Live at I.U.C.C.

~ Release by Horace Tapscott with The Pan-Afrikan Peoples Arkestra (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleRatingLength
1Macrame
recording engineer:
Bruce Bidlack (engineer) (in 1979)
alto clarinet:
Herbert Callies (jazz clarinetist) (in 1979)
alto saxophone [alto]:
Michael Session (jazz saxophonist, composer, arranger) (in 1979)
bass:
David Bryant (1950s bassist) (in 1979) and Alan Hines (jazz bassist/guitarist) (in 1979)
drums (drum set) [drums]:
Everett Brown Jr. (in 1979)
flute:
Kafi Roberts (jazz flautist and saxophonist) (in 1979)
piano:
Horace Tapscott (US jazz pianist and composer) (in 1979)
solo drums (drum set) [drums]:
E. Brown Jr. (in 1979)
solo piano:
H. Tapscott (US jazz pianist and composer) (in 1979)
solo soprano saxophone [soprano]:
J. Sharps (jazz saxophonist/woodwinds player) (in 1979)
solo tenor saxophone [tenor]:
S. Matteen (in 1979)
soprano saxophone [soprano]:
Jesse Sharps (jazz saxophonist/woodwinds player) (in 1979)
tenor saxophone [tenor]:
James Andrews (jazz saxophonist) (in 1979) and Sabia Matteen (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
Macrame (in 1979)
composer:
Jesse Sharps (jazz saxophonist/woodwinds player)
20:25
2Future Sally’s Time
recording engineer:
Bruce Bidlack (engineer) (in 1979)
baritone saxophone [baritone]:
John Williams (jazz saxophonist) (in 1979)
bass:
Alan Hines (jazz bassist/guitarist) (in 1979) and Roberto Miranda (American jazz bassist) (in 1979)
drums (drum set) [drums]:
Billy Hinton (in 1979)
flute:
Aubrey Hart (flautist) (in 1979) and Adele Sebastian (in 1979)
percussion and solo percussion:
Daa’oud Woods (percussionist) (in 1979)
piano:
Horace Tapscott (US jazz pianist and composer) (in 1979)
solo bass:
A. Hines (jazz bassist/guitarist) (in 1979)
solo drums (drum set) [drums]:
B. Hinton (in 1979)
solo piano:
H. Tapscott (US jazz pianist and composer) (in 1979)
soprano saxophone [soprano]:
Billy Harris (saxophonist) (in 1979)
tenor saxophone [tenor]:
Sabia Matteen (in 1979)
trombone:
Lester Robertson (jazz trombonist) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live cover recording of:
Future Sally’s Time (in 1979)
composer:
Arthur Blythe and Stanley Crouch
12:10
3Noissessprahs
recording engineer:
Bruce Bidlack (engineer) (in 1979)
baritone saxophone [baritone]:
John Williams (jazz saxophonist) (in 1979)
bass:
David Bryant (1950s bassist) (in 1979), Alan Hines (jazz bassist/guitarist) (in 1979) and Roberto Miranda (American jazz bassist) (in 1979)
cello:
Louis Spears (jazz bassist/cellist) (in 1979)
drums (drum set) [drums]:
Billy Hinton (in 1979)
flute:
Aubrey Hart (flautist) (in 1979) and Adele Sebastian (in 1979)
French horn [fr. horn]:
Bob Watt (French horn player) (in 1979)
percussion:
Mike Daniels (jazz percussionist) (in 1979) and Daa’oud Woods (percussionist) (in 1979)
piano:
Linda Hill (jazz pianist) (in 1979)
solo bass:
R. Miranda (American jazz bassist) (in 1979)
solo drums (drum set) [drums]:
B. Hinton (in 1979)
solo flute:
A. Hart (flautist) (in 1979)
solo soprano saxophone [soprano]:
B. Harris (saxophonist) (in 1979)
solo tenor saxophone [tenor]:
D. Walker (jazz saxophonist) (in 1979) and S. Matteen (in 1979)
soprano saxophone [soprano]:
Billy Harris (saxophonist) (in 1979)
tenor saxophone [tenor]:
Sabia Matteen (in 1979) and Desta Walker (jazz saxophonist) (in 1979)
trombone:
Lester Robertson (jazz trombonist) (in 1979)
recorded at:
Immanuel United Church of Christ in Los Angeles, California, United States (in 1979)
live recording of:
Noissessprahs (in 1979)
composer:
S. Matteen
16:13
4McKowsky’s First Fifth
16:00
2▶CD