Oper für Dummies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1L'Orfeo, favola in musica, SV 318, Prologue: Toccata
Orchester:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
Teil von:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
L’Orfeo, SV 318
Claudio Monteverdi1:39
2L'Incoronazione di Poppea, SV 308, Act 3 Scene 8: "Pur ti miro" (Poppea, Nerone)
Mezzosoprangesang:
Della Jones (mezzo-soprano) (in 1988-07)
Soprangesang:
Arleen Augér (soprano) (in 1988-07)
Orchester:
City of London Baroque Sinfonia (chamber orchestra) (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990) und Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1990)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1988-07)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1988-07)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:40
3Dido and Aeneas, Z. 626, Act 3 Scene 2: "When I am laid in earth"" (Dido)
Mezzosoprangesang [Dido]:
Susan Graham (mezzo-soprano) (von 2003-03-14 bis 2003-03-16)
Orchester:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (von 2003-03-14 bis 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (von 2003-03-14 bis 2003-03-16)
aufgenommen bei:
Arsenal de Metz in Metz, Moselle, Grand Est (Großer Osten), Frankreich (von 2003-03-14 bis 2003-03-16)
Bearbeitung von:
Dido & Aeneas: When I Am Laid in Earth von Susan Graham (mezzo-soprano), Le Concert d'Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (von 2003-03-14 bis 2003-03-16)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:00
4Bajazet, RV 703, Act 2 Scene 7: No. 15, Aria, "Sposa, son disprezzata" (Irene)
Sound-Engineering:
Frédéric Briant
assistierende(r) Techniker(in):
Louis-Philippe Fourrez
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Editing:
Simon Fox-Gál
Mezzosoprangesang [Irene]:
Vivica Genaux (mezzo-soprano) (von 2004-04-10 bis 2004-04-15)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2004-04-10 bis 2004-04-15)
conductor:
Fabio Biondi (conductor/violinist) (von 2004-04-10 bis 2004-04-15)
Tonmeister(in):
服部光一郎 (engineer)
aufgenommen bei:
Flagey Arts Center: Studio 4 in Brussels (Region Brüssel-Hauptstadt), Belgien (von 2004-04-10 bis 2004-04-15)
recording of:
Il Bajazet, Atto II, Scena 7: Aria. «Sposa, son disprezzata» (Irene) (von 2004-04-10 bis 2004-04-15)
Komponist(in):
Geminiano Giacomelli und Antonio Vivaldi (Italian baroque composer and violinist)
Librettist:
Apostolo Zeno
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
basiert auf:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
quotes lyrics from:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
Teil von:
Bajazet, RV 703: Act II
Antonio Vivaldi6:26
5Giustino, RV 717, Act 1 Scene 7: No. 9, Aria, "Vedrò con mio diletto" (Anastasio)
Produzent(in):
Étienne Collard
Countertenorgesang:
Philippe Jaroussky (countertenor) (von 2006-07-03 bis 2006-07-10)
Orchester:
Ensemble Matheus (von 2006-07-03 bis 2006-07-10)
conductor:
Jean‐Christophe Spinosi (von 2006-07-03 bis 2006-07-10)
Tonmeister(in):
Michel Pierre (audio engineer)
recording of:
Giustino: Vedro con mio diletto (Anastasio) (von 2006-07-03 bis 2006-07-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Giustino, RV 717: Act I
Antonio Vivaldi5:12
6Rinaldo, HWV 7b, Act 2 Scene 4: No. 20, Aria, "Lascia ch'io pianga" (Almirena)
Soprangesang [Almirena]:
Jane Gilchrist
Orchester:
Slovak Radio Orchestra (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Kirk Trevor (cellist/conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:23
7Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse)
Instrumente:
Il Seminario Musicale (French baroque music ensemble)
Countertenorgesang und Hochgesang:
Gérard Lesne (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:38
8Alcina, HWV 34, Act 2 Scene 13: No. 28, Aria, "Ombre pallide, lo so, mi udite" (Alcina)
Soprangesang [Alcina]:
Arleen Augér (soprano)
Orchester:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Alcina, HWV 34: Atto II, Scena XIII, XXIII. Aria “Ombre pallide, lo so, mi udite” (Alcina)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Alcina, HWV 34: Atto II
