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Tracklist

1▼CD
#TitleArtistRatingLength
1Sarabande (Levi's)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
orchestrator:
Paul Bateman (conductor)
cover recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel4.54:09
2Ademius/Cantilena (Cheltenham & Gloucester)
recorder:
Pamela Thorby
vocals:
Miriam Stockley
orchestra:
LPO (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Karl Jenkins3:25
3Adagio for Strings (The Times)
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
William Orbit4:14
4Phat Planet (Guinness)
recording of:
Phat Planet
composer:
Neil Barnes and Paul Daley
Leftfield5:29
5Open Heart Zoo (Lexus)
Martin Grech45:21
6Slip Into Something More Comfortable (Magnum/Kronenbourg 1664)
recording of:
Slip Into Something More Comfortable
writer:
Mark Blackburn, Fred Karger (Frederick Maxwell Karger, Jr), Julius Waters (Production music composer) and Robert Wells (songwriter)
publisher:
Barton Music Corp. and Imagem London Ltd.
Kinobe4:39
71492: Conquest of Paradise (Smirnoff)
choir vocals:
English Chamber Choir
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
Vangelis4:53
8Rinaldo: “Lascia ch'io pianga” (Harrods)
audio engineer:
Mike Ross‐Trevor (engineer) (in 1992)
soprano vocals:
Lesley Garret (soprano)
orchestra:
The Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:05
9Lakmé: Flower Duet “Dôme épais” (British Airways)
soprano vocals:
The Vard Sisters
vocals:
The Vard Sisters
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:39
10Air on a G String (Hamlet)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
11Solomon: The Arrival of the Queen of Sheba (Woolworths)
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:10
12Sleepers Awake (Cantata 140) (Lloyds Bank)
orchestra:
New Symphony of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (British composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:30
13In the Hall of the Mountain King (Drambuie/Alton Towers)
choir vocals:
Gösta Ohlin's Vocal Ensemble (in 1987-06) and Pro Musica Chamber Choir (Swedish choir) (in 1987-06)
spoken vocals:
Tor Stokke (in 1987-06)
vocals:
Tor Stokke (in 1987-06)
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
chorus master:
Gösta Ohlin (in 1987-06)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg52:52
14633 Squadron (Zurich)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor) and Nic Raine
cover recording of:
633 Squadron Theme
composer:
Ron Goodwin (English composer)
Ron Goodwin3:02
15O Fortuna (Old Spice)
sound engineer:
Stanley Goodall (engineer) (in 1983-06) and Colin Moorfoot (engineer) (in 1983-06)
producer:
James Mallinson (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1983-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1983-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:36
16Turandot: Nessun Dorma (Burger King)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Luciano Pavarotti53:00
17Pie Jesu (NSPCC)
pipe organ:
Daniel Philips (organist)
choir vocals:
Choir of Uppingham School
soprano vocals:
Barbara Bonney (soprano)
treble vocals:
Anthony Way (UK chorister and classical singer)
orchestra:
English Sinfonia
conductor:
Neil Page (conductor, musical director)
recorded at:
Uppingham School Chapel in Uppingham, Rutland, England, United Kingdom (from 1997-01 to ????)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Anthony Way2:59
18The Sorcerer's Apprentice (Lea and Perrins Worcester Sauce)
orchestra:
Berlin Philharmonic (Berlin Philharmonic Orchestra)
conductor:
James Levine (US conductor and pianist)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas3:39
19Victory (Raymond Weill Geneve Watches)
recording of:
Victory
composer:
Tonči Huljić
is based on:
Aureliano in Palmira: Sinfonia
bond3:30
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