I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Brandenburg Concerto No. 2, BWV1047 - Allegro assai
flute:
Jean‐Pierre Rampal (flautist) (in 1959)
oboe:
Pierre Pierlot (oboist) (in 1959)
piccolo trumpet:
Maurice André (French trumpeter) (in 1959)
violin:
Gérard Jarry (violinist) (in 1959)
conductor:
Jean‐François Paillard (French conductor) (in 1959)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1959)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:54
2Lute Suite No. 1 in E minor, BWV966: Bourrée
lute:
Julian Bream (in 1956-05)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1956-05)
recording of:
Suite in E minor, BWV 996: V. Bourrée (in 1956-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
Johann Sebastian Bach1:35
3Piano Sonata 14 in C sharp minor "Moonlight" Op. 27 No. 2: Adagio sostenuto
piano:
Claudio Arrau (pianist) (on 1950-11-01)
recorded at:
Studio No. 3, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1950-11-01)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (on 1950-11-01)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:48
4Metastasis (excerpt)
orchestra:
Southwest German Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1955-10)
conductor:
Hans Rosbaud (conductor) (in 1955-10)
partial recording of:
Metastaseis B (published version)
composer:
Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer) (from 1953 until 1954)
dedicated to:
Maurice Le Roux
part of:
Anastenaria
revision of:
Metastaseis A (original version)
Iannis Xenakis2:30
5Gesang der Jünglinge
recorded at:
Studio for Electronic Music of West German Radio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1956)
recording of:
Gesang der Jünglinge, Nr. 8 (in 1956)
composer:
Karlheinz Stockhausen (composer) (from 1955 until 1956)
dedicated to:
Doris Stockhausen-Andreae
publisher:
Stockhausen‐Verlag
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 8)
Karlheinz Stockhausen13:02
6Thema (Omaggio a Joyce)
vocals:
Cathy Berberian (mezzo‐soprano)
recorded at:
Studio di Fonologia of the RAI, Milan in Milano (Milan), Milano, Lombardia, Italy (in 1958)
recording of:
Thema (Omaggio a Joyce)
lyricist:
James Joyce (Irish writer)
composer:
Luciano Berio (Italian composer) (in 1958)
Luciano Berio6:15
7Williams Mix
sound engineer:
Robert E. Blake (engineer)
engineer:
Colonel Richard Ranger and Louis A. Stevenson, Jr.
producer:
George Avakian (US 1940–90s record producer)
performer:
Earle Brown (American composer, engineer), John Cage (American composer) and David Tudor (American musician and composer)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1958-05-15)
recording of:
Williams Mix (on 1958-05-15)
composer:
John Cage (American composer) (in 1952)
publisher:
Peters Edition Ltd.
John Cage5:41
8The Murder from "Psycho"
conductor:
Bernard Herrmann (composer) (in 1960)
recorded at:
Paramount Studios in Hollywood, Los Angeles, California, United States (in 1960)
recording of:
The Murder (in 1960)
composer:
Bernard Herrmann (composer)
part of:
Psycho
Bernard Herrmann1:02
9King Lear (Act IV, Scene 6) lines 249-262
spoken vocals [Edgar]:
Philip Guard (actor) (on 1967-09-29)
spoken vocals [Gloucester]:
Mark Dignam (English actor) (on 1967-09-29)
spoken vocals [Oswald]:
John Bryning (actor) (on 1967-09-29)
partial recording of:
King Lear (on 1967-09-29)
writer:
William Shakespeare (English poet and playwright)
William Shakespeare0:45
10Symphony No. 7 in C major Op. 105 (excerpt): Vivace - Presto - Adagio
orchestra:
Royal Philharmonic Orchestra (on 1955-11-25)
conductor:
Sir Thomas Beecham (conductor) (on 1955-11-25)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1955-11-25)
partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1955-11-25)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius4:32
11Improvisation on the theme music from Pather Panchali
producer:
Richard Bock (record producer)
flute:
Bud Shank (in 1962)
sitar:
Ravi Shankar (in 1962)
tabla:
Kanai Dulla (in 1962)
tanpura [tamboura]:
Nodu C. Mullick (in 1962)
recorded at:
World Pacific Studios in Hollywood, Los Angeles, California, United States (in 1962)
Ravi Shankar7:06
12Daphnis & Chloe: Lever du jour - Scène
choir vocals:
Chorus of the Royal Opera House, Covent Garden (on 1959-04-28)
orchestra:
London Symphony Orchestra (on 1959-04-28)
conductor:
Pierre Monteux (conductor) (on 1959-04-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1959-04-28)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (on 1959-04-28)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel5:15
13Prélude à l'après-midi d'une faune
recorded in:
Paris, Île-de-France, France (on 1958-05-03)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1958-05-03)
conductor:
Constantin Silvestri (Romanian conductor and composer) (on 1958-05-03)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1958-05-03)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:03
14Estampes for Piano: no. 2, La soirée dans Grenade
piano:
Rudolf Firkusny (pianist) (in 1956-05)
recorded at:
Capitol 46th St. Studios in New York, New York, United States (in 1956-05)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:15
15Neptune, the Mystic (Andante) from The Planets, Op. 32
choir vocals:
BBC Women's Chorus (subgroup of BBC Singers (1935-1961), and of BBC Chorus (1961-1972)) (in 1957-09)
orchestra:
BBC Symphony Orchestra (in 1957-09)
conductor:
Sir Malcolm Sargent (conductor) (in 1957-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-09)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (in 1957-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:08
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