L’elisir d’amore

~ Release by Donizetti; Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge (see all versions of this release, 4 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Rating	Length
1	Adina credimi recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto I	Gaetano Donizetti		8:25
2	Cantiamo, cantiam, cantiam recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		3:34
3	Barcaruola a due voci recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		2:27
4	Silenzio! È qua il notaro recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		4:34
5	La donna è un animale recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) partial recording of: L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		2:44
6	Ai perigli della guerra recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		7:16
7	Saria possibile? recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		4:21
8	Dell’elisir mirabile recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) partial recording of: L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		4:28
9	Io già m’immagino recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) partial recording of: L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		5:27
10	Quanto amore! Ed io spietata! recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		7:53
11	Una furtiva lagrima recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) (in 1832) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) part of: L’elisir d’amore: Atto II	Gaetano Donizetti	5	6:42
12	Prendi, per me sei libero recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		11:15
13	Alto! Fronte! recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) mezzo-soprano vocals [Giannetta]: Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		1:40
14	Ei corregge ogni difetto recording engineer: James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer) producer: Christopher Raeburn (producer) baritone vocals [Belcore]: Dominic Cossa (baritone) (from 1970-01 until 1970-06) bass vocals [Dulcamara]: Spiro Malas (bass-baritone) (from 1970-01 until 1970-06) choir vocals: Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) choir vocals [Mietitori]: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06) soprano vocals [Adina]: Joan Sutherland (soprano) (from 1970-01 until 1970-06) tenor vocals [Nemorino]: Luciano Pavarotti (tenor) (from 1970-01 until 1970-06) orchestra: English Chamber Orchestra (from 1970-01 until 1970-06) conductor: Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06) recording of: L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06) composer: Gaetano Donizetti (Italian opera composer) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		2:35

Credits

Release group

Discogs:	https://www.discogs.com/master/535617 [info]
other databases:	http://www.operadis-opera-discography.org.uk/CLDOELIS.HTM#34 [info]
Allmusic:	https://www.allmusic.com/album/mw0001391716 [info]

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Release information

Barcode:: 028941446121
Format:: 2×CD
Length:: 2:20:58

Additional details

Type:: Album
Packaging:: Jewel Case
Status:: Official
Language:: Italian
Script:: Latin
Data quality:: Normal

Labels

Decca Classics
414 461-2

Release events

Germany
1985

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Last updated on 2019-09-07 08:00 UTC