ramin (organist, composer and chorus leader) (in 1941-03)
recorded at:
Gewandhaus (1884-1944) in Leipzig, Sachsen (Saxony), Germany (in 1941-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1941-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:40
15▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
16▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
17▶CD: Orchesterwerke und Konzerte
18▶CD: Orchesterwerke und Konzerte
19▶CD: Kammermusik: Suiten für Violincello (Pablo Casals)
20▶CD: Kammermusik: Bearbeitungen für Gitarre (Andrés Segovia)