Symphonik 6: Symphonische Dichtung

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Moldau
orchestra:
Vienna Symphonic Orchestra (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedrich Smetana12:50
2Romeo und Julia
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Peter Iljitsch Tschaikowsky18:13
3Vier Tondichtungen für großes Orchester nach A. Böcklin op. 128: I. Der geigende Eremit
solo violin:
Ralf-Carsten Brömsel (in 1988-10)
conductor:
Jörg‐Peter Weigle (chorus master) (in 1988-10)
performer:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1988-10)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1988-10)
recording of:
Four Tone Poems after A. Böcklin, op. 128: I. Der geigende Eremit (in 1988-10)
composer:
Max Reger (German composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger10:19
4Vier Tondichtungen für großes Orchester nach A. Böcklin op. 128: II. Im Spiel der Wellen
conductor:
Jörg‐Peter Weigle (chorus master) (in 1988-10)
performer:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1988-10)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1988-10)
recording of:
Four Tone Poems after A. Böcklin, op. 128: II. Im Spiel der Wellen (in 1988-10)
composer:
Max Reger (German composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger4:43
5Vier Tondichtungen für großes Orchester nach A. Böcklin op. 128: III. Die Toteninsel
conductor:
Jörg‐Peter Weigle (chorus master) (in 1988-10)
performer:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1988-10)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1988-10)
recording of:
Four Tone Poems after A. Böcklin, op. 128: III. Die Toteninsel (in 1988-10)
composer:
Max Reger (German composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger9:22
6Vier Tondichtungen für großes Orchester nach A. Böcklin op. 128: IV. Bacchanal
conductor:
Jörg‐Peter Weigle (chorus master) (in 1988-10)
performer:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1988-10)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1988-10)
recording of:
Four Tone Poems after A. Böcklin, op. 128: IV. Bacchanal (in 1988-10)
composer:
Max Reger (German composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger5:08
7Les Préludes
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Юрий Аранович (Yuri Ahronovitch, conductor)
recording of:
Les Préludes, S. 97
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
Franz Liszt16:26
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Credits

Release

manufactured in:Germany
graphic design:Adam Backhausen (design/illustration)
part of:Classic Edition (Capriccio) (number: 6) (order: 6)