Big Band Classics, Volume Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Opus One
recording of:
Opus One (1943 song)
Texter:
Sidney Reginald Garris
Komponist(in):
Sy Oliver
publisher:
Embassy Music Corp. (am 1943-06-23)
Teil von:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey3:03
2On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Tommy Dorsey3:21
3Flyin’ Home
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
Glenn Miller3:15
4I’ve Got a Girl in Kalamazoo
recording of:
(I’ve Got a Gal in) Kalamazoo
Texter:
Mack Gordon
Komponist(in):
Mack Gordon und Harry Warren (US composer and lyricist)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Glenn Miller3:23
5Perfidia
recording of:
Perfidia
Texter und Komponist(in):
Alberto Domínguez
Glenn Miller3:24
6Don’t Sit Under the Apple Tree
Glenn Miller3:19
7St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Glenn Miller3:52
8Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Glenn Miller43:35
9Begin the Beguine
recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw3:18
10Serenade to a Savage
recording of:
Serenade to a Savage
Komponist(in):
Joe Garland (saxophonist, composer)
Artie Shaw2:41
11Frenesi
Klarinette:
Artie Shaw
recording of:
Frenesí
Texter und Komponist(in):
Alberto Domínguez
Artie Shaw3:08
12Traffic Jam
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1939-06-12)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-06-12) und Les Robinson (am 1939-06-12)
Bass und Kontrabass:
Sid Weiss (am 1939-06-12)
Gitarre:
Al Avola (am 1939-06-12)
Klarinette:
Artie Shaw (am 1939-06-12)
Klavier:
Bob Kitsis (am 1939-06-12)
Posaune:
George Arus (am 1939-06-12), Harry Rogers (US big-band trombonist and arranger) (am 1939-06-12), Les Jenkins (am 1939-06-12) und Les Jerkins (am 1939-06-12)
Schlagzeug:
Buddy Rich (am 1939-06-12)
Tenorsaxophon:
Georgie Auld (am 1939-06-12) und Tony Pastor (am 1939-06-12)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-06-12), Chuck Peterson (trumpet) (am 1939-06-12) und Bernie Privin (am 1939-06-12)
Orchester:
Artie Shaw and His Orchestra (am 1939-06-12)
conductor:
Artie Shaw (am 1939-06-12)
recording of:
Traffic Jam (am 1939-06-12)
Komponist(in):
Teddy McRae und Artie Shaw
Artie Shaw2:19
13It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington3:06
14I’m Beginning to See the Light
recording of:
I’m Beginning to See the Light
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Duke Ellington3:18
15C Jam Blues
alto saxophone:
Otto Hardwick (am 1942-01-21)
alto saxophone und Klarinette:
Johnny Hodges (am 1942-01-21)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1942-01-21)
Gitarre:
Fred Guy (am 1942-01-21)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1942-01-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1942-01-21)
Kontrabass:
Junior Raglin (bass) (am 1942-01-21)
Kornett:
Rex Stewart (am 1942-01-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1942-01-21) und Joe "Tricky Sam" Nanton (am 1942-01-21)
Schlagzeug:
Sonny Greer (am 1942-01-21)
Tenorsaxophon:
Ben Webster (am 1942-01-21)
Trompete:
Wallace Jones (am 1942-01-21)
Trompete und Geige / Violine:
Ray Nance (am 1942-01-21)
Ventilposaune:
Juan Tizol (am 1942-01-21)
recording of:
“C” Jam Blues (am 1942-01-21)
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Duke Ellington2:45
16I’m Just a Lucky So ’n’ So
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter) (am 1961-04-04)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
vocals:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
I’m Just a Lucky So and So (am 1961-04-04)
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Duke Ellington43:16
17Things Ain’t What They Used to Be
recording of:
Things Ain’t What They Used to Be
Texter:
Ted Persons
Komponist(in):
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Duke Ellington3:15
18Come to Baby Do!
vocals:
Joya Sherrill
recording of:
Come to Baby, Do
Verfasser(in):
Inez James und Sidney Miller (songwriter, director and actor)
Duke Ellington2:51
19Don’t Get Around Much Any More
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
Don’t Get Around Much Anymore (am 1961-04-03)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Duke Ellington3:24
20When Buddha Smiles
recording of:
When Buddha Smiles
Komponist(in):
Nacio Herb Brown (US songwriter)
Benny Goodman3:14
21Flat Foot Floogee
recording of:
The Flat Foot Floogie
Komponist(in):
Slim Gaillard, Bud Green und Slam Stewart
Benny Goodman3:24
22After You’ve Gone
cover recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
instrumental recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Benny Goodman2:49

Nennungen

Veröffentlichung

hergestellt in:England, Vereinigtes Königreich
hergestellt von:PDO (Philips DuPont Optical, Blackburn, UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Kaz Records Ltd. (not for release label use, only for copyrights and other legal credits) (in 1992)
lizensiert von:BMG Records (UK) Ltd. (1987–1996)
Discogs:https://www.discogs.com/release/35082146 [Info]