1000 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD: Volume I CD1
#	Title	Artist	Rating	Length
1	Crux fidelis performer: Neil McEwan and David Russell (classical guitarist)	[anonymous]		4:00
2	Sumer is icumen in (live) vocals: The Song Company (Australian vocal ensemble) conductor: Roland Peelman (Belgian-born Australian conductor)	[anonymous]		2:56
3	Spem in alium choir vocals: Cantillation conductor: Antony Walker (Australian conductor) recording of: Spem in alium composer: Thomas Tallis (composer)	Thomas Tallis		9:40
4	Lachrimae lute: Rosemary Hodgson (lutenist) performer: Justin Burwood (tenor) recording of: Lachrimae Pavan (catch-all for unspecified version) composer: John Dowland (composer and lutenist)	John Dowland		5:50
5	Vespers of the Blessed Virgin Mary: 3. Nigra sum instruments: Tommie Andersson and Daniel Yeadon (cello and viol player) tenor vocals: Paul McMahon (Australian tenor) recording of: Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments)	Claudio Monteverdi		4:04
6	Dido and Aeneas, Z. 626: Act III: “Thy hand, Belinda… When I am laid in earth” mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) orchestra: Adelaide Symphony Orchestra conductor: Nicholas Milton (conductor) recording of: Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) composer: Henry Purcell (Baroque composer) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		4:36
7	Rosary Sonatas: No. 10 “Crucifixio”, C 99: 3. Variatio cello: Rosanne Hunt harpsichord and organ: Linda Kent (harpsichordist / organist) violin: Elizabeth Wallfisch (violinist) partial recording of: The Mystery Sonatas: The Five Sorrowful Mysteries: 10. The Crucifixion composer: Heinrich Ignaz Franz von Biber (composer) part of: The Church Music of Heinrich Biber (number: C 99) adaptations: Violin Sonata in A minor “Victori der Christen” part of: The Mystery Sonatas	Heinrich Ignaz Franz von Biber		4:04
8	Lidio e Clori: Ah! si, purtroppo è vero (Ah yes, alas it is true) instruments: Chacona countertenor vocals [Lidio]: James Sanderson (counter-tenor) soprano vocals [Clori]: Jane Edwards (Australian soprano) conductor: Rosalind Halton (harpsichordist) partial recording of: Dove fuggi, o bella Clori, H. 210 "Lidio e Clori" composer: Alessandro Scarlatti (composer) part of: Alessandro Scarlatti’s Cantate da Camera (number: H. 210)	Alessandro Scarlatti		3:53
9	The Four Seasons: “Spring” (Violin Concerto in E major), op. 8 no. 1, RV 269: I. Allegro violin [baroque violin]: Elizabeth Wallfisch (violinist) (from 1996-08-20 until 1996-08-26) orchestra: Australian Brandenburg Orchestra (from 1996-08-20 until 1996-08-26) conductor: Paul Dyer (conductor) (from 1996-08-20 until 1996-08-26) arranger: Ernest Pätzold (arranger) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1996-08-20 until 1996-08-26) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1996-08-20 until 1996-08-26) composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		3:31
10	Dardanus, Act III: “Paix favorable, paix adorable” bass vocals: David Greco (baritone) soprano vocals: Anna Fraser (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Dardanus, RCT 35 : Acte III, Scène 3. « Paix favorable, paix adorable » (Une Phrigienne, Un Phrigien) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Dardanus, RCT 35 : Acte III	Jean‐Philippe Rameau		2:05
11	Stabat Mater, P. 77: 1. Stabat Mater Dolorosa mezzo-soprano vocals: Sally-Anne Russell (Australian mezzo-soprano vocalist) soprano vocals: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		4:29
12	Brandenburg Concerto no. 3 in G major, BWV 1048: 1. Allegro orchestra: Orchestra of the Antipodes conductor: Anna McDonald (Australian violinist and conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)	Johann Sebastian Bach		5:33
13	Concerto for Two Violins in D minor, BWV 1043: 1. Vivace recording engineer and producer: Virginia Read (engineer/editor/producer) (in 2005-10) violin: Helena Rathbone (violinist) (from 2005-10-20 until 2005-10-24) and Richard Tognetti (violinist & conductor) (from 2005-10-20 until 2005-10-24) orchestra: Australian Chamber Orchestra (Australian orchestra founded in 1975) (from 2005-10-20 until 2005-10-24) conductor: Richard Tognetti (violinist & conductor) recorded at: Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2005-10-20 until 2005-10-24) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 2005-10-20 until 2005-10-24) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		3:26
14	Lobet den Herrn, BWV 230 instruments: Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist) and Daniel Yeadon (cello and viol player) conductor: Antony Walker (Australian conductor) recording of: Lobet den Herrn, alle Heiden, BWV 230 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 230) and Bach Compendium (number: BC C 6)	Johann Sebastian Bach		6:57
15	The Well‐Tempered Clavier, Book I, BWV 846: Prelude in C major harpsichord: Erin Helyard recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1722) part of: Notebook for Anna Magdalena Bach (1725) (number: 29) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 revision of: Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)	Johann Sebastian Bach		2:06
16	Water Music Suite in D major, HWV 349: 2. Alla Hornpipe orchestra: Tasmanian Symphony Orchestra conductor: Graham Abbott recording of: Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	George Frideric Handel		3:12
17	Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord” choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:28
18	Julius Caesar in Egypt, HWV 17: Piangerò la sorte mia (I shall weep at my fate) soprano vocals: Yvonne Kenny (Australian soprano) orchestra: Australian Brandenburg Orchestra conductor: Paul Dyer (conductor) recording of: Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) composer: George Frideric Handel (German‐British baroque composer) (in 1724) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto III	George Frideric Handel		5:41

2▶CD: Volume 1 CD2

3▶CD: Volume 1 CD3

4▶CD: Volume I CD4

5▶CD: Volume II CD1

6▶CD: Volume II CD2

7▶CD: Volume II CD3

8▶CD: Volume II CD4

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Release information

Barcode:: 0028948124565
Format:: 8×CD
Length:: 10:06:48

Additional details

Type:: Album + Compilation
Packaging:: Fatbox
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

ABC Classics
481 2456

Release events

Australia
2016

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Last updated on 2025-07-12 06:00 UTC