George Frideric Handel6:36
9La gazza ladra: Sinfonia (Maestoso marziale - Allegro)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1964-04-01 bis 1964-04-03)
conductor:
Carlo Maria Giulini (conductor) (von 1964-04-01 bis 1964-04-03)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-04-01 bis 1964-04-03)
recording of:
La gazza ladra: Ouverture (Die diebische Elster: Ouvertüre) (von 1964-04-01 bis 1964-04-03)
Komponist(in):
Gioachino Rossini (composer) (in 1817)
Librettist:
Giovanni Gherardini
Teil von:
La gazza ladra
Teil von:
The Thieving Magpie (English version by Sams)
Gioachino Rossini10:31
10Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Rosina]:
Maria Callas (soprano) (von 1957-02-07 bis 1957-02-14)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1957-02-07 bis 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (von 1957-02-07 bis 1957-02-14)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1957-02-07 bis 1957-02-14) und Douglas Larter (von 1957-02-07 bis 1957-02-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1957-02-07 bis 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (von 1957-02-07 bis 1957-02-14)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:17
11Il barbiere di Siviglia, Act 1: "La ran la le ra ... Largo al factotum della città" (Figaro)
Baritongesang [Figaro]:
Thomas Hampson (baritone) (in 1992)
Orchester:
Orchestra della Toscana (in 1992)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (in 1992)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:20
12La Cenerentola, Act 2 Scene 10: "Non più mesta accanto al fueco" (Cenerentola, Chorus)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Jacopo Ferretti
Teil von:
La Cenerentola: Atto II
Gioachino Rossini3:07
13L'elisir d'amore, Act 2 Scene 7: No. 11, Romanza, "Una furtiva lagrima" (Nemorino)
recording engineer:
Wilfried Hauer (recording engineer) (von 2003-07-05 bis 2003-07-09)
leitende(r) Produzent(in):
Alain Lanceron (von 2003-07-05 bis 2003-07-09)
Produzent(in):
Wilhelm Meister (Tonmeister / recording producer) (von 2003-07-05 bis 2003-07-09)
Editing:
Elisabeth Panzer (engineer) (von 2003-07-05 bis 2003-07-09)
Tenor-Gesang:
Rolando Villazón (tenor) (von 2003-07-05 bis 2003-07-09)
Orchester:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (von 2003-07-05 bis 2003-07-09)
conductor:
Marcello Viotti (conductor) (von 2003-07-05 bis 2003-07-09)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) und Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
aufgenommen bei:
Bavarian Radio: Studio 1 in München, Bayern, Deutschland (von 2003-07-05 bis 2003-07-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (von 2003-07-05 bis 2003-07-09)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:27
14Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia)
Soprangesang [Lucia]:
Edita Gruberová (soprano)
Orchester:
Royal Philharmonic Orchestra
conductor:
Nicola Rescigno (conductor)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa)
Texter:
Salvadore Cammarano (Italian librettist)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
Gaetano Donizetti5:28
15Don Pasquale, Act 3 Scene 6: No. 12a, Serenata, "Com' è gentil la notte a mezzo" (Ernesto, Chorus)
vocals:
Sesto Bruscantini (bass-baritone)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Gaetano Donizetti (Italian opera composer) und Giovanni Ruffini (librettist)
Teil von:
Don Pasquale: Atto III
Gaetano Donizetti4:01
16Norma, Act 1 Scene 4: No. 4b, Aria, "Casta diva" (Norma, Chorus)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:35
17I puritani, Act 1 Scene 8: "Son vergin vezzosa" (Elvira)
Soprangesang und Soprangesang [Elvira]:
June Anderson (soprano)
Orchester:
Monte-Carlo Philharmonic Orchestra
conductor:
Nicola Rescigno (conductor)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto I
Vincenzo Bellini4:15
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