4KQ 50th Anniversary Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Day by Day
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1974)
cover recording of:
Day by Day (Godspell)
Texter, Komponist(in) und arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Teil von:
Godspell (Stephen Schwartz musical)
Colleen Hewett4:46
2Most People I Know Think That I’m Crazy
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976)
recording of:
Most People I Know Think That I’m Crazy
Texter und Komponist(in):
Billy Thorpe
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Billy Thorpe and the Aztecs54:10
3Lean on Me
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
E-Bass:
Melvin Dunlap (in 1972)
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
Klavier und Sologesang:
Bill Withers (in 1972)
Perkussion und Schlagzeug:
James Gadson (American drummer) (in 1972)
Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
recording of:
Lean on Me (in 1972)
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:18
4Boppin’ the Blues
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1972)
cover recording of:
Boppin’ the Blues
Komponist(in):
Curley Griffin (1950s rockabilly artist) (in 1956) und Carl Perkins (American pioneer of rockabilly music) (in 1956)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Hi-Lo Music Inc. (BMI-affiliated), MPL Music Publishing Inc., MPL UK Publishing, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Wren Music Co.
Blackfeather3:16
5All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:30
6Let’s Pretend
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1972)
recording of:
Let’s Pretend
Texter und Komponist(in):
Eric Carmen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Raspberries3:41
7I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan44:00
8When Will I See You Again
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) und Fayette Pinkney (in 1973)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
When Will I See You Again (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
Three Degrees43:00
9Girls on the Avenue
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) und Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
Verfasser(in):
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Richard Clapton3:15
10You Told the World
recording of:
You Told the World
Verfasser(in):
Laurie Stone
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Railroad Gin2:53
11Evil Woman
Techniker(in):
Jimmy Iovine und Reinhold Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (von 1975-05 bis 1975-06)
Cello:
Melvyn Gale (von 1975-05 bis 1975-06) und Hugh McDowell (von 1975-05 bis 1975-06)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1975-05 bis 1975-06)
Geige / Violine:
Mik Kaminski (von 1975-05 bis 1975-06)
Gitarre:
Jeff Lynne (von 1975-05 bis 1975-06) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1975-05 bis 1975-06)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1975-05 bis 1975-06)
Hintergrundgesang:
Susan Collins (von 1975-05 bis 1975-06), Ellie Greenwich (von 1975-05 bis 1975-06), Nancy O'Neill (von 1975-05 bis 1975-06) und Margaret Raymond (von 1975-05 bis 1975-06)
Sologesang:
Jeff Lynne (von 1975-05 bis 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-05 bis 1975-06), Musicland Studios (Munich) in München, Bayern, Deutschland (von 1975-05 bis 1975-06) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975-05 bis 1975-06: Hintergrundgesang)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Evil Woman (von 1975-05 bis 1975-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.24:19
12Rock Me Gently
recording of:
Rock Me Gently
Verfasser(in):
Daryl Braithwaite, Tony Mitchell (bass, songwriter, Australia), Garth Porter und Alan Sandow
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing MGB Australia
Sherbet3:38
13All the Good Things
recording of:
All the Good Things
Verfasser(in):
Peter Harvey (Australian keyboarder, songwriter and singer), Carol Lloyd (Australian rock singer) und Mark Moffatt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Carol Lloyd Band4:02
14More Than a Feeling
recording of:
More Than a Feeling
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3:36
15Help Is on Its Way
assistierende(r) Techniker(in):
John Hodge (engineer)
Techniker(in):
Ross Cockle und Paul Grupp
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1977-03)
Gitarre:
Beeb Birtles (in 1977-03) und David Briggs (producer, guitarist of Little River Band) (in 1977-03)
Klavier:
Peter Sullivan (in 1977-03)
Schlagzeug:
Derek Pellicci (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) und Glenn Shorrock (in 1977-03)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977) und Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australien und Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Help Is on Its Way (in 1977-03)
Texter und Komponist(in):
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band3.354:02
16Lido Shuffle
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:40
17A Fool in Love
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
cover recording of:
A Fool in Love
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Frankie Miller (Scottish rock singer-songwriter)
publisher:
BMG Monarch, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hornall Brothers Music Ltd. (limited company)
Jeff St John2:57
18Fantasy
recording of:
Fantasy
Verfasser(in):
Eduardo Del Barrio (Eduardo Gutiérrez del Barrio), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Criga Music, EMI Songs Australia Pty. Ltd. und Saggifire Music
Earth, Wind and Fire3.653:47
19Still in Love With You
recording of:
Still in Love With You
Verfasser(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs Australia Pty. Ltd.
Dragon3:25
20What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:57
21Can You Feel It
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jacksons3:27
3▶CD

Nennungen

Veröffentlichung

hergestellt in:Australien
liner notes:Brent James (radio music director)
remastering:Wayne Baptist
hergestellt von:Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1997)
lizensiert von:BMG Australia Limited (not for release label use!)
Castle Communications (primary imprint of Castle Communications PLC)
Castle Communications (Australia) Limited
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records")
Universal Music Australia Limited (1996–2003; fka MCA Music Entertainment Limited from 1994–1996)
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
Discogs:https://www.discogs.com/release/15917376 [Info]