Tracklist

1CD: Disc 1: The Stars and Stripes Forever/John Philip Sousa's Greatest Hits
2CD: Disc 2: Favorite Marches for Orchestra
#TitleArtistRatingLength
1Pomp and Circumstance March No. 1
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:23
2The March of the Siamese Children (from The King and I)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
March of the Siamese Children (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers2:50
3Guadalcanal March (from Victory at Sea)
orchestra:
RCA Symphony Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Guadalcanal March (Victory at Sea)
additional composer:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Robert Russell Bennett (American composer and arranger)
part of:
Victory at Sea
Richard Rodgers3:08
4Grand March (from Aida)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Aida: Grand March (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi3:24
5American Salute (When Johnny Comes Marching Home)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Morton Gould (American composer and conductor)
recording of:
American Salute
composer:
Morton Gould (American composer and conductor) (in 1943)
is based on:
When Johnny Comes Marching Home (trad.)
Morton Gould4:21
6Strike Up the Band (from Strike Up the Band)
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Strike Up the Band (1927 Gershwin song)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
George Gershwin;Ira Gershwin2:48
7Knightsbridge March (from London Suite)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eric Robinson (conductor)
recording of:
London Suite: III. Knightsbridge (March)
composer:
Eric Coates (composer)
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
London Suite
Eric Coates4:50
8Seventy-Six Trombones (from The Music Man)
instruments:
The National Honor Band
conductor:
Edwin Philip Pryor
recording of:
Seventy-Six Trombones (The Music Man)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Meredith Willson2:34
9March of the Toys (from Babes in Toyland)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Babes in Toyland: Act II. March of the Toys
composer:
Victor Herbert (American composer)
part of:
Babes in Toyland
Victor Herbert4:03
10March of the Toreadores (from Carmen)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Georges Bizet2:13
11March and Love Theme (from Raiders of the Lost Ark)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
The Raiders March (Raiders of the Lost Ark)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams4:38
12Coronation March (from Le Prophète)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
conductor:
René Leibowitz (conductor)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1962)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Giacomo Meyerbeer3:33
13Wedding March (from A Midsummer Night's Dream)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:37
14Battle Hymn of the Republic
choir vocals:
The National Philharmonic Chorus (of London)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1986)
recording of:
Battle Hymn of the Republic
lyricist:
Julia Ward Howe (American poet)
composer:
William Steffe (in 1856)
part of:
Hymns of The Church of Jesus Christ of Latter-day Saints (1985 Hymnal) (number: 60) and Roud Folk Song Index (number: V17636)
is based on:
John Brown’s Body (Glory, Glory, Hallelujah)
[traditional] & Julia Ward Howe5:30