Great Sacred Masterpieces

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
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1Mass in B minor, BWV 232: Kyrie: Kyrie eleison (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:54
2Mass in B minor, BWV 232: Kyrie: Christe eleison (Soprano I and II)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:18
3Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:32
4Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50
5Mass in B minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
6Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
7Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:00
8Mass in B minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
9Mass in B minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
10Mass in B minor, BWV 232: Credo: Et resurrexit tertia die (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
11Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
12Mass in B minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
13Mass in B minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
14Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
15Mass in B minor, BWV 232: Benedictus: Osanna in excelsis (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
16Mass in B minor, BWV 232: Agnus Dei: Agnus Dei (Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
17Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39
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