FYE Selects, Volume 1: Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Naked Eye
drum machine [drum]-Programmierung:
T. Mangurian
Produzent(in):
D. Lanois (Canadian record producer, guitarist, vocalist, and songwriter), J. Cunniff und T. Mangurian
Mix:
Jamie Candiloro, Jill Cunniff und Tony Mangurian
Akustikgitarre, mellotron und Schlagzeug [drum fills]:
T. Mangurian
Bassgitarre [bass] und Gitarre:
J. Cunniff
Keyboard [keys]:
V. Trimble
Schlagzeug [drums]:
K. Schellenbach
zusätzlich drum machine [drum looping]:
Alex Young (DJ, worked with Luscious Jackson)
vocals:
J. Cunniff
phonographisches Urheberrecht (℗) von:
EMI April Music Inc.
recording of:
Naked Eye
Verfasser(in):
Jill Cunniff, Kate Schellenbach und Vivian Trimble
publisher:
EMI April Music Inc., Grand Royal Music und Luscious Jackson Music
Luscious Jackson44:42
2One Way or Another
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 298)
recording of:
One Way or Another (von 1978-06 bis 1978-07)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. und Rare Blue Music Inc (in 1978)
Blondie4.153:29
3Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:14
4Love Is a Battlefield
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in) und Mix:
Pete Coleman und Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Roger Capps und Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) und Myron Grombacher
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 30)
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar3.655:25
5What Would Happen
drum machine [drum/loop]-Programmierung:
Jim Ebert und David Ricketts (of David & David)
assistierende(r) Techniker(in):
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri und Charles Nasser
Techniker(in) und Mix:
Jim Ebert
Produzent(in):
David Ricketts (of David & David)
Bass:
Paul Bushnell (session bassist, producer and music director)
Gitarre [guitars] und Hintergrundgesang:
Meredith Brooks (US singer/songwriter and guitarist)
Keyboard [keyboards]:
David Ricketts (of David & David)
Schlagzeug [drums]:
Josh Freese (American drummer)
zusätzlich Hintergrundgesang [backgrounds]:
Victoria Levy
aufgenommen bei:
Alpha Studios in Burbank, California (Kalifornien), Vereinigte Staaten und The Salt Mines in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
What Would Happen
Texter und Komponist(in):
Meredith Brooks (US singer/songwriter and guitarist)
publisher:
Kissing Booth Music
Meredith Brooks45:15
6Sherry Fraser
recording of:
Sherry Fraser
Texter und Komponist(in):
John Wozniak (Marcy Playground singer & guitarist)
Marcy Playground2:52
7More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:08
8Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:40
9Rock This Town
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Rock This Town
Texter und Komponist(in):
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Stray Cats4.43:27
10My Sharona
recording engineer:
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Prescott Niles
Gitarre:
Berton Averre und Doug Fieger (in The Knack)
Schlagzeug:
Bruce Gary
Sologesang:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 201)
recording of:
My Sharona
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.14:55
11Faded
recording of:
Faded
Komponist(in):
Ben Harper (singer, guitarist, The Innocent Criminals)
Ben Harper4:52
12Almost Honest
recording engineer und Mix:
Jeff Balding
assistierende(r) Techniker(in):
Mark Hagen
Koproduzent(in):
Dave Mustaine
Produzent(in):
Dann Huff
Bassgitarre:
David Ellefson
E-Gitarre:
Marty Friedman (former Megadeth guitarist, living in Tokyo) und Dave Mustaine
Schlagzeug:
Nick Menza
Hintergrundgesang:
David Ellefson, Marty Friedman (former Megadeth guitarist, living in Tokyo) und Nick Menza
Sologesang:
Dave Mustaine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
aufgenommen bei:
The Tracking Room in Nashville, Tennessee, Vereinigte Staaten (in 1997)
zusätzlich aufgenommen bei:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
recording of:
Almost Honest
Texter:
Dave Mustaine
Komponist(in):
Marty Friedman (former Megadeth guitarist, living in Tokyo) und Dave Mustaine
publisher:
Adam Martin Music (in 1997), Mustaine Music (in 1997) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1997)
Megadeth3.354:07
13White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:14
14Fake Plastic Trees
recording engineer:
Jonny Greenwood (English musician and score composer)
Sound-Engineering:
Jim Warren (producer/engineer)
assistierende(r) Techniker(in):
Guy Massey (UK producer/engineer) und Shelley Saunders
Techniker(in):
Chris Brown (engineer), Nigel Godrich (English record producer), John Leckie und Jim Warren (producer/engineer)
Produzent(in):
John Leckie
Mix:
John Leckie, Paul Q. Kolderee, Radiohead und Sean Slade
Editing:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
Bassgitarre:
Colin Greenwood (English bassist in Radiohead) (von 1994-02 bis 1994-11)
Bratsche / Viola und Geige / Violine:
John Matthias (von 1994-02 bis 1994-11)
Cello:
Caroline Lavelle (von 1994-02 bis 1994-11)
Gitarre:
Jonny Greenwood (English musician and score composer) (von 1994-02 bis 1994-11), Ed O’Brien (guitarist & songwriter in Radiohead) (von 1994-02 bis 1994-11) und Thom Yorke (von 1994-02 bis 1994-11)
Klavier:
Jonny Greenwood (English musician and score composer) (von 1994-02 bis 1994-11) und Thom Yorke (von 1994-02 bis 1994-11)
Orgel und Synthesizer:
Jonny Greenwood (English musician and score composer) (von 1994-02 bis 1994-11)
Perkussion und Schlagzeug:
Philip Selway (drummer in Radiohead) (von 1994-02 bis 1994-11)
Hintergrundgesang:
Ed O’Brien (guitarist & songwriter in Radiohead) (von 1994-02 bis 1994-11)
vocals:
Thom Yorke (von 1994-02 bis 1994-11)
Saiteninstrumente arranger:
Jonny Greenwood (English musician and score composer) und Thom Yorke
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1994-02 bis 1994-11), RSK in London (Greater London), England, Vereinigtes Königreich (von 1994-02 bis 1994-11) und The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1994-02 bis 1994-11)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Fort Apache in Cambridge, Massachusetts, Vereinigte Staaten
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Fake Plastic Trees (promo video) von Radiohead
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 109) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 377)
recording of:
Fake Plastic Trees (von 1994-02 bis 1994-11)
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Radiohead4.554:51