Melodies: The Best of AOR

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Hard to Say I’m Sorry
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:40
2Heart of Mine
Bobby Caldwell4:49
3I Just Wanna Stop
recording engineer and mixer:
Norm Kinney
assistant engineer:
Chris Desmond
producer:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
assistant mixer:
Paul Aronoff and Betsy Banghart (engineer)
bass synthesizer [synthesized electric bass]:
Leon Gaer
drums (drum set):
Mark Craney
electric piano and synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
guitar:
Carlos Rios (producer/guitarist)
percussion:
Manuel Badrena
tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
background vocals:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) and Ross Vannelli
lead vocals:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
phonographic copyright (℗) by:
A&M Records and A&M Records, Inc. (in 1978)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
mixed at:
Group IV Studios in Hollywood, Los Angeles, California, United States
recording of:
I Just Wanna Stop
lyricist and composer:
Ross Vannelli
publisher:
Ross Vannelli Publishing and 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:36
4Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) and Tom Knox
additional engineer:
Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (engineer/guitar technician) (task: additional recording) and Steve Porcaro (task: additional recording)
engineer:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro and Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
mixer:
Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond organ and synthesizer:
David Paich and Steve Porcaro
instruments:
Lenny Castro
keyboard:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and David Paich
lead vocals:
Jean-Michel Byron, Bobby Kimball and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
brass [horns] arranger:
Jerry Hey and David Paich
arranger:
David Paich and Jerry Hey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:31
5Mornin’
recording engineer:
Eric Prestis
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Jeff Porcaro
guitar:
Jay Graydon
Rhodes piano and synthesizer:
David Foster (Canadian music producer, arranger and composer)
background vocals and lead vocals:
Al Jarreau (jazz, pop and r&b singer-songwriter)
percussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
strings arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
additionally recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Mornin’
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau (jazz, pop and r&b singer-songwriter)
publisher:
AlJarreau Music, Garden Rake Music, Inc. and Peermusic III, Ltd. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
Al Jarreau54:16
6Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:53
7Seeing You (for the First Time)
recording of:
Seeing You (for the First Time)
lyricist and composer:
Jim Messina
publisher:
Jasperilla Music Co.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jim Messina5:54
8Her Town Too
assistant recording engineer:
Niko Bolas
recording engineer:
Val Garay
producer:
Peter Asher
acoustic guitar:
Waddy Wachtel
bass guitar:
Leland Sklar (bassist, session musician)
drums (drum set):
Rick Marotta (US drummer/percussionist)
electric guitar:
Dan Dugmore
electric piano and organ:
Don Grolnick
vocals:
J.D. Souther and James Taylor (singer-songwriter and guitarist)
conductor:
Gene Page (conductor, composer, arranger and record producer)
strings arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1980-09-05 until 1981-01-18)
recording of:
Her Town Too
writer:
J.D. Souther, James Taylor (singer-songwriter and guitarist) and Waddy Wachtel
publisher:
Country Road Music, Inc. (ASCAP-affiliated), Ice Age Music, Leadsheet Land Music, 日音 Synch事業部 (NICHION, INC. Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
James Taylor3.54:31
9Antonio’s Song (The Rainbow)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
bass guitar:
Wilton Felder
drums (drum set):
John Guerin
guitar:
Larry Carlton
percussion:
Ray Armando
piano and solo piano:
Joe Sample
solo alto saxophone:
David Sanborn
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Antonio’s Song (The Rainbow)
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co.
sub-publisher:
Universal Music Publishing France (not for release label use!) and 大洋音楽 (Taiyō Music)
Michael Franks5:05
10Just for the Moment
recording of:
Just for the Moment
writer:
Jack Conrad (producer and songwriter) and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
Seven Summits Music, Sony/ATV Melody and X‐Ray Music
Ray Kennedy3:24
11I Keep Forgettin’ (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:40
12Heart to Heart
recording engineer:
Bruce Botnick
producer:
Bruce Botnick and Kenny Loggins
bass guitar:
Derek Jackson (bassist)
congas:
Paulinho da Costa (Brazilian percussionist)
drums (drum set):
Tris Imboden
grand piano:
David Foster (Canadian music producer, arranger and composer)
guitar:
Mike Hamilton (US guitarist based in Laguna Beach, CA)
other instruments [“artistic debris”]:
David Sanborn
percussion:
Lenny Castro
Rhodes piano:
Michael McDonald (R&B & soul singer)
background vocals:
Steve George (US keyboardist for Mr. Mister & Pages), Michael McDonald (R&B & soul singer) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Kenny Loggins
strings arranger:
Marty Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Heart to Heart
writer:
David Foster (Canadian music producer, arranger and composer), Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Foster Frees Music Inc., Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Peermusic III, Ltd. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins5:19
13Steal Away
engineer:
Gary Brandt
congas:
Miguel Rivera (percussionist)
guitar:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) and Brian Ray
harmonica:
Robbie Dupree
keyboard:
Rick Chudacoff and Bill Elliott (keyboardist/composer)
marimba:
Alan Estes
percussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera (percussionist)
saxophone:
Jerry Peterson
synthesizer:
Michael Boddicker and Bill Elliott (conductor, producer)
background vocals:
Kal David, Bill LaBounty, Arno Lucas and Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
recording of:
Steal Away
lyricist:
Rick Chudacoff
composer:
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Robbie Dupree3:29
14Him
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Infinity Records Inc., Geffen Records (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979, in 1980)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Him
lyricist, composer and arranger:
Rupert Holmes
publisher:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Rupert Holmes4:08
15Baby Come Back
engineer:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) and Joe Sidore
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
bass guitar:
Ronn Moss
clavinet, electric piano and synthesizer:
Wayne Cook
congas, drums (drum set) and maracas:
John Friesen (drummer)
guitar:
Peter Beckett (lead singer of Player)
background vocals and lead vocals:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) and Ronn Moss
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
recording of:
Baby Come Back (Player song)
writer:
Peter Beckett (lead singer of Player) and John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player4.354:16
16It Will Be Alright
producer:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
mixer:
Jay Graydon
bass guitar:
David Hungate
guitar:
Jay Graydon
keyboard:
David Foster (Canadian music producer, arranger and composer)
background vocals:
David Foster (Canadian music producer, arranger and composer), Tommy Funderburk and Jay Graydon
lead vocals:
Tommy Funderburk and Jay Graydon
arranger:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
It Will Be Alright
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Allee Willis
publisher:
Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
Airplay4:00
17Just the Two of Us
producer:
Ralph MacDonald and Grover Washington, Jr.
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
electric bass guitar:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
electric guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
lead vocals:
Bill Withers (from 1980-06 until 1980-07)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
edit of:
Just the Two of Us (original studio mix) by Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter (songwriter, bassist, producer) and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Grover Washington, Jr.2.653:58
18We’re All Alone
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
acoustic guitar:
Louie Shelton (in 1975-09)
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
We’re All Alone (in 1975-09)
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs24:11