Annotation

℗ «2018 Intense Media GmbH»

Annotation last modified on 2024-11-20 20:22 UTC.

Tracklist

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#TitleArtistRatingLength
1La mer, L. 109: no. 1, De l’aube à midi sur la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Philharmonia Orchestra, Guido Cantelli8:22
2La mer, L. 109: no. 2, Jeux de vagues
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Philharmonia Orchestra, Guido Cantelli6:37
3La mer, L. 109: no. 3, Dialogue du vent et de la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Philharmonia Orchestra, Guido Cantelli8:00
4Nocturnes, L. 91: no. 1, Nuages
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Philharmonia Orchestra, Guido Cantelli6:30
5Nocturnes, L. 91: no. 2, Fêtes
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Philharmonia Orchestra, Guido Cantelli6:25
6Prélude à l’après‐midi d’un faune, L. 86
recording engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-08 until 1954-06-09)
conductor:
Guido Cantelli (conductor) (from 1954-06-08 until 1954-06-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-08 until 1954-06-09)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1954-06-08 until 1954-06-09)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Philharmonia Orchestra, Guido Cantelli9:21
7Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: I. Allegro vivace
Philharmonia Orchestra, Guido Cantelli8:10
8Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: II. Andante con moto
Philharmonia Orchestra, Guido Cantelli6:00
9Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: III. Con moto moderato
Philharmonia Orchestra, Guido Cantelli7:00
10Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: IV. Saltarello. Presto
Philharmonia Orchestra, Guido Cantelli6:09
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Credits